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Falling Angels - Tracy Chevalier
Falling Angels
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In Falling Angels, Tracy Chevalier has combined a moving elegy to the lost innocence of the 21st century's grandmothers and great-grandmothers with a reminder of the strength and modernity of their aspirations and achievements. Maude and Livy are aged six in 1901, when Queen Victoria has just... show more
In Falling Angels, Tracy Chevalier has combined a moving elegy to the lost innocence of the 21st century's grandmothers and great-grandmothers with a reminder of the strength and modernity of their aspirations and achievements. Maude and Livy are aged six in 1901, when Queen Victoria has just died and the whole country is in mourning. In 1910 they are almost young women who have experienced their own personal losses and belong to a generation who are no longer prepared to wear black for months to mark the death of Edward VII. Their families, the Colemans and the Waterhouses ("no relation to the painter"), meet in a graveyard beside their family graves. One has a large marble angel erected above it, the other an urn (an allusion more to the morbidity of a Victorian columbarium than the eternity of Keats' pre-Victorian "unravish'd bride of quietness"). Their choices of a monument to death seem to reflect their differing attitudes to life, but Chevalier makes clear that these two families are forever linked in their fates and aspirations. The story moves swiftly, switching to multiple narratives: young but quickly maturing Maude and Livy; the adult Colemans and Waterhouses; their servants; and Simon the gravedigger boy. Chevalier has chosen carefully who speaks when, and who, more importantly, keeps silent. Livy's little sister Ivy May is one of the most beguiling figures of the work, but is given only two sentences of her own (and those two bring a lump to the throat). Mrs Coleman's experiences with the campaign for women's suffrage are marginalised through silence; Maude and Livy tell instead of their reaction to the women's antics. And while Falling Angels may be a story of women, despite, or perhaps because of their exclusion from contemporary politics, Simon's observations are the most honest and revealing. Chevalier herself writes after the story's end that "the Acknowledgements is the only section of a novel that reveals an author's "normal" voice. Every character uses their "normal" voice in this novel, and Chevalier's own voice excels in ensuring that each one is unique (for example, everything is "delicious" for Livy), so that, like Mr Coleman mourning his daughter growing up, you will "miss her when she goes". --Olivia Dickinson
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ISBN: 9780007135714 (0007135718)
Edition language: English
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Community Reviews
Listening to the Silence
Listening to the Silence rated it
4.0 Falling Angels
In Falling Angels Tracy Chevalier tells the story of two London families at the dawn of the Edwardian era. The day after Queen Victoria's death both the Colemans and the Waterhouses visit the cemetary, visiting the gravesites of their own family. Their plots are adjoining and their daughters, Maud...
altheaann
altheaann rated it
I enjoyed Chevalier's "Girl with a Pearl Earring' so I picked this up as well.It's a character-driven historical novel of two families, especially their daughters, who grow up as neighbors, their lives intertwining and becoming complicated through the cemetery by their homes, from the death of Victo...
Cecily's book reviews
Cecily's book reviews rated it
3.0
Having multiple narrators means you effectively (though in a rather contrived way) see different views of death, class, relationships, suffragettes and growing up in the changeable times at the start of the 20th century.
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