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review 2016-12-14 19:15
Goldie Vance
Goldie Vance #1 - Hope Larson,Brittany W... Goldie Vance #1 - Hope Larson,Brittany Williams,Sarah Stern

My friend Kate gave me this one for my birthday and I really liked it! It’s a 1950s mystery, set in a hotel, and featuring a young detective. There are so many black and Latinx characters, which is nice to see, and the comic does deal with privilege and prejudice to a certain extent. I also really liked the art! It felt very fresh and clean and bright, which fits Goldie’s character well.

Source: bysinginglight.wordpress.com/2016/12/14/november-2016
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review 2016-12-12 22:52
The Best of Two Worlds | Alchemists of Loom by Elise Kova
The Alchemists of Loom - Elise Kova

 

I am very happy to present my stop on the Alchemists of Loom blog tour run by Xpresso Book Tours. I have been a fan of Elise Kova and her other series, Air Awakens, for a while now. So, I jumped on the chance to read this book, as you definitely should too. If you are a fan of fantasy, dragons, and dynamic heroes looking for revenge, then this is the perfect book for you.

 

Click the link to see my review and enter the giveaway!

Source: 4evercrazyforya.blogspot.com/2016/12/the-best-of-two-worlds-alchemists-of.html
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review 2016-12-12 21:08
Burn Baby Burn by Meg Medina
Burn Baby Burn - Meg Medina

I read this book last month in the midst of a reading slump, when all I wanted to do was reread old favorites but the pressure of all the new books sitting on my library shelf was too much. I picked it up after getting home from work and read it in one evening, completely ignoring everything else I meant to do. I liked Medina’s Yaqui Delgado Wants To Kick Your Ass a lot–in fact, I was on the Cybils panel that shortlisted it the year it came out. But Burn, Baby, Burn is even stronger, in my opinion. It does so much so well that the only challenge is which of the threads to talk about.

For instance, there’s been a spate of YA set in the 1980s & 90s which seems to have no reason for that setting aside from nostalgia on the part of the author. By contrast, Burn, Baby, Burn not only engages with its historical setting, it could not possibly have been set in any other moment. Medina writes out of personal memory and experience, as her backmatter notes make clear, but she doesn’t stop there. The atmosphere of the summer of 1977 is woven into every scene and character.

There’s also a kind of mythologized, idealized NYC that exists in a lot of YA, as in a lot of other media. Medina resists that as well, pushing back against the idea of the glittering city full of a thousand possibilities. Nora’s city is on the edge of something, full of danger, full of people trying to make their way in a difficult world. It would be easy to say that it’s gritty, and I think that is wrong: it’s also full of hope and excitement. But it’s not smooth; when Nora visits her father and his new family, we see briefly the kind of NYC that usually appears in YA and feel the same relief that Nora does when she returns to her neighborhood.

Most of all, though, the setting here underlies and informs the characters. Medina draws everyone with understanding and complexity, but at the heart of the book is always Nora. Like her neighborhood, Nora is not smooth: she’s prickly, both self-assured and self-doubting, brimming over with hope and joy and fear. Medina shows a very specific Latina girl growing up in a particular neighborhood in NYC at a particular time in a particular family. But at the same time, Nora’s journey towards becoming a young woman resonates deeply.

I’m also grateful for the way that Nora’s story includes other girls and women on their own journeys. While she does navigate falling for a boy, the story starts and ends with Nora and her best friend Kathleen. We see their similarities and differences, but we also see the older generation. Kathleen’s mother and her black best friend (one of Nora’s neighbors) are both feminists, but we see the differences in their experiences as well. Without being the History of Feminism, we’re also given a picture of what the struggle for equal rights looked like in that moment, which doesn’t erase the experiences and legacy of women of color.

The final strand I wanted to note is the depiction of Nora’s family. Over the course of the book we see Nora slowly, slowly coming to terms with the fact that her brother Hector is truly dangerous to himself and to others. And once she realizes that, she also has to decide what she’ll do with that knowledge, in the face of her mother’s determination to not see. It’s a tricky thing to show that undercurrent of things not being okay, and Medina does it really well. Nora’s final decisions and determination in keeping herself and others safe is a really great and powerful way to tell this story. More teens than we sometimes realize or want to admit have families where things are broken, and a lot of growing up is learning to acknowledge this and find your own path.

This is definitely a book where difficult things happen, where the hard parts of being a teen aren’t shied away from. But there’s also a tremendous sense of hope and joy. There are second chances and learning to find your own place to stand and grow. There’s so much more to talk about here, but the heart of it–what’s stuck with me in the last month–is Nora’s courage and determination to do the best she can, by herself and by other people.

Source: bysinginglight.wordpress.com/2016/10/14/burn-baby-burn-by-meg-medina
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review 2016-12-12 20:31
Icon by Genevieve Valentine
Icon (The Persona Sequence) - Genevieve Valentine

(Orthodox readers, this is not an Orthodox book, despite the title! I’ll talk about this a bit more below but I wanted to make it clear right away.) (Everyone: There are spoilers for Icon below. I couldn’t talk about what I wanted to in this book without spoiling it, I’m sorry, please don’t read any more if this bothers you!)

Oh, friends. This book. However this review turns out, please understand that the temptation to just add that Community “MY EMOTIONS” gif and hit schedule is going to be super high. Genevieve Valentine is really good at making me feel lots of things, it turns out. Also, she writes books that I possibly would not read from anyone else but which are so good that I consider her an auto-read author at this point. I’m pretty sure she could imbue the phone book with strong characters and a tense plot, also that I would like it.

In this case, Icon is a sequel to last year’s Persona. Both are near-future political thrillers, about the same main characters, Suyana and Daniel. I finished Persona and was astonished that both of them made it out of the book alive.

Well, they don’t both make it out of Icon alive.

Icon has a sense of narrative inevitability from page one, and a sense of tension and doom that increases to an almost unbearable extent over the course of the book. I both knew and felt that things were gong to end badly. I kept finding myself holding my breath until the most immediate danger had passed. And yet, I kept reading, even knowing I was going to cry.

I cried so much.

Suyana and Daniel are completely compelling, partly because Valentine has a keen sense for what to tell us and what to leave out. Asking the reader to fill in the blank spaces makes us more invested, keeps us caring, keeps us turning the page. In Persona, we had a sense of them as unlikely partners. Here they’re separated. But they keep fighting and fighting, for the soul of the IA, for the people they care about, for each other. They never get a break or a rest, they hardly have a single moment alone together, and yet their relationship is so potent that it becomes the center around which the story turns.

(I also love that Suyana gets to be calculating without being heartless.)

But Valentine is also excellent at throwing her characters into tense, impossible situations. In Girls at the Kingfisher Club and Persona, they manage to win some sort of space, peace, love. Icon, on the other hand, refuses any way out. I have always thought that West Side Story is more tragic than Romeo and Juliet, because one of them lives and has to go on living. In Icon, not only does Daniel die, and in dying save them, but Suyana “wins” at a horrific personal cost. She ends the book almost entirely alone, muddied by politics. She has done the right thing for the IA and therefore the world. It’s not exactly a bleak ending. But it is a hard one.

Now, I do have to say that I’m not a fan of the title. I understand what Valentine is trying to conjure–the complexity boiled down into a symbol. But since I am Orthodox and the word icon has a primarily religious connotation for me, and since that religious understanding is quite different than Valentine’s usage, it just…doesn’t work for me. I realize this is a personal issue, and one not every reader will share.

I’d recommend this book for people at the unlikely intersection of: invested in Hiddleswift (I have not even gotten into Suyana’s fake relationship with Ethan!), interested in politics, and the red carpet, and into Code Name Verity. (Weirdly enough, I feel like I know multiple people who fit that profile.) Actually, you don’t have to be interested in all of those things, or maybe even any of them. You just have to be willing to let these characters in and then let them break your heart a little.

Source: bysinginglight.wordpress.com/2016/09/09/icon-by-genevieve-valentine
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review 2016-12-12 20:19
The Invisible Library by Genevieve Cogman
The Invisible Library - Genevieve Cogman

I have to admit that I tend towards books that are on the intense and emotion-heavy side, especially with speculative fiction. So it’s fun to every so often read a lighter book. The Invisible Library by Genevieve Cogman is a great one to turn to in those moods. It’s a light and fun fantasy, with some cool worldbuilding and interesting mystery elements. It’s also Cogman’s debut, and I’m looking forward to the rest of the series.

The Invisible Library is narrated by Irene, an agent of the Library, which collects fictions from across different realities and worlds. I liked Irene a lot–she’s capable and has a lot of strength and knowledge. In some ways, she’s not very confident, but these mostly stem from the hierarchies and politics of the Library itself, rather than internal doubts.

I also enjoyed the central conceit of the story, and I thought Cogman did a nice job of making it internally consistent. While the Library bears basically no resemblance to the living, breathing libraries I’ve worked in, Cogman also generally avoids being precious about the sacred value of learning. (Public libraries in particular are weird and wonderful places that aren’t exactly sacred sanctums of Knowledge.)

I thought the mystery element was pretty well played out–it can be tricky to balance a mystery when there are lots of extra fantastical bits going on at the same time. There were a couple of moments that were genuinely horrifying, although they never overwhelmed the overall tone of the book. I certainly didn’t guess the ending, and I thought the book did a good job of showing Irene and Kai as competent without being superhuman.

I’ll also note that the main Inspector in the alternate world is Indian. Irene herself seems to be canonically bisexual (although that term is never used); she’s been romantically interested in women in the past, but describes her type as dark and dangerous, and seems into at least one male character. I can’t say whether those representations are done well–there was one moment I have some questions about.

Some books end with everything neatly wrapped up and resolved. Others end with things mostly resolved. And still others end with new revelations and questions. The Invisible Library is definitely in the third category, which unfortunately is my least favorite of the three. However, I do genuinely want to know how it will play out. To the extent this works for me, it’s because the set up had been becoming more complicated throughout the whole book, rather than having a Surprise!Info dump ending.

All in all, despite a few minor quibbles, this was a really enjoyable fantasy, with some cool elements and nice characters. I’ll definitely be looking forward to reading the next one.

Source: bysinginglight.wordpress.com/2016/08/19/the-invisible-library-by-genevieve-cogman
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