BMCC stands for the British Malaysian Chamber of Commerce and it was established in 1963. This is providing Malaysian-based businesses with networking and exposure. It is exchanged and bilateral trading support services. The BMCC is one of the appointed by the UK’s Department for International Trade (DIT). It has become their service delivery partner for British SME’s seeking to export or establish a presence in Malaysia. The BMCC Trade Team is providing a range of customized services such as market intelligence, business matching and event management to sourcing assistance of UK food and goods services.

UK trade services

• This is certified accreditation by the British Chambers of Commerce (BCC) network across the United Kingdom, the principles upheld at the BMCC. These are continually updated in the assurance of living up to the global standards set by the BCC accreditation system.

• The BMCC is also a member of Britain in the South East Asia network, a grouping of eight British Chamber and Business Councils across the Southeast Asian region. This aim is to develop effective relationships between British Chambers of Commerce within ASEAN to further facilitate business opportunities for their members.

• Malaysian - UK trade services are an expansive network of members via comprehensive services and high-quality events. It is representing the interests of British and Malaysian business communities and it is facilitator of bilateral-trade between their two nations.

Exports of British Companies

The British export companies employ teams are diligent and multi-talented individuals to execute the functions required in making the Chamber the success that it is. They open their doors to new talents who are keen to spread their wings. The diverse and varied roles are available at the BMCC and these are including the exclusive opportunities to rub shoulders with KL's business and ministerial elite. The Chamber is offering the perfect platform for you to kickstart or expand your career.

For more information about our company and service, visit our website:
https://www.bmcc.org.my/

https://bmccmalaysia.tumblr.com/

https://bmccmalaysia.weebly.com/

https://bmccmalaysia.wordpress.com/

http://businessincubationmalaysia.blogspot.com/

Our Contact Address:
Kuala Lumpur, Malaysia - 50450
Tel: +60 321631784
Fax: +60 321631781
Email: info@bmcc.org.my

The Bookish Academy Awards / Book Oscars is a questionnaire I found a couple of years ago on the Blogger blog of Ashley / Read all the things and decided to steal it for my then-recent and all-time favorites.  Most of my "all-time" answers are still true; however, here's an edition specifically for my 2019 reading (wherein "nonfiction" will not be limited to the specific "Best Documentary" equivalent category -- so expect, for example, my favorite / most respected "real life" people to show up amongst the "best protagonist" listings).

(Note: For the more seriously-minded, my "best new(-to-me) books of 2019" post -- with links to my reviews / reading status updates, where in existence -- is HERE.)

Best Director(s)
(This Year's Favorite Writers):

Three-way tie between Aminatta Forna, Toni Morrison, and Margaret Atwood.

Best Actress
(Best Female Protagonist):

Favorite New Encounters:
The (unnamed) goddess / narrator of Ann Leckie's The Raven Tower
Gertrude Bell (Writings: A Woman in Arabia)
Michelle Obama (Becoming)
Mildred Lathbury (Barbary Pym: Excellent Women)
Loveday Brooke (Catherine Louisa Pirkis: The Experiences of Loveday Brooke, Lady Detective)

Favorite Repeat Encounters:
Granny Weatherwax (and Nanny Ogg & Magrat Garlick) (Terry Pratchett: Wyrd Sisters)
Miss Marple (Agatha Christie)
Miss Silver (Patricia Wentworth)

Honorary Mention:
Harriet Vane (Dorothy L. Sayers: Strong Poison / Have His Caracase / Gaudy Night / Busman's Honeymoon)
Can't officially include her because I didn't reread any of the Wimsey books featuring her in 2019, but hey, there is just no way she cannot be part of this list.

Best Actor
(Best Male Protagonist):

New Encounters with Long-Time Favorites:
Kofi Annan (Interventions: A Life in War and Peace)
Matthew Shardlake (C.J. Sansom: Tombland)

Favorite Repeat Encounters:
Hogfather (aka DEATH) (Terry Pratchett: Hogfather)
Sherlock Holmes (Arthur Conan Doyle)
Lord Peter Wimsey (Dorothy L. Sayers)
Hercule Poirot (Agatha Chistie)
Roderick Alleyn (Ngaio Marsh)
Brother Cadfael (Ellis Peters)

Best Supporting Actress
(Best Female Sidekick or Supporting Character):

Three-way tie between Ariadne Oliver (Agatha Christie: Hercule Poirot series), Josephine Leonides (the self-appointed kid sleuth in Agatha Christie's Crooked House) and the wife of Ngaio Marsh's Inspector Alleyn, painter Agatha Troy.  (All repeat encounters.)

Best Supporting Actor
(Best Male Sidekick or Supporting Character):

Favorite New Encounter:
You Bastard, the mathematical genius in camel clothes (Terry Pratchett: Pyramids)

Favorite Repeat Encounters:

Dr. John Watson (Arthur Conan Doyle: Sherlock Holmes series)
Captain Arthur Hastings (Agatha Christie: Hercule Poirot series)
(=> The two original / quintessential sidekicks)
Mervyn Bunter (Dorothy L. Sayers: Lord Peter Wimsey series)
Jack Barak and Guy Malton (C.J. Sansom: Matthew Shardlake series)
From the Unseen University of Terry Pratchett's Discworld: Hex and the Librarian

Best Ensemble Cast:

I know this isn't actually an Academy Awards category (only Golden Globes), but I've long felt it should be one -- and there are some books to which the same thought applies as well.

Three-way tie between Agatha Christie's Murder on the Orient Express and Death on the Nile, and Terry Pratchett / Neil Gaiman's Good Omens.

Best Original Screenplay
(Most Unique Plot or World Building):

Two-way tie between Ann Leckie's The Raven Tower -- far and away the most innovative world-building I've come across in a long time -- and, of course ... Terry Pratchett's Discworld.

Best Adapted Screenplay

In the original version of this questionnaire, "Best Adapted Screenplay" translates into "Best Book-to-Movie Adaptation".  However, I think in the book world (especially that of recent years) there is another translation which fits the purpose just as well; namely, "Best Pastiche / Series Continuation."  So I decided to go with both of them:

1 - Best Book-to-Movie Adaptation:

(Note: To correspond with all the other categories, this only takes into account the cases where I read the book AND also revisited the movie in 2019.  Which, as it turns out, boils down to not a whole lot more than my yearly Christmas favorites ...)

Non-Christmas story:
Agatha Christie: And Then There Were None (2015 BBC adaptation)

Christmas stories:
Agatha Christie: Hercule Poirot's Christmas (1995, ITV David Suchet Poirot series)
Agatha Christie: The Adventure of the Christmas Pudding (aka The Theft of the Royal Ruby) (1994, ITV David Suchet Poirot series)
Arthur Conan Doyle: The Blue Carbuncle (1987, Jeremy Brett Sherlock Holmes series)
Dorothy L. Sayers: The Nine Tailors (1974, BBC Ian Carmichael Lord Peter Wimsey series)
Charles Dickens: A Christmas Carol (1999 TNT adaptation starring Patrick Stewart)
Frances Hodgson Burnett: Little Lord Fauntleroy (1980 adaptation starring Ricky Schroder and Alec Guinness) (note: no specific Christmas connotations in the book)

2 - Best Pastiche:

Ben Schott: Jeeves and the King of Clubs
Perfect pitch -- no contest.

Best Cinematography
(Best Plot Twist):

Dame Agatha still taks the cake when it comes to original plot twists (even upon the umpteenth reread), but I think Joy Ellis has recently given her a fair run for her money -- even if the final twists in none of her books that I read in 2019 caught me quite as "from left field" as did my first ever Ellis book, Their Lost Daughters, which I read in late 2018.

Best Makeup
(Best Book Cover):

Book's Contents Lives up to the Cover's Promise:
Ann Leckie: The Raven Tower
Diarmaid MacCulloch: Thomas Cromwell: A Life

Cover Promises More Than the Contents Delivers:
Silvia Moreno-Garcia: Gods of Jade and Shadow
Elif Shafak: Three Daughters of Eve
Lorna Nicholl Morgan: Another Little Murder

Best Series Covers:

Discworld "black background" hardback and audiobook covers

Brltish Library Crime Classics series

Best Costume Design
(Best Historical or Contemporary Setting):

Contemporary:
Ann Cleeves: Raven Black and White Nights (Shetland series)
Peter May: The Lewis Man
Ian Rankin: In a House of Lies
(What can I say ... I just love Scotland -- and books set there!)

Xinran: The Good Women of China

Historical:
Toni Morrison: Beloved
Delia Owens: Where the Crawdads Sing
Diarmaid MacCulloch: Thomas Cromwell
Tom Reiss: The Black Count
C.j. Sansom: Tombland
Ellis Peters. Brother Cadfael series

Best Animated Feature
(A book that would work well in animated format):

Two-way tie between Ladyhawke (Joan D. Vinge's novelization of the movie starring Rutger Hauer, Matthew Broderick and Michelle Pfeiffer) and, you guessed it ... Terry Pratchett's Discworld.

Best Visual Effects
(Best Action in a Book):

Hyeongseo Lee: The Girl With the Seven Names
Seriously, with a real life story like this, who even needs thrillers anymore?

Best Original Score

Originally, "Best Original Score" translated only into "Best Book-to-Movie Adaptation".  But I think this is another case where an Oscar category is capable of two equally valid different interpretations in the book world, and again I decided to go with both of them:

1 - Best Book / Series Incorporating Music as an Important Element:

Peter Grainger: An Accidental Death

2 - Best Audio Version:

Aminatta Forna: The Memory of Love
Kobna Holdbrook-Smith's narration: Major goosebumps material.

Best Short Film
(Best Novella or Short Story):

Arthur Conan Doyle: Danger!

Best Documentary
(Best Non-Fiction):

Four-way tie between Diarmaid MacCulloch's Thomas Cromwell, Xinran's The Good Women of China, Tom Reiss's The Black Count, and Michelle Obama's Becoming.  Four outstanding books that are as engaging as they are informative.

Honorary / Lifetime Achievement Award
(Overall Favorite Body of Work):

New Encounters with Long-Time Favorites:
Elizabeth Gaskell: My Lady Ludlow
J.K. Rowling: The Casual Vacancy
Ian Rankin: In a House of Lies
C.J. Sansom: Tombland

Favorite Repeat Encounters:
Jane Austen: Sense and Sensibility
Josephine Tey: The Daughter of Time
Arthur Conan Doyle: Sherlock Holmes series, stand-alone story Danger!
Dorothy L. Sayers: Whose Body?, Five Red Herrings, The Nine Tailors
Agatha Christie: Hercule Poirot, Miss Marple, Tommy & Tuppence, and Quin & Satterthwaite series, And Then There Were None, Crooked House, Why Didn't They Ask Evans?, and various short stories
Ngaio Marsh: Roderick Alleyn series
Patricia Wentworth: Miss Silver series
Ellis Peters: Brother Cadfael series
Terry Pratchett: Discworld series and Good Omens (co-written with Neil Gaiman)

~~~~~~~~~~~~~~~~~~~~~~~~~

Famous first words -- Harriet Vane upon being woken by the St. Lucia maidens on December 13:

"I say, Peter, what am I to do with all these ladies?  It's one thing to be talking piffle about ancient girlfriends, but it's really a bit much to bring them all here just so I can meet them, don't you know.  After all, we have already had our honeymoon and one other holiday ruined by someone's murder ..."

~~~~~~~~~~~~~~~~~~~~~~~~~

(Door 10, Task 4: Forget-me-nots and handmade medals of honor are important Russian Mothers’ Day gifts.  Create a medal of honor (with or without the image of a forget-me-not) for a favorite book character or for a family member or friend of yours that you’d like to pay respect to.

Door 15, Task 3: Nominate a (fictional) character from one of the books you read this year for a Nobel Prize – regardless which one – or for a similarly important prize (e.g., the Fields Medal for mathematics) and write a brief laudation explaining your nomination.

Door 16, Task 1: Famous first words: Tradition has it that the winners of the Nobel Peace Prize are woken up by the St. Lucia maidens, as St. Lucia’s Day (Dec. 13) is just three days after the Nobel Peace Prize awards ceremony and many laureates stay long enough to be able to take in the St. Lucia festivities.

Imagine one of your favorite (fictional) characters had won that prize: How would you think (s)he would greet the maidens?  (If you’ve used the Nobel Peace Prize for Door 15, Task 3, this can be the same character, of course … or a different one, just as you wish.))

A corporate event Malaysia is a live activity organized by companies, institutions or organizations and whose purpose is to capture the attention of its target on a defined objective. There are corporate events of many types and each one has a different objective.

Main benefits of organizing corporate events:

Increase of reputation: Not all companies want or can carry out a successful event. Of course, you must ensure that everything goes well or you will get the opposite effect. The visibility that your brand achieves, thanks to this, has resonance in your sector since you will have sent invitations to key people. Therefore, soon you will talk about yourself and this event that worked so well.

It helps to sell a new product or service: If the objective of your corporate event is to present a new product or service, the benefit you get is the increase in its sale. Do not doubt that your client sees something different that you present “wrapped in gold paper” from something found in a sales catalog.

Loyalty to customers: If you have something to celebrate in your company, a commemorative anniversary, for example, opens the doors to your customers. Have them participate in that celebration. Invite potential clients about to close and those you already have in your portfolio. In this way, you strengthen the bond with them and empathize much more. The consequence is obvious: greater sympathy for your brand, which means fidelity.

Improve the brand experience of your customers: The brand experience is the emotion that you provoke a client when he feels involved in any of your actions. It occurs when they interact with your website, but also when they participate in your corporate event. This feeling also helps customer loyalty.

If you want to improve UK Malaysia Trade Services then corporate events play an important role in it.

For more information about our company and service, visit our website:
http://www.bmcc.org.my/

https://bmccmalaysia.tumblr.com/

https://bmccmalaysia.weebly.com/

https://bmccmalaysia.wordpress.com/

http://businessincubationmalaysia.blogspot.com/

Our Contact Address:
Kuala Lumpur, Malaysia - 50450
Tel: +60 321631784
Fax: +60 321631781
Email: info@bmcc.org.my