A Treacherous Curse
by Deanna Raybourn
Book 3 of Veronica Speedwell
London, 1888. As colorful and unfettered as the butterflies she collects, Victorian adventuress Veronica Speedwell can’t resist the allure of an exotic mystery—particularly one involving her enigmatic colleague, Stoker.
His former expedition partner has vanished from an archaeological dig with a priceless diadem unearthed from the newly discovered tomb of an Egyptian princess. This disappearance is just the latest in a string of unfortunate events that have plagued the controversial expedition, and rumors abound that the curse of the vengeful princess has been unleashed as the shadowy figure of Anubis himself stalks the streets of London.
But the perils of an ancient curse are not the only challenges Veronica must face as sordid details and malevolent enemies emerge from Stoker’s past.
Caught in a tangle of conspiracies and threats—and thrust into the public eye by an enterprising new foe—Veronica must separate facts from fantasy to unravel a web of duplicity that threatens to cost Stoker everything. . . .
This third, newest installment of Veronica Speedwell was as magnificent as the previous two books in the series; and, dare I say, maybe even better paced and better outlined than the previous two books as well. After having read Deanna Raybourn's Julia Grey series, I had found that she often will take her sweet time getting to the heart of the story's mystery or conflict. The same had happened with the first Veronica Speedwell book, A Curious Beginning. The previous books in this series, A Perilous Undertaking stepped up the pacing a bit and came out quite enjoyable, with only a few too deliberate instances of dialogue that might have bugged me a little bit.
A Treacherous Curse got right to the point of the mystery, and might have even cut back down on some of the unnecessary declarations of Veronica's openness about her own sexual awareness. It was still there, though; it seems that the books cannot pass without reminding the reader several times how modern Veronica is, by over-emphasizing her not-so-with-the-times behavior. I don't mind knowing that Veronica is so open and forward-thinking; and I absolutely love that she's not a doormat, and will not allow for anyone to beat her down.
But I really don't need to be reminded of it on such a regularly scheduled basis.
As for the mystery, I think I particularly liked this one because of its tie-ins with archaeology, with an emphasis in Egyptology. These things have always been fascinating to me, and I found the exchanges between Veronica, Stoker, and the people they were interviewing quite interesting. There were many red herrings to contend with, and when you think you might have figured out what was going on... well, I got proven wrong once, at the very least concerning John de Morgan's disappearance.
Meanwhile, I love the strong emphasis on Veronica and Stoker's friendship, which borders on the romantic, yet not romantic. They have a wonderful bond, which is quite intimate considering the fact that neither of the two are even remotely ready to start falling in love with each other. And truth be told, while I'm a hopeless romantic, I'm kind of enjoying the two of them just being partners-in-crime, and am a little wary of the moment when, or even if, they decide to step their relationship up to a more steamy, romantic one.
What I think I'm loving the most is that Veronica and Stoker have a great understanding of one another. And that no matter how terribly Veronica pisses Stoker off, or vice versa, the two of them still partner up and continue on their friendship, putting their conflict on hold until they find the time to deal with it. I love that they actually talk to each other, and communicate their feelings. I know that there were still a lot of secrets that the two of them are keeping from each other, but I love that they understand that about the other, and no one is pushing for a tell-all session.
Meanwhile, I also love that the two of them are so fiercely protective of each other. It's a great friendship, even if it's sometimes a little lacking in chemistry.
I think I also liked that this book centered so much on Stoker and what had happened to him during his back story of tragic happening. We've already had a little bit of Veronica's tale, so I'm very appreciative that we get to see some of Stoker's past--we've gotten so little of it, save for the obvious animosity he holds towards his brothers and his family.
I really look forward to the next installment, and to be honest, I don't know what to expect, and I'm not even sure what I want to expect. I think I'm just going to be ecstatic to get a little more of the Veronica and Stoker banter.