Wrong email address or username
Wrong email address or username
Incorrect verification code
back to top
Search tags: WTFuckery
Load new posts () and activity
Like Reblog Comment
show activity (+)
review 2018-01-14 00:15
Hidden Bodies by Carolyn Kepnes, narrated by Santino Fontana
Hidden Bodies - Santino Fontana,Caroline Kepnes,Simon & Schuster Audio

I don't even know what to say.


I can't explain to you how I came to root for an insane psycho killer, (qu'es'tque ce?), but I did. 


YOU AND HIDDEN BODIES are original books with twists, turns, hot sex, vicious murders and close calls. I'm pretty sure I had some type of mini-stroke in there somewhere.


Santino Fontana is an incredibly talented narrator who totally became Joe to me. 


Where can I get in line for Caroline Kepnes' next book? 

Like Reblog Comment
show activity (+)
review 2018-01-03 22:45
You by Caroline Kepnes, narrated by Santino Fontana
You - Santino Fontana,Caroline Kepnes,Simon & Schuster Audio

Everyone in this book was bat-shit crazy. I LOVED it!





There's lot of insanity and a good amount of sexy times as well. I just could not pull away from this train wreck of humanity.


*Thanks to my local library for providing the audiobook for free via Overdrive. Libraries rule!

Like Reblog Comment
show activity (+)
review 2017-12-05 22:30
Talulla Rising by Glen Duncan, narrated by Penelope Rawlins
Talulla Rising - Penelope Rawlins,Glen Duncan


When I was listening to THE LAST WEREWOLF, I wasn't sure I would continue on with the series. I liked the bloodiness of it, and I enjoyed the world building, but was less than thrilled with the tons of graphic sex going on.

EAT, FUCK, KILL is the werewolf mantra.

(spoiler show)


However, there was such a great hook at the end of the narrative AND the library had the audio of this one in stock, and here we are!


Right now, I feel the same way as I did when I finished the first book in the series. Here there were many surprises, (maybe too many to be believed, but hey-it's a werewolf book), and a good amount of action. However, I didn't feel that the quality of the writing was quite as good as THE LAST WEREWOLF.


Once again, close to the end, there is another surprising tidbit that makes me want to continue on with the series. This time, though, I'm going to read a few books in between, and then see if I still feel like continuing.


*I checked this audio out from my local library for FREE. LIBRARIES RULE!*

Like Reblog Comment
show activity (+)
review 2017-11-27 18:45
Red Room Magazine of Extreme Horror and Hardcore Dark Crime: Issue 1
Red Room Issue 1: Magazine of Extreme Horror and Hardcore Dark Crime (Red Room Magazine) - Universidad del Valle Jhon Saul GilTestimonio: Jhon Saul Gil en programa "Tiempo de Letras",Meg Elison,David James Keaton,Cheryl Mullenax,Randy Chandler,Jack Ketchum,Tim Waggoner

RED ROOM ISSUE 1: MAGAZINE OF EXTREME HORROR AND HARDCORE DARK CRIME contained a ton of variety not only in the stories showcased, but also in their cool features such as: Barfly Bob's Highballs and Lowballs. This is an article which talks about some of the most disgusting adult beverages I've heard of. I mean, really, how many magazines have articles featuring 3 dick cocktails?  Not too damn many!


The stories here were also quite entertaining: my favorite probably being MEAT CUTE by Larry Hinks. This is an hilarious flash fiction piece which left me getting looks at the coffee shop because I was laughing out loud so damn hard. (Not that it wasn't bizarre or horrifying because it WAS, I am just a sick person.)


Jack Ketchum's MEGAN'S LAW came in a close second, with a last sentence that kicks you HARD right in the gut. In a weird development, I listened to the latest episode of The Horror Show with Brian Keene on Saturday morning, and there was a feature where Phoebe, (a show regular), interviewed a bunch of authors at the last Scares that Care convention. She asked all of them what their favorite short stories were and why. MEGAN'S LAW was mentioned in those interviews, so imagine my surprise when I neared the end of the magazine and there the story was. I can't remember which author chose this as their favorite story, but I can easily see why they did. Bravo to Jack Ketchum! (And a big FU to child molesters.)


THE MIDDLE CHILD by Meg Ellison was a nice surprise. A sly commentary on the state of affairs in this country as regards reality television and what people will do to be even a small part of it. I think it also comments on the people watching this stuff, without whom there would be NO reality TV. I like to discover new authors through anthologies and magazines like this one, and Meg Ellison is one to watch, I think. (There's also an interview with her included at the end of the story.)


SICK JOKES by Josh Scott Wilson was an innovative story in that I couldn't really tell where it was going for most of the time I was reading it. And then I agreed: Sick Jokes indeed!


The Video Nasties feature by Duane Bradley talked about how difficult it was to get VHS versions of some films in the UK. I had no idea this type of censorship occurred over there during the VHS movie boom, so I found this article enlightening.


Even though my days of enjoying bizarre and/or extreme horror are winding down, I thought this magazine was well put together, with beautiful artwork and stories that were chosen with care and quality in mind. Even a "quiet horror" fan such as myself admired the talents of the authors herein and will probably make an exception in my reading habits for the next issue.


Highly recommended, especially for fans of extreme horror!


You can get your own copy here: Red Room Magazine Issue 1 *I received a free digital ARC of this magazine in exchange for my honest review. This is it!*

Like Reblog Comment
show activity (+)
review 2017-08-22 18:40
The Talented Mr. Ripley by Patricia Highsmith
The Talented Mr. Ripley - Patricia Highsmith


**Please note that this review is LOADED with spoilers! If you plan to read this book in the future, you should! But you should NOT continue to read this review.**


To Tom Ripley, being bored, being around dull people and having nothing to do are among the WORST things in existence. Of course, he never has to be bored again after brutally murdering his friend and assuming his identity.


Tom is recruited by Mr. Greenleaf, (the father of Tom's acquaintance, Dickie), to bring his son home from Italy. Tom is even given a hefty sum with which to support himself in Italy while working his come-home-magic on his friend. Unfortunately, Ripley has no luck persuading Dickie to do anything, other than to get stumbling drunk nearly every minute of the day. Then, shortly after an awkward scene where Tom is caught trying on Dickie's clothes, Tom decides to whack Dickie and that's where this story really begins.


I'd seen the movie with Matt Damon a long time ago, but I've always been fascinated with the character of Tom Ripley and wanted to read the book for myself. In the 50's, stories from the viewpoint of the murderer were rare, not like today. I think it was also rare, (feel free to correct me), to have the antagonist be likable at times. I mean, there you are, in Ripley's mind- rolling along thinking about your afternoon cocktails and that evening's parties and then BAM! He's whacking someone across the head with an oar. And then whacking them again. And then across their neck. And then stabbing them with it as if it were a sharp instrument. He's wheezing and out of breath and he's still going. And there's the reader, a bit stunned, wondering how we got to this point and where did everything go wrong? This right here is what I liked best about the story.


Now we have Criminal Minds and FBI profilers that write books about serial killers, sociopaths and the like. In the 50's when this book was written, that was not the case. I think Patricia Highsmith had the thought processes of Ripley down pat. Nothing is ever his fault. He is just so clever and everyone else so dull and stupid. The depravity of his thoughts are presented so matter-of-fact-ly that they could almost pass for normal. His ability to read the emotions and thoughts of others and anticipate what they'll do and how they'll react in certain situations is astonishing. It's almost like Ripley was not a person at all, but instead just a collection of facial expressions and witty banter wrapped around an all encompassing greed. He was a mimic of a person. He had nothing within himself-all that he was came from outside.


"He loved possessions, not masses of them, but a select few that he did not part with. They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn't that worth something? He existed."


He was so good at his machinations that he, himself believed them. He would imagine scenes in his head over and over again-so they would become real. To him, real in his head equated to real in reality. He believed so totally and utterly that it was easy for him to make others believe too. To me, this is where the strength of this book lies-the creation of Tom Ripley. He is such a fascinating character that I can see myself reading this again in the future.


This story really wouldn't work in today's world, with all of our phones and cameras and facial recognition software: in that regard The Talented Mr. Ripley is dated. However, as far as the creation of a believable sociopath, Tom Ripley would be right at home in an episode of Criminal Minds-and he would give the investigators a good run for their money.


Highly recommended!

More posts
Your Dashboard view:
Need help?