Set in Las Vegas, Last Call concerns the fate of Scott Crane, former professional gambler, recent widower, blind in one eye--and also the lost natural son of the man who is determined to kill him. In this novel, Crane is forced to resume the high-stakes game of a lifetime--and wager it all.
I wanted to like this book much more than I did—there was much in it that appealed to me, but as with Powers’ The Anubis Gates, I found myself somewhat underwhelmed. Much of this reaction will be due to my lack of familiarity with both tarot and (especially) poker. I fooled around with tarot cards in my late 20s, but never really committed myself to learning the art. And I think the kids at the back of the school bus tried to teach me poker during my high school years, but that was many decades ago and my memories are hazy at best.
There is a lot going on in this book and it speaks to Tim Powers’ skill as a writer that he managed to successfully weave it together into a cohesive story. Here are some of the elements he incorporates: archetypes & Jungian psychology, mythology of Egypt, Greece and Rome, the Arthur Legend and the Fisher King, T.S. Eliot, Bugsy Siegel, Las Vegas and Lake Mead.
As in The Anubis Gates, there is a body-snatching element to deal with as well. These are the only two books of Powers’ repertoire that I’ve read, so I found it interesting that they both had this esoteric characteristic in common. Come to think of it, poetry featured prominently in TAG as well, so it is obviously a great interest to this author.
Book number 292 in my Science Fiction & Fantasy Reading Project.