Eh. Not great, but not bad. The MC, Delaney was pushy - I'd have gotten really shirty with her had I been one of the other characters. Very woman-with-a-mission; even though it wasn't of the 'I can do the police's job better' variety, it was still overbearing and unrealistic.
I did like the Burke and Hare theme though, and I thought they mystery itself was well plotted and a little diabolical, even if part of it didn't work.
The murder suspect is accused of killing three patients on the table - the first one is called a botched appendectomy. So if he isn't the murderer, how did the real murderer kill three of his patents in surgery while making it look like his fault? If they happened post op, it was never specified.
I usually like these for the ambiance (Edinburgh), this history sprinkled throughout and the setting of a bookshop with an attached room of treasures, collected over time by the owner. I'll keep reading them, unless Delaney continues to be pushy and overbearing.
I generally enjoy the books in this series, and I should have enjoyed this one more; it had elements designed to appeal to me, like a murder of crows (collective noun not crime), an old spell book that won't burn, whose 17th century owner's ghost wants back, a current string of crimes that may or may not be connected to modern day Wiccans. Stolen art.
For the most part, I did enjoy it, but there was just a little something missing. It could very well be my mood; I'm still displaying shades of slump now and again. This may have affected my engagement with the book. It could also be the wedding planning bit that's tangentially a part of the plot. Or the egregious number of continuity errors the editor didn't catch; something I don't remember this series suffering from before.
Mostly, I think, that MC just wasn't quite focused enough to really involve the reader in the story. She had all of these intriguing things happening to/around her but for the most part, never involved her. The exception are the visions she had throughout the story, usually whenever she looked at a reflective surface. Her acceptance of them in this book was a relief, and I enjoyed these scenes a lot, as they imparted information about the mysteries.
It was a good story though, even though I keep rambling on about the nit-picky stuff. It held my attention while I was reading it and I was interested in seeing the mystery solved.
Politics have never been October “Toby” Daye’s strong suit. When she traveled to the Kingdom of Silences to prevent them from going to war with her home, the Kingdom of the Mists, she wasn’t expecting to return with a cure for elf-shot and a whole new set of political headaches.
Now the events she unwittingly set in motion could change the balance of modern Faerie forever, and she has been ordered to appear before a historic convocation of monarchs, hosted by Queen Windermere in the Mists and overseen by the High King and Queen themselves.
Naturally, things have barely gotten underway when the first dead body shows up. As the only changeling in attendance, Toby is already the target of suspicion and hostility. Now she needs to find a killer before they can strike again—and with the doors locked to keep the guilty from escaping, no one is safe.
As danger draws ever closer to her allies and the people she loves best, Toby will have to race against time to prevent the total political destabilization of the West Coast and to get the convocation back on track…and if she fails, the cure for elf-shot may be buried forever, along with the victims she was too slow to save.
Because there are worse fates than sleeping for a hundred years.
Thank goodness for Toby Daye. Yes, she’s a Fae hero who spends more time than she wants to rescuing the unwary and binding the wounds of her friends. And she even helped me—it’s true, this novel saw me through the last bit of the worst headache that I have had in many, many moons.
When I’m not feeling well, I reach for urban fantasy. It, along with pain killers, coffee, and soft lights, will see me through whatever is wrong in my world. This series is a particular favourite because I am also nuts about the Fae. Love ‘em. It all started with Patricia Briggs—I first encountered the Fae in her Mercy Thompson series—but it may culminate in McGuire’s October Daye series.
These books have perhaps become a bit predictable—Toby will end up covered in blood at least twice and will probably die/be on death’s door once. Two or three of her Buffy-like circle of friends will have something dire happen to them, which Toby must defy death to fix. Fae royalty will have to be told to get their heads outta their butts. But you know what? When you’ve got a migraine, predictable is good. It doesn’t take your best literary analysis skills to appreciate the book.
I enjoy all the various forms of Faerie found in these pages—someday I have to find time to read some folklore and get caught up on Selkies, Pixies, Coblynaus, etc. I also must reiiterate my fondness for the sea witch, the Luidaeg. She’s fierce and loving and uncompromising and loyal. And she’s got plans for our Toby girl. I’ll be reading on in the series to learn more about that, you betcha!
Merchanter Cargo Chief Marie Hawkins has never forgiven the crime, nor sought justice. Only vengeance. And, for 23 years, the Hawkins's clan ship, Sprite, has lived with her vendetta - and with her son, Tom, the boy sired in the violent assault.
Marie's attacker, Austin Bowe, is captain of the Corinthian. When both ships dock at Mariner Station, Marie vanishes and Tom searches for his mother...only to find himself trapped on Austin's ship with a half-brother he never knew he had and a crew fanatically loyal to Bowe. Now as the Corinthian flees the pursuing Sprite and a raider guns after both, the lives on board the two Merchanter ships are in the hands of Tom Hawkins. To save them all, Tom must trust his sworn enemy...His father.
Normally, I enjoy Cherryh’s work a lot—but this novel I struggled with. It’s that whole “story based entirely on a rape” scenario that I have a hard time with. I’m having exactly the same difficulty with Stephen R. Donaldson’s Gap series, which I still plan to continue on with and it’s the reason that I stopped reading Donaldson’s Thomas Covenant series after two books.
I had hoped that Cherryh would make Marie Hawkins a more understandable character, a woman who had a son as a result of a long-ago rape and dealt with it. Instead, it seemed to me that Marie was pretty unstable and had made her son Tom’s mental state questionable too. Is it a good thing when the son is better off as a prisoner/crew member with his pirate father than with his mother on a family ship? I guess this is Cherryh’s exploration of some of those problems that we can’t seem to get rid of, rape and child abuse. I don’t know about you, but I really want to believe that we can conquer those problems before we make it into space. Perhaps I watched too much Star Trek as a child.
The ending made me happier with the book, so if you find yourself floundering during the first chapters like I did, I would encourage you to read on. I’m not saying the end justifies the means, but I was quite satisfied with the end result.
Book number 290 in my Science Fiction and Fantasy reading project.