This was a slog. Three stars is a gift. I am invested in the characters based on the previous two novels, which were excellent. In the beginning I enjoyed the militaristic strategy the protagonists, Kilroy, took to surviving the zombie apocalypse; it's what kept him and the people he found along the way alive for as long as they have been. It was enough to make sense why he survived and was able to help people along the way; creating a community of survivors.

This novel took away the connection with the characters, changed the plot, made it slightly convoluted and ramped up the military aspect to 1,000. This novel is 80 percent military jargon and operations now, as Kil and his group encounter a working branch of military and he, as an enlisted man, is pushed back into service.

While I am still very invested in the characters and would like to see where this goes, but who knows what gresh hell the next installment will bring.

To start, I have no idea what I was thinking when I decided I HAD to read this. I shall quantify this by saying, as someone who has lived her intire life dealing with the reality of slaver, racism, and mysoginy, I despise dealing with it in my fantasy world. I actively avoide books and movies that are racially charged or heavy with the sexism. Sometimes you can't avoid it, and sometime and book/movie is so effing fantastic that I can give it a pass. Dread Nation is going on the list. But make no mistake, the racism really grated on me.  Also, it was in first person perspective, which I normally loathe; this was not bad.

With that being said, this was an amazing story, and what drew it to me was zombies, combined with historical fiction, and black people in the forefront. The characters were fun and likeable, even when they were unliekable. The world building was amazing and the writing was incredible!

We follow Jane McKeene a half black/white girl who is a student at Miss Preston's School for Negro Girls (I think that's what it was called.) Basically when the dead decided to get up and walk during the battle of Gettysburg The Civil War "ended" and the war vs the Dead began. The North still "won" and blacks were given freedom, but not really. They, along with indigenous tribes were swooped and placed in combat schools where they taught them how to be on the frontlines in the battle against the dead, as well as beat their culture and "savageness" out of them so that they can better serve their white betters. Sigh, I'm letting the bitterness bleed into the review.

Anyway Jane gets thrust into crazy adventures and all around bad situations with her nemisise Kathrine Devaraux, who is also of mixed race, but a goody-goofy know-it-all, which irks Jane to no end. There are devious plots, secret "utopia" towns, crazy scientists with vaccines and terrible experiments. There is also the dead, which the characters refer to as shamblers. There's a lot of death, allies, betrayals and grudging friendships.

I've heard the narrator before and they were amazing. They captured the voices and brought the world to life.

Just read/listen to it; it was great!

The government of England is one of appeasement. Furigans, misfits who thrive on violence and anarchy are deemed not responsible for their criminal behavior because of being disadvantage and marginalize. Indeed, to condemn them is to commit an act of Nastiness, be harried by Compassion Stewards, and come under the scrutiny from the Commission for Fairness. All parties adhere to this Political Consensus. Debate is empty and meaningless.

Roger Tyson, a business magnate, is a solitary voice calling for a return to truth, justice, freedom of speech, and an end to mandated Niceness. He’s being vilified for it until his dire predictions of economic collapse begin to manifest.

But are Roger’s tough-love politics and bare-knuckle tactics enough to save England from the shadowy Muhonin who are preparing to violently overthrow the decaying, corrupt government and reinvent this Green and Pleasant Land by imposing their own violent and radical ideology?

Steve Shahbazian’s novel, Green and Pleasant Land, is cleverly conceived and well-considered dystopian fiction similar to George Orwell’s classic in that the government seeks to gain consensus not through violence but by influencing the cultural milieus of the masses. If you disagree with the policies of the government of the day they don’t make you disappear, they use their unwitting operatives to shame you into silence.

However, the strength of this novel is also its weakness. Replete with political machinations and characters launching into philosophical diatribes it is dense, plodding and much of the dialogue is didactic. Real action, the exciting kind that builds tension is scarce, and similar scenarios of debate, discussion, and ultimately indecision, are presented again and again with little or no consequences.

Well-developed characterization is also lacking with the host of characters only defined by their political affiliations.

The author has also chosen to use Japanese greetings and political terminology throughout the story. Perhaps it is a metaphor to indicate how far the birthplace of the Parliamentary system has drifted from its roots. If so, it’s an unnecessary impediment.

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