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review 2014-09-19 05:29
Review: Hopes and Impediments by Chinua Achebe
Hopes and Impediments: Selected Essays - Chinua Achebe

Where does one begin with the mesmerizing writings of Achebe?  Perhaps with his magical formula:

Simple English + Intellectual Insight + Close Analysis = Beautiful Writing

I think this sums him up, not only of this essay collection, but of his fiction as well.  The 14 essays that make upHopes and Impediments are primarily from reviews first published in well-known literary magazines or lectures given at universities.  The style is so accessible that even at 170 pages, the book is a quick read.  It would be an added bonus to be interested in African literature or on any of the authors discussed in the reviews, but this is in no way a prerequisite.


On Racism and Colonialism


In ‘An Image of Africa’ Achebe discusses racism in Conrad’s Heart of Darkness, that highly celebrated Western novel which was regarded as a good depiction of Africans – namely savages.  The cliché image imposed by colonialism is ingrained in the white man’s psyche to such an extent by the beginning of the twentieth century that African writers undertook it upon themselves to tell their own stories.  Their voices began to emerge and shine a light on their cultures, with Achebe’s Things Fall Apart published in 1958 starting the impetus for change.  As if four centuries of slavery was not degrading enough, colonialism had to impose the white man’s superiority over the black savage while living on their own land and continuing to exploit their labor and resources.  It is no surprise then that Achebe finds Conrad ‘a bloody racist’ in his depictions of what Africans are.  The essay, only 20 pages long, is enough to draw the reader in and sustain Achebe’s argument’s through close textual analysis on selected passages and, more importantly, commentary from a prominent African writer.


Another two essays ‘Impediments to Dialogue Between North and South’ and ‘Named for Victoria, Queen of England’ also discuss racism in a different, lighter tone.  In the first of these, North and South refers to Western Europe and Africa – an interesting perspective point if your are standing in Nigeria and commenting relative to that point of view – Achebe discusses the factors that impede dialogue, particularly the colonial attitude.  The second essay reads like a charming rebellion.  Achebe was baptized as Albert Chiualumogu but dropped the tribute to Victorian England when he went to university.  One cannot but feel the sense of glee in this small action of his.


The Author’s Responsibility


According to Achebe, an author carries some responsibility in teaching his readers and he achieves this form of teaching about the Igbo culture in many of his novels.  This is not to say that his novels are moral-based social commentaries as in many nineteenth century Victorian novels; his ‘lessons’ are much more subtle and focus on elaborating the effects of different cultures interacting, whether through colonialism (the macroscopic) or with two tribal villages interacting (the microscopic), the reader is privy to understand the culture – often the Igbo – and is placed in the character’s position to see and feel the circumstances, and the necessary action that will result.  Much of the inertia in Achebe’s characters derive from external factors and many of the choices they make are the ‘wrong’ choices for the ‘right’ reasons.


In ‘The Novelist as Teacher’, ‘The Writer and His Community’, ‘Thoughts on the African Novel’, ‘Language and the Destiny of Man’, The Truth of Fiction’ and ‘What has Literature Got to Do with It?’, Achebe reflects, discusses and elaborates on this writing style of his.  These essays show us many facets of his working mind and his curiosities, and factors that bring about motivation to write what he writes.  Also enjoyable here are the kind of commentaries he sometimes reveals about readers who wished certain endings or who thought him brash or abrasive, he offers the readers polite yet stinging dismissals.  Achebe clearly believes in responsibility as a writer and is not ashamed of voicing his opinions on the matter.


On African Criticism


In ‘The Igbo World and Its Art’, Achebe briefly discusses Igbo art and some Igbo mythology on which the art is based.  This short essay renders a taste of what Igbo art and culture is like, and what is profoundly interesting here is the similarities I discovered to Taoism and the principle of Yin and Yang, for in Igbo too ‘No condition is permanent’ even amongst the deities.  Moreover, art is a communal process where the interest is not in the end product, the finished object, but in the process itself.  Achebe could have written a whole book on Igbo art and it would have maintained one’s interest.


The remaining three essays are ‘Work and Play in Tutuola’s The Palm Wine Drinkard’, ‘Don’t Let Him Die: A Tribute to Christopher Okigbo’ and ‘Kofi Awoonor as a Novelist’.  In each of these essays, Achebe discusses the writers and the most prominent aspects around them that inspired their output.  Colonialism or racism is never ignored.  Praise is lavishly handed out, and rightfully so, to these pioneers of African literature.  And, with the exception of Tutuola, their works and the impact they have had are discussed briefly.  With Tutuola, the focus is on The Palm Wine Drinkard and the allegory it represents of Yoruba culture and of contemporary Nigerian life.


Samir Rawas Sarayji

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text 2013-09-30 06:09
#FridayReads / #WeeklyWrapup September 29th
Americanah - Chimamanda Ngozi Adichie
We Need New Names - NoViolet Bulawayo
The Thing Around Your Neck - Chimamanda Ngozi Adichie

Delayed much?


Hi Readers!


So I am back with a new edition of #FridayReads. I really don't have that many huge updates but here it goes. 


I finished reading Americanah by Chimamanda Ngozi Adichie and I LOVED IT! I loved it! I think I may be even crushing on the writer herself. 


Yep, so that is a spoiler for how the review of that book is going to go ... if it ever goes up. (I am kinda bad at putting up reviews, eh?). 


I also went on a book haul during the weekend, where I bought We Need New Names by NoViolet Bulawayo and The Thing Around Your Neck by Adichie. I am pretty excited for the former considering that I lived in Zimbabwe during my entire adolescence-- though, I read the chapter and I could not situate myself at all. It does have some similarities with Americanah by bringing in the diaspora aspect of Africanhood (if such a thing exists). 


I feel that I will start another themed read which would be  Contemporary African Literature; sadly, I hesitate because I didn't even post a single review for my last themed read. Then again, no one has commented negatively about it. So it is okay?!?


Finally, I am toying with the idea of testing out a new format of reading. I used to , and to a great extent, still am a strong advocate of the "BUT IF IT IS NOT A BOUND BOOK YOU LOSE ALL THE EXPERIENCE." Yes, I put all caps, because that is how strongly I felt. You see, I work at a relatively new job, where I am required to spend an inordinate amount of time doing the same task again, and again, and again. Which is why we are allowed to listen to music. I have been thinking of downloading an audiobook or two and reading while listening. It is much better than logging around Stephen King's The Shining (when am I ever going to finish that?!?) or feeling awkward because there is no time to sneak in a few pages from Americanah. 


So that is it from me. I hope you have a great week. 


xox, S. 


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quote 2013-09-21 01:49
He was no longer sure, he had in fact never been sure, whether he liked his life because he really did or whether he liked it because he was supposed to.
Americanah - Chimamanda Ngozi Adichie

Americanah, by Chimamanda Ngozi Adichie. pg 21

Hi people, welcome to a special edition of #FridayReads!

Since I do not have much to say, since my last update, I just wanted to share a quote from the book I am currently reading which is Americanah. Growing up, I never really taught about anything relating to African literature, African history or African philosophy in school-- even though, I spent 19 years of my life in the mother continent. FYI, I am 23 yr/o. Furthermore, my parents and my ancestors are East African; therefore, it really feels like I missed out on an integral part of learning about my identity. Anyways, Americanah is a refreshing read because every three pages I find a little gem that I can relate to or that speaks to me. 

On that note, I would just have a few last things to share with you. 


If you haven't seen my update on my absence, please check out my blogpost here.


I've recently read this article on Nigerian Literature, from the renown Francophone Magazine Jeune Afrique. Si vous parlez le francais, vous pouvez le retrouver ici

K, that is it from me. xox, S.

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review 2013-09-20 00:00
Review: Home and Exile by Chinua Achebe
Home and Exile - Chinua Achebe

The three essays contained in this all too slim book are actually lectures that Achebe gave at Harvard University in 1998. The essays are interlinked and form a sustained argument from start to end. The theme of the argument is the book's title Home and Exile and this collection, which contains glimpses of his childhood, motivations on becoming a writer, and of his home and people, is considered his first autobiographical work. The lectures, in order of presentation, are ‘My Home Under Imperial Fire’, ‘The Empire Fights Back’ and ‘Today, the Balance of Stories’. Due to the nature of this collection, it would not make much sense to talk about each section separately.

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review 2013-09-19 00:00
The Nigerian Scam
The Nigerian Scam - Crystal Blue The Nigerian Scam - Crystal Blue Guest Review done my Monica @ Shayna Renee's Spicy Reads

Rebecca was a college student in 1969, going around braless and hearing about the first man landing on the moon when she meets Paul, her first black male friend. Even though she is engaged to her sweetheart Johnny, he is away at war and she is finding herself intrigued with Paul. He has great manners and a sweet personality.

Hoping to try some new ethnic dishes she allows herself to be invited over to Paul’s house for dinner one night under the guise of watching the first moon landing. Paul, however, is not the nice guy he appears and the night soon manages to get out of her control. Even though she is not totally on board Paul says “I will not hurt you, I will not take you against your will.”

Soon begins the seduction of Rebecca.

This was a really quick read that was very well done. Both partners were willing, and totally enjoyed themselves more than once. For a forced seduction I found that Paul was still a gentleman and the encounter definitely became consensual. I was worried that it would be more violent but was pleasantly surprised. It was a cute quick read. Definitely the uber sexy dominant man seducing the sweet young girl.

*Review copy provided by author
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