Shay's mother marries Ian's father. They meet in the bathroom as Ian is stepping out of the shower. Shay is a nude model while Ian is a minister. She teases, taunts, and tempts him tenaciously. He keeps showing his ministerial side and proving Shay right. Eventually he acknowledges his feelings for Shay, and they begin seeing each other. When emotions are about to explode one night, Ian asks Shay to marry him. While life is good for a while, Shay takes a job and Ian blows up. Will they make their way back to each other or go their separate ways?

I enjoyed this story. Shay just keeps on getting under Ian's skin as he does hers. It was delightful to watch their differences make them more attracted to each other. Shay had her doubts about the two of them together, but it works until she takes the job. I understood Shay's reaction. They never talked about her job before they married. Ian was judgmental towards her job and, as a result, her. Shay is a good, generous person. She sees needs and finds ways to meet those needs. She does it without Ian telling her this is what a minister's wife does. She is spot on and able to step in when Ian is not there. I liked her a lot. Ian needed his behind kicked once or twice.

This book was written in 1983 when romances were getting hotter. The love scenes did not end at the bedroom door but instead went into the bedroom. The language was getting away from euphemisms. This is a book that goes from the tame stories of the early 1970's and back to the more realistic books of today. This is part of the history of the changes of romance novels. The story is as contemporary as anything today, but it shows the evolution of romance novels. A choice read!

TITLE:  The Original

AUTHORS:  Brandon Sanderson & Mary Robinette Kowal 

NARRATOR:  Julia Whelan

_________________________

DESCRIPTION:

"Hugo Award-winning authors Brandon Sanderson and Mary Robinette Kowal team up in this exclusive audio-first production of The Original, a sci-fi thriller set in a world where one woman fights to know her true identity and survive the forces that threaten her very existence.

In the near future, humans choose life - for a price. Injectable nanite technology is the lifeblood that flows through every individual wishing to experience the world through the lens of their own theme. While death from mortal wounds is still possible, life is made easier in a socially liberated society where automation and income equality allow passion pursuits to flourish over traditional work. Renewal stations are provided to every law-abiding citizen for weekly check-ins, which issue life-sustaining repairs in exchange for personal privacy. But what becomes of those who check out, of those who dare to resist immortality and risk being edited under the gaze of an identity-extracting government surveillance system?

When Holly Winseed wakes up in a hospital room, her memory compromised and a new identity imposed on her, a team of government agents wastes no time stating their objective. With intent to infiltrate and defeat the terrorist group ICON, the agents tell Holly that she is now a Provisional Replica and has one week to hunt down and kill her Original for the murder of her husband, Jonathan. If she succeeds, she’ll assume her Original’s place in society. If she fails, her life will end. Holly’s progress is monitored by an assigned contact that feeds her information as she confronts the blank, robotic world around her, discovering that others view life through the theme of their own choosing.

With her newly implanted combat and deduction skills, Holly fends off both attacks by terrorists and doubts about her own trustworthiness as clues lead her to her Original - and to the truth about Jonathan. In the end, one body remains and one walks away. Although questions persist, one thing is certain: Life will never be the same."

_________________________

REVIEW:

An entertaining romp through a possible future world.

I picked up the first issue of this limited series because it was free.  And it still is free on Kindle, at the least. 

I think I first heard about John Henry because of a cartoon short.  At any rate, before I saw John Henry the horse, I knew who John Henry was and, therefore, knew who the horse was named after (he lived up to the name).

Harris' reimagining of the story places Henry in a steampunk universe.  It is long the lines of the Clockwork Century (though it is different.  No zombies for one).  The story does tie into the origin John Henry myth and then moves forward while using the myth/legend.

What is particularly enjoyable about this series is the role that Polly, John Henry's wife plays.  Some people may not know that Polly had her own set of stories and songs.  Harris does, apparently, and what Polly does is great.  Her role is great.  I really hope that Harris writes a graphic novel about her, and considering the closing panels of this book, a follow up to this book as well.

Harris does address the issues of racism and slavery, not just in terms of John Henry (a Black man) but also in the use of other characters and settings.  He confronts the racism that existed (and still does) against the Chinese population whose labor was used to build the railroads.

Highly recommended.

Thanks to Rosie Croft from Pen & Sword for sending me an early paperback copy of this book, which I freely chose to review.

I am not a big reader of graphic novels and books (I used to read them when I was younger but not that much in recent years), but this title caught my attention due to the subject matter and to the authors and contributors. The book, which was first published in French in 2018, had some excellent reviews, and although I’m not an expert, in my opinion they are well deserved.

The book is not a full biography (we don’t see the great man die), but we follow him from early childhood until the end of World War II, and especial attention is given to the war period. The book also includes a foreword by Andrew Roberts —an expert on Churchill who has written about him and about WWII— endorsing the book, and an introduction (with B&W and colour photographs) and brief biography of Churchill by François Kersaudy, historical consultant of the volume, which further enhances the content.

The illustrations are beautiful and well-executed, in a classical style, with an interesting use of colours and shadows. Although they are in full colour, green, ochre, brown, and dark hues predominate from the beginning, as if foreshadowing the coming war, and the last part of the book (approximately the last fifty pages) are dedicated fully to World War II. There is a predominance of illustrations about his public life (as a war reporter, in the military, and later as a politician), but there are also some about his personal life, where we get to see Churchill, the man. The moments of action are interspersed with some quieter ones, although the illustrations dealing with the war, attacks, and action, are particularly fine and impressive. The text complements the images perfectly, and the writer has chosen the materials well, highlighting snippets of speeches and expressions he is well known for. That does not mean the book paints an unrealistic picture of Churchill, showing him as heroic and always right, without flaws or foibles. The man emerges from the picture as well, with his stubbornness, his recklessness at times, and his determination to do whatever necessary (not always the most suitable attitude for a politician, although the opposite isn’t particularly desirable either).

This is a great book to introduce Churchill to people of all ages who might not be too familiar with his biography, or know very little about him, who like to experiment with other formats rather than the standard book or are fans of graphic novels and books, and who enjoy their history in bite-size and visual format. The book is larger than a standard paperback, and it would make a beautiful present for anybody interested in the subject, in WWII, or just fans of graphic novels.  It’s also particularly appealing at this time of crisis, when the role of politicians has come to the fore, and it’s impossible not to compare our current leaders with some memorable figures from the past and wonder how they might have dealt with the situation.

(There are, of course, action scenes depicting the war, although not particularly gross or explicitly gore, although parents of very young children might want to check the book themselves beforehand).

I have seen a few not-so-great reviews about this audiodrama. Some hated the voice cast, while others were bothered that it's an abridged dramatization rather than the novel verbatim.  I do not have those complaints.  I enjoyed the voice work and the dramatization. 

This was a wonderful story and I loved listening to it.  I feel like I got the full story even though it was a dramatization. And the cast brought the characters to life for me.