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Search tags: Not-what-I-expected
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review 2019-08-29 10:28
A tale is a tail
Love in the Time of Cholera - Gabriel García Márquez,Edith Grossman

Several stray thoughts I had while choosing the tags for this one:

 

It's not really romance-done-right. While the title is scrupulous, there is little romance to all the types of "loves" (because there is always that doubt, of what is and is not love, what is selfish use, or abuse, and whether that frontier is concrete) weaved into the tapestry of the story. Most are too real or too fantastical, or grotesque (and still real, maybe more so), and the ways they happen are written just so; with all the anxiety, the terror, hesitation, thoughtlessness, doubts, crudity or day-to-day boredom that merits the occasion.

 

Wanted to tick better-than-expected but I still don't know why I am surprised by his writing.

 

This one is not magical-realism. Actually, leaving aside One Hundred Years of Solitude , I don't know that any of his other books would fit that one. Might be the grandiose, nearly mythic proportions of the stories he pieces together in his novels.

 

 

It is an odd and frankly ambitious book. It immerses you into the story by way of an octogenarian last chapter no less, and after it wraps you in, tells you how two seventy-somethings traveled through 50 years of other loves to re-meet as lovers. It meanders through the years and the relationships, and the depictions when gathered turn into a tapestry that is nothing less than epic in scope.

 

I can't say that I truly liked any of the characters, and yet, maybe I loved them all, in their terrible intensities. They are certainly memorable.

 

As always, I take off my hat to his opening and closing sentences, to the strange feats and acrobatics he manages from the language, to the way he depicts the shiny and the rotten side by side, making something amazing and nostalgic of a nature core of reality.

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review 2019-05-09 05:59
Simple language unfurling
Breakfast at Tiffany's and Three Stories - Truman Capote

More character studies and vignettes than stories, the deceptively simple way they are written is perfect.

 

The gem of the lot is certainly Breakfast at Tiffany's. In essence the movie was faithful to the story (except the end), but Holly is a crueler and wilder character in the pages, less cute, more vindictive, and all the more tragic for her yearning of freedom and belonging at once. And compelling, like some free animal you could find in a jungle. Holly's own word is that she aspires to be "natural" and it fits.

 

Christmas Memory and Diamond Guitar fight for second spot, but the first edges over because I'm a sucker for nostalgic little things that contain the world.

 

House of Flowers was... oddly pretty in imagery, and surprisingly positive in a way. Maybe subverting tropes was the name of the game.

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review 2019-05-09 00:12
Corny as all hell
Pollyanna - Eleanor H. Porter

But frankly, corny is good for the soul, even if jaded me felt like rolling eyes sometimes.

 

It surprised a lot of laughter out of me (specially her Annesque steamroller-chattering and the romance tangle) and quite some tears, so even if it goes to the preachy/edifying/anvilicious grouping of Heidi and An Old-fashioned Girl, I liked it better than those.

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review 2018-10-21 06:10
Surprised me
The Witch of Blackbird Pond - Elizabeth George Speare

I was not expecting to find such a flawed, three-dimensional cast and a sad grim tone in a short, children's book. I don't know why, really, since I've come across both of those separately often enough in them (Dark Materials, Little Princess) paired with the big questions too. Specially given the fact that I've been a heavy reader since my tweens, and a firm believer in that Cabal's quote "when I want to write something that I think adults will have trouble understanding, I write children books" (I'm paraphrasing, I don't have that good a memory, and she likely borrowed too).

 

Here is the deal: this was way dramatic than I expected. And when I say dramatic, I mean angst, grief, homesickness, the loneliness of being an outsider. Really sad. Also maddening.

 

It is maddening because human nature is maddening. And because everyone, MC included, are flawed people with some good qualities and reasonable ideals and opinions and stances, and some appallingly wrong mixed in, so even with the best intentions they rub the wrong way and clash, misunderstand, work at cross-purpose. And there is always a little bitch witch shit ready to hate.

 

It was an interesting read even before the context of publishing-time kicks in (though I suspect there were some interesting witch-hunt related things coming out then... wasn't The Crucible a contemporary of McCarthyism too?)

 

At any rate, it was a really good book (totally deserves those awards), and it ended all sweet, happy and neat.

 

Hey! I keep missing my read for making another bingo. At this point, I'm not even pretending to curve my mood-reading. (There is also the bit where there is no magic here, but I'll let the title excuse my being misled)

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review 2018-10-17 18:55
Guess who has a new favourite author?
Nights at the Circus - Angela Carter

This was bloody amazing!

 

The writing was gorgeous, the braided in stories colorful and as bizarre as you could expect, and even when at their most tragic, always running this underground hilarity out of sheer cynicism and pragmatic pizazz. All seasoned with a good dose of feminism and magical realism.

 

I laughed a lot, but it actually ran me through the whole gamut of emotions and I did not want it to end. Loved it, will read more by the author, and will buy whatever of hers I can find around here.

 

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