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text 2015-12-11 05:56
Horror and Adolescence
Spinner - Michael J. Bowler

Horror and adolescence go hand in hand for many reasons, which explains why teens tend to thrive on horror films and books more than any other demographic.

Adolescence is a time of great change for kids – a transitional period between childhood and adulthood. No, teens are not young adults until they reach the age of eighteen (despite the media obsessively referring to 11 year olds as “young men” or “young women”), but their brains and bodies are changing at such a rapid pace that these years teeter between exhilarating and terrifying on a daily basis. The adolescent brain has one foot firmly planted on the accelerator while the other foot struggles to find the brake. Teens seek out thrilling experiences that pump the adrenalin and pound the heart. Hence the love of amusement park thrill rides, fast driving, and the heart-pounding experience of a good horror film or book.

But the “thrill gene,” as it’s been loosely dubbed, in teens isn’t the only correlation to horror, or the only reason teens love the genre. Fear is a HUGE part of adolescence, and teens stress over how best to manage that fear. What fears do teens face on a daily basis? Depends on where they live and go to school. For many, the fear is physical. Will they make it through the school day without getting bullied? Will they make it home without getting jumped? Will they fail yet another class and have to take it over? Will dad be drunk again tonight? Will mom tell them they’re losers? Will there be any food for dinner or will they have to go hungry until school the following day? These are but a few of the real fears no kid should have to live with, but far too many in America do.

But, above and beyond these issues, every adolescent is afraid to be different, to stand out from their peers, to not fit in. This is a palpable fear that guides almost every decision teenagers make. While some parents may encourage kids to embrace their differentness, most want their kids to be “mini-me’s” and conform to the “accepted societal norms” so they (the parents) don’t look bad in the eyes of other adults for having “that weird kid.” Such parents are embarrassed to have a disabled child, or one who isn’t good at sports, or who doesn’t get all A’s in school or who’s LGBT. By the time the adolescent brain kicks in, the wiring is geared toward socialization and social acceptance, so teens squelch their innate differentness in order to fit in. They live in fear every day that the mask they wear will be knocked off, the real “them” will shine through, and they will be ostracized as a result. So they dress the same, talk the same and act the same as their peers out of fear that their real selves will be rejected.

How does this fear relate to horror? Look at the huge number of horror films that feature a kid who’s odd or different or possessed or threatened by nightmares that expose his secrets to the world. Look at how many films or books that feature a damaged character that hides behind a literal mask. Horror often features the outsider kid, the one nobody likes because he or she is “different” as the hero, the one who saves the day when his or her “conforming” peers are getting knocked off one by one. The plethora of possession movies speak to teen fears of having someone inside themselves, i.e. the real human being, revealing itself to the world and not being accepted. For LGBT youth, this fear is profound because they know how society consistently rejects kids like them for being born “different.” I supervised the GSA at my high school and, sadly, most of those kids were more afraid of their parents than their peers. Many kids wanted to attend meetings or functions, they’d tell me in private, but were afraid other kids would turn against them or, worse yet, inform their parents.

Special Education (SPED) kids harbor a similar fear. As a teacher to disabled students, I know from experience that their greatest fear is for peers to find out they’re SPED. I know the fear – I’ve lived with hearing impairment my whole life and there was not a single kid like me at any grade level up through and including graduate school. I never told peers that I couldn’t hear clearly. I just laughed if other kids did, even though I didn’t hear the punch line, or I stayed silent and nodded if I didn’t clearly understand something. I shied away from group sports or dances or activities that were loud and had many kids talking at once because I was afraid I’d have to admit my weakness and then get mocked for it. There was never a day when I wasn't reminded that I was different. So it was no surprise that even as a child I loved horror films and books. For me, seeing people manage fears that were greater than mine helped me deal with my own. These stories also raced my heart and fueled my imagination and inspired me to be a writer when I grew up. Horror is a thrill ride teens hope they never have to live through in real life, but they thrive on the adrenaline rush of being chased by the guy with the chainsaw, or having an exorcism performed on them, or having a guy with blades for fingers reach out of their dreams to try and kill them. Their hearts pound, blood rushes, and then they get to walk away unharmed.

For these very reasons, the best horror stories feature teen protagonists. Teens are always more willing to take risks adults wouldn’t – like opening that cellar door to see what’s down below, or sneaking into a graveyard to dig up graves or playing with that Ouija board that they know from countless films will lead to disaster. Teens are risk-takers, and horror stories are about managing fear while taking extreme risks, the kind that can often be deadly.

Spinner features a cast of teen characters with disabilities who have to solve a centuries-old mystery, as well as a string of murders quite possibly committed by one of them, all without the ability to read or write or, in Alex’s case, walk. Like gay kids and bullied kids, these characters face fear every day just by going to school where they know they will be mocked and ridiculed for being “different.” But being different doesn’t stop them from bonding together and risking their lives for each other. At the heart of any good horror story is friendship between characters who have to make life and death choices that the viewing audience, or the reader, hopes never to have to make in the real world. Horror teaches kids valuable lessons without being dogmatic or preachy. Some lessons are complex, like how the smallest choices can have the biggest consequences, while others are minor – like don’t go into a dark basement alone when you hear sounds down there.

Being a teen today shouldn’t be the equivalent of a horror film, but it sadly often is; reading a novel or watching a film can be cathartic and help kids survive by reminding them that the different one, the “odd kid out,” the bullied kid, the kid who thinks outside the box will be the last man standing. Within these fictional forays into terror, kids see how their true selves, the ones they hide from the world, are the ones that ultimately survive and save others along the way. In teen horror, “different” is the new “normal.”

SPINNER has been given the SEAL of APPROVAL from Literary Classics. It also won Honorable Mention in the Young Adult category from the San Francisco Book Awards and it won the Young Adult category in the Hollywood Book Awards. Kirkus Reviews says: "It will warm your heart and chill your spine." 

Source: sirlancesays.wordpress.com/2015/07/28/horror-and-adolescence
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review 2014-12-11 20:19
An Ancient Evil
An Ancient Evil - Paul Doherty

This is the first in a series of novels based on Chaucer's Canterbury Tales by my favourite penner of medieval mysteries, Paul Doherty, author of – among many other great tales – the immensely successful series known as The Sorrowful Mysteries of Brother Athanasius. But this series is different in that it doesn't have a single protagonist, a medieval sleuth like Brother Athanasius, going from book to book, but a whole group of characters who take it in turn to tell the tales that make up the series. As in the original Canterbury Tales, where Chaucer's pilgrims are on their way from the Tabard Inn, Southwark (on the Thames, opposite the walled City of London) to the shrine of St Thomas à Becket in Canterbury, and to while away the time, each tells a tale, sometimes edifying, often amusing.

 

In the Prologue to the present book, the landlord of the Tabard, who is to accompany them on the pilgrimage, suggests that each evening the pilgrims should take turns to tell another tale: "'So when we move out tomorrow to St Thomas's watering hole, let us tell a merry tale to instruct or amuse. But, at night,' his voice fell, 'let it be different.' He stared round the now quiet company. 'Let us tell a tale of mystery that will chill the blood, halt the heart and curl the locks upon our heads.'"

 

An Ancient Evil, the Knight's Tale (he is first in the Chaucer original, and first here) is a tale of strigoi.

 

Strigoi are the evil dead arising from their tombs at night. It is a Romanian word which also exists in the form striga, witch, and seems originally to have meant an evil witch with vampiric tendencies (like a lamia?). In Italian, strega, streghe, means witch. The Romanian and Italian words both derive from the Latin strix, striga, screech-owl. Which brings us to metamorphosis – shape-shifting – and the question: Is the striga (the witch/vampire) primarily a nocturnal bird, or is she basically human?

 

In An Ancient Evil, the strigoi are the undead, vampires whose origin seems to be Moldavia, the Transylvanian Alps and the ancient Romanian principality of Wallachia. Indeed, they are the "ancient evil", for the tale begins 250 years earlier when, in the outskirts of Oxford, a strigoi, a "devil incarnate" which "had travelled from Wallachia in the Balkans pretending to be a man dedicated to the service of God", was condemned to be buried alive when he should have been burnt, and a monastery was built over the grave. Now, 250 years later, a spate of horrible murders (whole families with their throats cut and bodies drained of blood) brings Sir Godfrey Evesdon to Oxford as the King's Commissioner, to investigate and carry out judgement. He is accompanied by a Scottish clerk named Alexander McBain and a blind exorcist, Dame Edith Mohun, herself a survivor of "the dark forests and lonely, haunted valleys of Wallachia and Moldavia", where she had been a captive, and had been blinded when she tried to protect herself. The two men cannot believe that the strigoi has survived in his coffin all these years. "Have you not listened?" she snaps. 'The Strigoi never die. If their corpses survive, they merely sleep!'"

 

Interestingly, the Romanies we meet in the book travelling around Britain will not go near Oxford or the Thames Valley.

 

As the tale unfolds, there are interludes in which the story is discussed by the shocked pilgrims. Is it true, they want to know, or is it simply a tale to frighten children? Is the middle-aged knight telling the tale, whom they know simply as "Sir Knight", himself the hero, Sir Godfrey, when he was a young man? And is the strigoi who survived still hunting him, intent on revenge, following him - following them - along the road? Perhaps even one of them?

 

A great start to the series.

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review 2013-07-12 00:00
An Evil Spirit Out of the West (Ancient Egypt Trilogy) - Paul Doherty Opening: I have swallowed their magic.I call on their spirits.My thoughts race like chariot teams ready for war,Hot for the heat of battle.Revisit:Summer 2013 Egyptian Encounters:Cleopatra (1963)3* The Mummy Curse2* Alexandria: The Last Nights of Cleopatra4* The Complete Valley of the Kings1* Ancient Egypt by George Rawlinson4* Tutankhamen: Life and death of a Pharoah2* The Luxor Museum3* Tutankhamen's Treasure3* The Black Pharaoh3* Nubian Twilight.../ complimentary reading!4* River God4* House of EternityThe Egyptian (1954)Agora (2009)TR JustineDeath on the Nile (1978)2* Nefer the Silent5* The Seventh Scroll5* The White NileCR An Evil Spirit out of the WestNefertiti ResurrectedQueen Pharaoh - HatshepsutTR: The Albert N'Yanza, Great Basin of the Nile and Explorations of the Nile Sources 03-07-2013: Egyptian army suspends constitution and removes President Morsi.Additional reading that flows from the above, much like a great river:TR Through the Dark Continent
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