This is a review of my writing for 2017. You couldn't call it a success, nor could you call it a failure since something would have had to have been achieved in the first place. Get what I'm saying? If you've never been up how can you be down?
If you don't, well, that's okay since I write this for myself to put the previous year in perspective.
Last year I decided to see what it would be like to take part in public readings and conduct writing seminars. The idea was to raise my profile while at the same time sell my books at these events.
It didn't take much to get booked for both, but the experience was not very satisfying, akin to pitching from behind a table you've rented at a flea market. After my initial experiences I didn't look for more opportunities. Sales just aren't that important to me.
The only thing I self-published was a novella, The Rocker and the Bird Girl. It began as an experiment on Inkitt to see if a shallow story about a rock star and a young woman who ran a bird sanctuary would be popular with the juvenile readers who populate that site. Unfortunately, or fortunately - I'm not sure which, I was soon having so much fun with this story and became so enamored with my characters (though very few Inkitt followers did) I decided to pull it from that site and self-publish it.
Novellas for "New Adults" (protagonist between eighteen and thirty) seem to be trendy likely due to the diminishing attention span of this age group and the fact they're read on cellphones during commutes. Quite unexpectedly I discovered I had a lot of story ideas for this heroine and I could easily expand it into a series. Series, according to the "experts" sell better than stand-alones so what the hell, nothing else is working.
Despite a thorough launch for The Rocker and the Bird: listed as a pre-order on Smashwords three weeks in advance of publishing, email ARC copies to my Advance Reading Team, giveaways on Booklikes and Library Thing, two weeks free on Smashwords, free with coupon on my website, and promoted unabashedly on my social media accounts - it so far has had two reviews and no sales.
Undeterred, the second in The Mattie Saunders Series, Cold Blooded, is set to be self-published in March of this year. Here's the blurb:
"When a suspicious death at the The Reptile Refuge closes it down, Mattie receives a desperate call from Liz, an old friend from high school, asking if it's possible to temporarily board some reptiles at Saunders Bird Sanctuary. Mattie's not concerned with the circumstances and sees it as an opportunity to reconnect with Liz as well as help some animals in distress.
Unwittingly, Mattie's drawn into a dark intrigue and soon discovers it's not just the displaced inhabitants of The Reptile Refuge that are cold blooded."
Still determined to break into traditional publishing I spent the balance of last year polishing the manuscript of East Van Saturday Night - four short stories and a novella and submitting it to Canadian publishers. The list of rejections continues to increase from those publishers gracious enough to send me one.
This year, as mentioned, the second in my series will be self-published, the third is already outlined (okay, only in my head, but it's only January 4th) and a first draft will be written, plus I'll continue to work on another full length novel with the working title, The Triumvirate - three exceptional people, one insurmountable challenge. I've already stopped submitting East Van Saturday Night and, once the disappointment abates somewhat will take another look at the entire project.
Promotions of my backlist are also a consideration for 2018.
Book sales from all sources in 2017 amounted to $174.44. Expenses including book proofs, book orders and postage totaled $253.88. You can draw your own conclusions.
Oddly enough I'm optimistic. Why not?
Besides, writing for me is its own reward - really.
Stand calm, be brave, watch for the signs.
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This is a fantastic novella. It’s a parable of globalization, but its brilliance is in rendering real, three-dimensional characters even from a brief scene or description.
Exit West is set in the modern world, beginning in an unnamed Middle Eastern country on the brink of civil war, where two young people meet in a classroom and are propelled by circumstances into a premature intimacy. The difference between this book and the real world is that when Nadia and Saeed – and millions of others around the world – decide to flee or to immigrate, they do so by way of doors that randomly appear and allow teleportation from one part of the globe to another.
Some have criticized this decision for erasing the harrowing travel that is a hallmark of many real-world refugee experiences, which it does. But I don’t think telling the story of refugees is Hamid’s primary goal, though it is part of the book. The doorways allow him to speed up globalization, take the world’s growing interconnectedness to its breaking point in a brief span of time, and ask big questions about what how world will look in the decades to come, with ever quicker travel combined with massive disparities in wealth and security. How much sense do borders really make in today’s world and the world of the future? Can we afford to limit our focus to our own countries? What happens as people continue to flee from poor and war-torn parts of the world to Europe and the U.S. – how will richer countries respond and be changed?
There’s a lot packed into this short book, measuring over 200 pages only due to generous margins and spacing, as well as two blank pages between each chapter. But what holds it together is the vitality, complexity and humanity of the characters, our protagonists and the people they encounter as well as the characters we briefly meet in vignettes from all over the world. The book can sometimes be hard to read, especially for long stretches, because the characters’ circumstances are often tough, and when they are as real as people you know, it’s impossible not to care. Then too, the writing is excellent: not flowery, but assured, every word in the right place.
Overall, a fantastic book, with great characters, an involving story and a lot of food for thought. And while the subject matter can be difficult, it never becomes hopeless. I highly recommend it.
This has been my eBook read while at work. Good but more like a magazine article. Did come away with some great food for thought about why Afghanistan is such a quagmire in terms of help, assistance, and why the war is dragging on with no end in sight.
Also, I learned lots of new words like kleptocracy (rule by a thief or thieves). Love that term!