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review 2016-10-08 14:58
The Hit - Melvin Burgess

This book is trash.

(TW: Rape mention.)

 

I was really disappointed by this. It had a great setting, a great storyline to start off with. The synopsis was pretty thrilling to start off with. Basically, there's a drug called "Death". It costs thousands to buy, and once you take it, you will experience the greatest high of your life. For an entire week, you'll be over the moon, you feel as if you can do everything you want, you'll be living life for the fullest...

 

Why is it just a week, may you ask? Oh, because after a week you're dead. The drug kills you. Taking Death means you get a week of absolute euphoria and then die.

 

And this book is set in a kind of...well, a kind of society where there are riots and people are getting fed up and angry at the corporations taking their money, and so young people are taking Death and experiencing life like that.

 

I didn't really follow that part, to be honest. The society didn't seem much different than now and you don't see teenagers taking this drug which will inevitably kill them. But whatever.

 

It started out great, it really did. Our protagonist - wait, let me just look up his name again - oh I remember now. Adam. 

 

Adam is a bit of a fuckboy to be honest. He's an ass. He's our main protagonist. He goes with his girlfriend to a party, pressurises her for sex at the end of the night. Of course, she's not impressed and throws it back in his face. He also gets beaten up by a gangster at the party, takes too much of a certain alcoholic substance and has a panic attack (or at least as close to it as our author can muster).

 

Basically, he's had a shit night and hates himself. So when he gets hold of a load of free Death pills...he takes one.

 

Pretty bad decision. Pretty stupid. Because for the next week he's on top of the world! He also knows he's going to die after the end of the week.

 

So he makes a bucket list. Which includes....ah, having sex with multiple women, getting his girlfriend pregnant (because, according to him, he "wants to leave something of himself behind"), killing someone who deserves to die, all these other items...

 

His girlfriend Lizzie isn't that pleased when she finds him climbing up to her bedroom in Romeo and Juliet style, all suddenly full of energy and confessing that he wants to do all these things. Especially not that he wants to fuck all these other random women. Or get her pregnant.

 

And she goes along with it anyway.

 

Christ. I don't know why she does. The whole time, Adam is constantly saying "I love you, Lizzie, I love you" like some kind of mantra. No, really. He never shuts up about it. He says it about 12 times per chapter. (Okay I'm exaggerating here but he says it a hell of a lot.)

 

Various events unfold throughout the story, including how Adam and Lizzie rob a shop for booze, get drunk (apparently if you're on Death, you need TRIPLE THE NORMAL AMOUNT to get drunk) do some other stupid shit, get arrested, sneak out again, go to another party...

 

Right, here's the main flaw with the book here. There's a lot of damn sexism going on here.

 

I'm not talking about the "if a guy's on Death he's automatically going to want to have sex with a load of women". I'm talking more about all the violence directed solely at women throughout the book. One chapter starts with a woman being beaten up. Another chapter has a woman being stabbed on the news live on camera, for the sole purpose of shocking Lizzie. The only female character who doesn't get beaten up, tortured or killed, is his own mother.

 

Later on, Lizzie is resolved to find the antidote for Death, to cure Adam (even though no sure cure exists). The gangster she met at the party tells on the phone he'll give her an antidote - on the condition that she has sex with him.

 

She agrees to this without much thought about it at all.

 

What. 

 

It should be worth mentioning that Adam doesn't even want an antidote at this point - nor is he even WORTH saving, he's such a terrible character - and she's going to allow this gangster to rape her to get an antidote? Which doesn't exist? Seriously?

 

I'm going to quote from the book here:

 

"What sort of a bitch would she be to let Adam die, just because of sex? It was the old story. Boys went to the rescue with a gun in their hands, girls with their knickers in their pockets. So which was worse? This way, she thought, at least no one was going to get hurt."

 

Oh sure, the gangster is just going to rape you and possibly kill you too, no one's going to get hurt. Fucking hell.

 

Actually, it turns out that he keeps her prisoner and beats her to a pulp - he tries to rape her but can't manage it because he can't get himself up. I'm not sure if this is supposed to be funny or something?

 

The thing is...the villains in this book are actually pretty comical. They have these running gags and I was sympathetic towards them at first. One of them is insane and has to make medication. Oh, and they kill a guy in a wheelchair too. And beat up women. And may be serial rapists. So I guess they're no longer funny now.

 

Seriously, don't try to make your villains comic relief - and THEN show that they're mass-murderers, women-beaters and potential rapists. Do one or the other. It doesn't mix!

 

...Boy, I really started hating the book after that. I skimmed the rest.

 

If you're wondering about the end, it turns out that the Death pill that Adam took was a fake, and so he's not going to die after all. And some shitty message about how life is precious to you. (Another female character blows herself up, too btw. Because they can't get through one chapter of this damn book without torturing another woman.)

 

The violence wasn't even very realistic, to be honest. Another gangster comes round to Lizzie's cousin's house and beats her up. Like, breaks all her ribs along one side. Breaks her nose. She should be screaming in agony by this point.

 

Except she isn't screaming, she's still talking normally as if he only slapped her or something. It's just...badly done. It's like the author wants to see these characters tortured, but can't quite handle the definition of what happens AFTERWARDS.

 

There's a scene where the gangsters have forced Lizzie to urinate in a potty in front of them, whilst chaining one hand to the bed after they've smashed her face in.

 

I'll be honest with you here - that just sounds like the author's kink or fetish or something. I mean come on.

 

Oh, and by the way, Adam still never stops saying "I love you" to her - even AFTER he's had sex with another woman (which he does, the same woman who blows herself up a few chapters later). He also makes it clear to the reader that he fully intends to screw around with more girls behind her back.

 

This book just makes me angry. It doesn't make sense, the main character is the one who should be tortured for all his shitty actions (not his girlfriend, who almost gets raped), the villains are either highly comical or highly violent against women when the plot needs them to be, the remaining characters aren't great...

 

And really, what disappoints me is that the premise of this book sounded good at first. It was just executed so poorly. Avoid this please.

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review 2015-06-26 04:00
The Hit by Melvin Burgess
The Hit - Melvin Burgess

*deep sigh*

 

Okay, I'm going to try to keep this short and sweet. If I go too far into my feelings on this book, this might end up as a novel instead of a review. As it stands, I think the majority of my thoughts can be summed up in one question.

 

WHAT IN THE HELL DID I JUST READ?

 

Pardon the outburst, but seriously I don't know what the purpose is of this book. I think the overall message was set out to be that life is precious. You know the saying "Live fast, die young?" Well, I think Melvin Burgess was trying to say that's a bunch of bull honky. The problem is, it's buried under a myriad of other things. Like, "Don't do drugs!" and "Family is important!" and even "Women are just there for sex!". Oh, I'm sorry. Did that not fit with the others? Sadly, that's a message that comes through loud and clear in this story.

 

The amount of misogyny in this novel is staggering. Every female character is only present either because she's rich, because she's there for sex, or because she's there to be sacrificed. I do believe that you've just alienated a fair amount of your readers, my dear book.

 

I did make it to the end. Through all the confusing plot lines, crazy messages, and massive amounts violence. By my rules, that means it gets a two star rating. However I can honestly say that I have no desire to ever read this again, and I can't rightly recommend it either.

 

*woosah* Moving on to greener pastures. 

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text 2015-06-23 04:16
Reading progress update: I've read 40%.
The Hit - Melvin Burgess

This book is all over the place. I'm not sure how I feel about it, other than completely confused. I suppose the premise is interesting. If you could take a drug that would make one week of your life absolutely amazing, make everything sharper and more enjoyable, but then you'd die at the end of the week... would you do it? I think I can't get behind this because, to me, that's a ridiculous idea.

 

Slowly chipping away at the NetGalley backlog! This one might take a while.

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text 2014-12-31 07:46
Diversity
Read My Lips - Teri Brown
The Dark Days of Hamburger Halpin - Josh Berk
The Orange Houses - Paul Griffin
The Loser's Guide to Life and Love - A.E. Cannon
Whisper - Chrissie Keighery Whisper - Chrissie Keighery
Dragonswood - Janet Lee Carey
Five Flavors of Dumb - Antony John
Loving April - Melvin Burgess
Death in the Afternoon (Hear No Evil, # 1) - Kate Chester

Nine YA protagonist who are deaf or hard of hearing.

Source: diversityinya.tumblr.com/post/105292436613/disabilityinkidlit-nine-ya-novels-with
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review SPOILER ALERT! 2014-07-30 00:00
The Hit
The Hit - Melvin Burgess The Plot: Does it have one? The basic gist - the novel is set in a vaguely dystopian society. There are no real details as to the corruption and no real figureheads to unseat. A group called the Zealots want to bring about revolution. There is a new drug on the streets called Death. You take it, live a crazy good life for about a week, then you die. This designer drug is uber expensive, except the Zealots figure out how to make it cheap and slightly alter its composition. So, our main characters, Adam and Lizzie, take Death (either willingly or by force). There are the Zealots, the evil, insane, sadistic drug dealer, Christian, and the idiotic teenagers all running around. I'm guessing the overall point is to convey that by taking the drug and regretting it they appreciate life more and help to bring about revolution at the same time.


The Characters: I loathed each and every one. There is no character development. Adam is unhappy with the responsibilities put on him in comparison to his brother, Jess. He logically concludes that getting Lizzie pregnant (since her family has some money) is a good life choice. Followed by taking Death, making a disturbing Bucket List, and causing mayhem in general, Adam seems to learn very little. He doesn't respect women, or anyone else for that matter. Adam may not be dying, but his future is bleak. Lizzie is not much better, coerced into horrible situations because of Adam. Again, there is a lack of depth to a character who brutally beaten and sexually violated.


Overall Evaluation:
The cover is appealing to teens. However, it is misleading. I like edgy YA fiction and believe that its important to tackle tough issues; however, this novel just misses the mark. It is a poor attempt at a dystopian-esque novel. There are no likeable characters nor any that I would consider positive role models in any way. I had to force myself to finish this book and that was mainly because of reviewing it for ROYAL. I do not recommend it.
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