Reading Victoria Holt's India Fan brought to my mind M.M. Kaye, who is best known for her massive, sweeping epic romance of India during the twilight of the British Raj, The Far Pavilions. Along with that book, she wrote two additional pieces of rather massive historical romance – The Shadow of the Moon and Trade Winds. In addition to those three books, she wrote a brief, entertaining series of mysteries set in exotic locations.
While this is now nominally marketed as a series (Death In . . . ), each of the books is 100% stand-alone, with different characters entirely. There is a slight overlap between Death In Zanzibar and Trade Winds, which is really only interesting for fans of M.M. Kaye.
I remember reading at least Death in Zanzibar and Death in Kenya as a teenager. I first read The Far Pavilions, which was one of my favorite books for many years, probably very soon after it was published in 1978, when I was 12. I would estimate that I took off of my mother’s bookshelf at around the age of 16, because I read a lot of historical romance of varying quality during those years, and had a definite affinity for epic historicals. After reading the three historical romances, I definitely picked up a few of Kaye’s mysteries. The covers would have been very different from Minotaur’s bright colored, almost Picasso-esque covers – something more like this:
Like Georgette Heyer, who also wrote at least a few mysteries, Kaye seems to be primarily a writer of romance, so all of her mysteries have a strong romantic sub-plot. In each, the main character is a young, unmarried, attractive woman who finds herself embroiled in a murder case in some capacity. These pairings tend to be quite regressive, and often involve the sort of interfering, (some might say controlling) overly-protective male love interest that is seen in other romance novels of the time period (Death in Kenya, the first of the mysteries, was published in 1953, while Death in the Andamans, the last of them, was published in 1960). This can be jarring to readers who’ve grown up with fiction (and reality) where the relationships are far more egalitarian.
Kaye had a fascinating life – she was born in Simla, in British India prior to Indian independence – her father was a British officer in the Indian Army. She married an officer in the British army as well, and spent her marriage in 27 different postings over 19 years, many of which she used as settings for her novels. She wrote a multi-part autobiography, which given how fascinating and insightful her fiction is, appears to be well worth checking out.
Since 2017, I’ve reread all of Kaye’s crime fiction and enjoyed them all with varying levels of enthusiasm. Over time, I’m sure that I will get reviews posted for all of them – they are well worth reading for people who enjoy romantic mysteries set in exotic, faraway places.