For nearly 10 years, ‘Team Philpott’, as their followers fondly refer to them, have been on a quite bonkers crusade, writing good old-fashioned letters to pop and rock stars (sometimes even sent to their home addresses with prior consent!), either picking up on genuine ambiguities within their... show more
For nearly 10 years, ‘Team Philpott’, as their followers fondly refer to them, have been on a quite bonkers crusade, writing good old-fashioned letters to pop and rock stars (sometimes even sent to their home addresses with prior consent!), either picking up on genuine ambiguities within their lyrics or often deliberately misunderstanding them for comedic effect.
The letters are eminently publishable in their own right, mixing sharp wit, confusion, and unarguable logic in relation to questioning the offending chart hits under scrutiny.
What makes this project especially deserving of attention, however, is that it has achieved a feat never before attempted or probably even thought of. With the missives online for all to see on what was becoming a hugely popular website, the artists quite unexpectedly started to reply, writing back in just as witty and articulate a fashion, politely pointing out exactly where the original letter went wrong...or right.
Also, crucially, nearly all of the responses were procured via ''the back door of the industry'', via roadies, mutual fans, cousins of bass players, and even other famous participants telling the artists directly of the Philpotts’ written pressing inquiries. This marvellous online community, which stretched as far afield as Europe, Canada, Japan, the U.S.A, Australia and Stoke, even cultivated and organically evolved the whole surreal venture by offering up willing stars that the authors would probably not have thought of corresponding with themselves, establishing contact through personal connections.
‘Dear Mr. Popstar’’ proudly features nearly 100 of the best letters and responses from famous and legendary names spanning the whole pop and rock spectrum, all relishing their involvement and revealing their own, in many cases, hitherto unknown humorous sides within what could well be the most interactive dialogue compiled between music stars and their audience ever undertaken. Of course, it is not always possible to reach certain targets, hence many unanswered observations are also included, as they were considered too amusing not to be.
Those to be saluted for their great sportsmanship are:- Deep Purple, Dr. from Dr. and The Medics, Nik Kershaw, Judas Priest, Starship, Tears For Fears, The Eurythmics, Wreckless Eric, Smokie, The Strawbs, The Belle Stars, Van Der Graaf Generator, Martha and the Muffins, Thunder, Squeeze, Dean Friedman, Fairground Attraction, The Ruts, Neil Innes from The Bonzo Dog Band, DEVO, Melanie, Alannah Myles, Ian Gillan, Was Not Was, Republica, Then Jerico, Dr. Hook, Toploader, Cutting Crew, Lindisfarne, Spinal Tap, Mott The Hoople, Fuzzbox, Men Without Hats, China Crisis, Mental As Anything, David MacIver and Rupert Hine (Quantum Jump), Timbuk 3, The Rezillos, Saxon, John Otway, The Human League, Chesney and Chip Hawkes, Tenpole Tudor, Shakatak, Katrina and the Waves, Eddie & The Hot Rods, Heaven 17, Dave Stewart & Barbara Gaskin, Matthew Wilder, Middle of the Road, Liquid Gold, The Christians, Paper Lace, Dodgy, Daevid Allen, Bruce Woolley, Sad Cafe, The Housemartins, Francis Dunnery (It Bites), Johnny Hates Jazz, The Wurzels, Peter Noone, Suzi Quatro, Strawberry Switchblade, Danny Wilson, Racey, Electric Prunes, The Waitresses, Fiddler's Dram, Bauhaus, Climax Blues Band, The Jags, EMF, T’Pau, Nu Shooz, Owen Paul, Steve Hackett, Steve Ellis of Love Affair, Hazell Dean, The Knack, The Maisonettes, Del Amitri, The Skids, Jesus Jones, The Soup Dragons, City Boy, Modern Romance, Wang Chung, The Kursaal Flyers, Fischer Z, Bruce Thomas of The Attractions, Scarlet Fantastic, The B52s. Junior, Spear of Destiny, Carter The Unstoppable Sex Machine.
Ultimately, this book explores how when a song is released into ‘the wild’ the artist loses all control over it, especially pertaining to its interpretation. It is also testimony to the community spirit capable of being created over social media and how positive and fun it can be.