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review 2021-07-19 22:46
Emma - Jane Austen,Fiona Stafford
3.5 Stars

Some of this book wasn't really interesting to me because there was a lot of talking about things relating to rank in society, but other things that were more personal pulled my attention. Emma wasn't one of my favorite characters, but I didn't dislike her either. I wouldn't excitedly tell someone that this is a favorite must-read of mine, but I do recommend it. It's like you just can't help getting caught up in their gossip and wonder the who's and what's.
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review 2020-07-04 06:17
Emma by Jane Austen
Emma - Jane Austen,Fiona Stafford

I have a rocky relationship with Jane Austen. I first read her major works for bragging rights when too young to appreciate them. Then as an adult, I read Mansfield Park and Persuasion, and decided, nope, Austen wasn’t for me. And then I read Northanger Abbey. And it was fun! And funny! So recently, I embarked on a re-read project of Austen’s three most popular works, and what a difference those intervening years have made.

Warning: there will be SPOILERS below.

First of all, I have a strong preference when it comes to Austen’s novels: I enjoy her wit and insight, but not her moralizing, which is why I had great fun with Emma, Pride and Prejudice, and Northanger Abbey, but found her other books to drag. Her dynamic, imperfect heroines, the ones with real foibles to poke fun at, whose journeys involve needing to grow and change as they learn more about the world and themselves: these are great fun to read about. Her static, flawless heroines who don’t go on a journey so much as stand by while others learn to better appreciate their perfection: ugh, no thank you.

Happily, Emma falls into the first category. It’s one of Austen’s longer books, and I remember taking forever to read it, but this time I burned through, finding the story compelling and fun. It feels a bit more polished than some of Austen’s work, with longer chapters that flow naturally together. It’s also a little ridiculous with its endless misunderstandings, but each one individually is believable. Its characters feel real, and Austen’s observation of certain aspects of human nature is dead-on: Mr. Woodhouse, who allows his high levels of anxiety to control his life and limit the activities of everyone around him, is so much like some real people I know that I was irritated at him every time he appeared on the page. For all her flaws, I can’t help thinking Emma’s a bit of a saint for so patiently putting up with him.

Most interestingly though, as it turns out few people (including my younger self) seem to realize what this novel is actually about. It’s not a romance: for most of the book Mr. Knightley acts the part of a father-figure to Emma, she doesn’t realize her feelings for him till near the end, and before that point there’s only one brief moment of chemistry between them; romance is her reward at the end, but not the subject of her story. It’s not about a young woman facing financial or familial pressure to marry: unique among Austen’s heroines, Emma has no actual need to do so, and no one voices any objections to her stated plan to remain single and eventually adopt one of her nieces for company. It’s also not about Emma’s learning not to try to set up her friends: she actually learns that lesson pretty early on.

In fact, this is a very conservative novel about a young woman learning her proper place in society and how to behave as befits her station as the highest-ranking woman in her rural town. Emma has to learn to be charitable and patient toward the genteel but unfortunate (Miss Bates), not to snub the nouveau riche as long as they remember their place and treat her with proper respect (the Gardners), and to choose as her friends the worthy and well-bred (Jane Fairfax) over people of lesser birth, with whom too close a friendship will inevitably cause trouble and social disorder (Harriet Smith). It’s hard to say much for this sort of message now. For modern audiences, the less charitable parts of it—the message that Emma must ultimately drop Harriet as a friend to maintain proper social order, hammered home through the way Emma’s machinations to keep Harriet within her circle cause escalating trouble until finally Emma herself is done with the friendship—are so obviously unfortunate that people tend to read the novel as being about something else entirely. Austen makes it easy to do that, with several subplots and layers to the story. But I doubt her contemporaries would have missed that the entire novel is about a young woman’s journey toward “correct” behavior, dressed up in a bunch of drama and poking fun at people in a small town society.

All that said, it’s an enjoyable story in its own right, and makes for such lovely escapism while giving the reader multifaceted characters and issues with some real depth to chew on, that I can’t give it less than 4 stars despite rather unfortunate themes. Maybe one day I’ll return to it again and see something completely new.

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review 2020-04-30 13:28
Ghost Boy
Ghost Boy - Stafford Betty

by Stafford Betty

 

Sometimes a book starts a little awkwardly, like the author was trying too hard to make a start and to get too many things in too soon or to make a special effort to mention some 'agenda'. I had to make a few allowances for this one because the story I was expecting to read, about a protagonist who sees ghosts, was worked into that crucial first chapter smoothly enough to hope for some good flow to the rest of the story.

 

It did flow well after, though I felt the narrative was 'young' for my taste, but it's targeted at YA and middle grade and I would say appropriate for the middle grade age group, apart from the diversions into conversations about 'God' that don't quite fit in and come across as if the author is laying ground to push young readers towards religious beliefs.

 

Ben Conover is a boy from a religious family, but he sees ghosts, especially a girl ghost who he calls Abby. His parents don't believe what he sees is real of course and try to get him to stop making comments about it. The story covers interactions with other kids, both friends and foes, as well as family members. There are a few lessons about following the lead of older kids, especially relatives, who do things you know aren't smart and about dealing with life in general from a 12-13 year old's perspective.

 

Overall I did enjoy the story, but it didn't really progress in a central theme and I thought the ending left some inconclusive loose ends. I liked Ben as a character, but I did think some of the situations could have been better developed or followed up.

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text 2019-06-04 03:44
BEA 2019, Pt 3- The Loot

Got some good stuff at this year's BEA.  My summer is fully booked. 

 

A Heart so Fierce & Broken 
 
Africaville 
 
American Dirt
 
 
Bluff
 
 
Cursed
 
 
Dear Haiti, Love Alaine...
 
 
How to be an AntiRacist
 
 
Imaginary Friend
 
 
Information Wars
 
 
Lalani of the Distant Sea
 
 
Little Weirds
 
 
Me & White Supremacy
 
 
Motherhood so White
 
 
Moving Forward
 
 
Oblivion or Glory
 
 
Princess of the Hither Isles
 
 
Secret Service
 
 
Serpent & Dove
 
 
Sophia, Princess among Beasts
 
 
The Dreaming Tree
 
 
The Flight Girls
 
 
The Nanny
 
 
The Passengers
 
 
The Science of Game of Thrones
 
 
The Storm Crow
 
 
The Water Dancer
 
 
Tristan Strong Punches a Hole in the Sky
 
 
A ASWanderers
 
 
Witcraft
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review 2019-05-13 00:00
Mittel Europa: Rediscovering the Style and Design of Central Europe
Mittel Europa: Rediscovering the Style and Design of Central Europe - Suzanne Slesin,Stafford Cliff,Daniel Rozensztroch,Gilles de Chabaneix some of the aristocratic styles started to blend together but I really appreciated seeing the small homes under "folk styles", the mountain homes, and the jugendstil/arts and crafts homes.
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