Ego Tripping (there may be a Reason)
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
Such collections are always subjective- you'll always wonder why something was left out, and I noticed a couple of absences myself- but that's part of the fun, and I discovered a few gems I'd never seen before such as Old Lem, Mercy Killing, Freedom Candy and those Winter Sundays, as well as the immortal standards Harlem, Nikki-Rosa, Lift Every Voice and Sing and of course Giovanni's own magnum opus: Ego Tripping- There May Be A Reason Why, which I will always consider to be one of the finest examples of not only African-American but American culture ever created (see above). The cd is a treat- readings of about a third of the selections done by the authors themselves and notables like Ruby Dee and of course, Giovanni.
It's an excellent collection of poetry and very much a time travel device, taking you for a look back to those days when... though sometimes they don't seem all that distant. This would be a wonderful gift for anyone of any age or race but especially to African-Americans. Like singing in the cotton fields it's a chorus of bright, strong voices from our past to lighten the load a little and help guide the way as you ease on down the road.
I read this for the Winter Solstice square. I am not at all familiar with the Harlem Renaissance period, so I went in with no expectations or background knowledge other than I knew Hughes was a poet from this era.
Most of the work in this book is short; I could not really get the full picture of what Hughes was describing. I think part of my problem was how the book was sectioned; I really enjoyed the Magnolia section, but the Madam series and the Dream Deferred set were tedious to read after a while. Hughes writes to a beat that is hard to flow from one poem to the next. I'll be honest and say the most I enjoyed of his poetry is when he is talking about race and racism - he really got to the heart of the matter without fussy details and still had historical details to give context and more meaning behind the poem. Many of these poems dealt with the lingering consequences of slavery and the Civil War with the present day of Jim Crow and the migration of Southern blacks to the north and west during the late 1800s and early 1900s.
Because there was no unifying theme to the book, it felt like the poem's subjects were all over the place and there was no feel to poems connecting to create a big picture. As an introduction to Hughes work, it worked okay but I think it would be better to read his single published work rather than an omnibus.
“the ways of white folks, I mean some white folks, is too much for me. I reckon they must be a few good ones, but most of ’em ain’t good—leastwise they don’t treat me good. And Lawd knows, I ain’t never done nothin’ to ’em, nothin’ a-tall.”