~~Moved from GR~~

The Age of Fable

by Thomas Bullfinch

No matter what other versions of the Greek myths you've read, there's a certain quaint charm to Bullfinch's take on the stories. Written in the 1850s, the book opens with a forward in which Bullfinch attempts to argue the value of mythology. He notes that without some background in mythology, the allusions of the famous poets will simply whizz over a reader's head, and also adds that despite its pagan beginnings, mythology contains pure and valuable moral lessons. He then proceeds to retell some of the most famous Greek stories, noting and laboriously explaining various later poetical allusions to each tale from writers such as Milton, Keats, Shakespeare, and more.

There's something rather precious about the Victorian writer's obvious discomfort with certain aspects of the myths. For one thing, Bullfinch has to work quite hard to extract his moral lessons; no matter how much you bowdlerize them, the major aesop of most Greek myths is, let's be honest, that you'd better "put out" whenever requested or someone is going to turn you into a tree. I also rather admire the complex feats of literary doublespeak that Bullfinch employs when handling the stories involving same-sex love; he does his best to either portray such relationships as (very) close "friendships" or simply obfuscates the pronouns. I had to laugh at his version of Sappho, as he tells the entire story without once revealing the gender of her lover.

I also found his emphasis rather interesting. The book is supposed to be a collection of myths and fables from around the world, yet almost the book focuses on Greek mythology (or, I suppose, Roman myths, as Bullfinch uses all the Roman names. Personally, I found that rather irritating as I had to keep translating them in my head.) After 35 chapters of Greek mythology, Bullfinch decides on a brief world tour--one chapter on Egyptian mythology, one chapter on "Eastern" mythology, three chapters on Norse mythology, and one chapter for the Celts. This actually can be seen as emblematic of the era; during Bullfinch's time, the Romans were venerated as having created a Utopian society that was lost to the dark ages, and--at least, according to the British--regained by Victoria's imperialistic regime. The fascination with Romans is then something of a self-congratulatory belief that the Victorian world recreated the splendour of the ancients.

Overall, Bullfinch's book exemplifies the Victorian attempt to both venerate and sterilize ancient folklore. Although perhaps not precisely true to their originals, I think Bullfinch's stories have a charm all their own.

Antigoddess is unlike anything I've read before. A fresh, creative, and engaging take on mythological gods and goddesses in the modern world, this third novel from Kendare Blake is sure to both wow current fans and earn her many more.

It's normal and completely expected to see novels and films that feature mythology, gods, and goddesses set in places and time periods that fit the stories and legends on which they are assumed to have taken place. Blake departs from this expected and well-established pattern, instead putting the gods and goddesses of myth into the modern world. A world in which they clearly do not fit in and where their meddling and use of humans garners very different reactions than during the historical periods in which they flourished. In one passage, Hera wreaks destruction on Chicago. The attack is speculated to be terrorist related; there isn't even the smallest mention of the wrath of a goddess as a potential cause of leveled buildings and multiple deaths.

I've always had an interest in mythology, but, at the same time, gods and goddesses have always seemed rather one-dimensional. They were motivated by simple desires and their personalities were very straight forward. They didn't have the complexity of, for example, human heroes featured in their stories. In Antigoddess, Blake gives these characters more malleable shapes and complex personalities, in a way, humanizing them. They are still very much set apart from humans, having living countless years and experiencing the invincibility of eternal life, but Blake creates a situation in which they are brought down from the throne of godliness. Suddenly, these timeless beings are forced to face the possibility of an end... of death. Death not only humanizes them, it makes them feel small... vulnerable... emotional... accountable. Through this unique premise, Blake's novel says something very important about the nature of humanity.

Even a reader who knows very little about mythology will enjoy and be able to understand the importance of the gods and goddesses featured in Antigoddess. Blake weaves a significant amount of detail, leading the reader to bits of information and background deatil without becoming overwhelming or falling into the habit of dropping large amounts of overwhelming information on the reader.

I highly recommend this first installment in The Goddess War series. With Antigoddess, Blake sets the scene for the series to reach epic proportions and I can't wait to see where she takes readers next.