I haven’t read HG Wells since I received a collection of his stories for my 16th birthday. Of course, what I mostly remembered was The Time Machine, and being fascinated by the Eloi and Morlocks but bored by the rest of it. This particular edition is an audio collection of 10 stories of various quality, including The Time Machine. I expected that my experience with TTM would be entirely different as an adult, but was surprised to find that once again, the section following the encounter with the Eloi and Morlocks was a snoozefest, this time with a little eyeroll over the giant crab things. The difference is that I felt a little sorry for the Morlocks this time around, rather than sharing the narrator’s visceral disgust. I was much more interested in the author’s theories regarding the evolutionary outcome of the current (late 1800s Britain) political, social, and economic climate. I wonder why it never occurred to him that the oppressed industrial workers would revolt and take over as the balance of power shifted with the ruling class becoming increasingly weak and ineffectual with indolence and soft living?
The remainder of the short stories were mostly entertaining. Standouts were The Country of the Blind, The Man Who Could Work Miracles, and The Flowering of the Strange Orchid. The Cone was satisfactorily gory.
Stories in this collection:
- The Time Machine
- The Country of the Blind
- The Diamond Maker
- The Man Who Could Work Miracles
- Aepyornis Island
- The Flowering of the Strange Orchid
- The Cone
- The Purple Pileus
- The Truth About Pyecraft
- The Door in the Wall
Audiobook, borrowed from my public library. This is the first time I’ve borrowed a book in the playaway format, and I didn’t like it. For one thing, I had to supply my own battery. For another, the rudimentary playing controls made navigating through the short stories somewhat difficult. And lastly, I’m just plain old spoiled by reading apps on my phone, and appalled by how quickly technology becomes obsolete. It wasn’t that long ago that we would have been delighted by an audio coming already loaded in a (sort of) portable digital format, rather than having to keep inserting the CDs into our heavy Sony Walkman/Discman.
Ralph Cosham provides a very good performance. His somehow old-fashioned stylings really fit the stories.