logo
Wrong email address or username
Wrong email address or username
Incorrect verification code
back to top
Search tags: local-politics
Load new posts () and activity
Like Reblog Comment
show activity (+)
review 2019-04-29 09:42
An amusing and fun read for those interested in UK local politics.
Seagulls Over Westminster - Richard Wade

I write this review as a member of Rosie’s Book Review Team, and I freely chose to review an ARC copy of this novel.

This is a novel set in the near future (2024-5) in the UK, focusing on politics, although I’d say that it is the equivalent of what a cozy mystery represents for the mystery genre. It has a light and humorous undercurrent; it does not go to extremes or deals in the most serious aspects of the topic; it is unlikely to offend most readers, and it does not touch on any of the burning and most controversial UK political issues (Brexit, for example). The author explains his reasons for his choice, and you can make of them what you wish.

There is a mix of characters, some more likeable than others, involved in the political race. In my opinion, Harry is the most likeable of them all, probably because he is honest and sincere, he gets reluctantly involved in politics, and as a retired man, fond of his family and with no evident major character flaws, and it is easy to root for him. Alistair has good and bad points, but I think most readers are bound to feel bad for him, and he does not have the necessary traits to ever become a political success. Bradley is the least likeable, although at some points during the book one might wonder if he is not as bad as he seems (and he is far from some of the totally ruthless individuals we are used to reading about in hard political thrillers). There are some secondary characters that are not on stage long enough for us to get to know them well but they give more variety to the novel and include some intriguing and even menacing elements. I don’t think an expertise on the UK political situation or institutions is necessary to read this book, although I suspect that the novel will be more enjoyable to people familiar and interested in UK politics.

This is a book of the time, and social media and media in general play a big part in the political process, seriously affecting the public’s perception, with revelations about the candidates being leaked as a way of trying to manipulate the results, secrets being revealed left, right, and centre (politically as well). But, as I said, this is a gentle book and even the revelations and the corruption that is unearthed is pretty mild compared to some recent scandals, and it is unlikely to truly shock or repel people (it is no hard-core political invective or exposé). Although some pretty dark goings-on are hinted at, it is never clear who was truly behind them and if any of the political candidates was truly involved, leaving this element of the story open to readers’ interpretations.

The book feels somewhat old-fashioned, even though it is set in the future, and although there are quite a number of female characters, most of them don’t play a central part in the story (and the one who does, and perhaps the most interesting of the characters, has doubtful motivations that stem from her relationships with a particular man), and either disappear early in the book or are part and parcel of a man’s campaign. Saying that, they come up quite well compared to most of the male protagonists, and they are often the ones pulling the strings from behind the curtains.

The story is entertaining, and having lived in Brighton and being familiar with the area, I particularly liked the local touch and the detailed background into local UK politics. I also liked the emphasis on the role of social media and media in general, Harry and his background in local radio (I love local radio and I also volunteer at a local radio station), and some of the most outrageous suggestions of future changes to politics (like the fact that rather than having names, the parties would become either the GOP or the OP, the Government Party or the Opposition Party, regardless of alliances or ideology, to ensure neutrality). It is also difficult not to read this book and think of possible candidates that would fit right into the roles, and worry that, no matter how humorous, what happens might be uncomfortably close to the truth.

The writing flows easily, creating a good sense of who the characters are, and in some cases making us feel touched and close to their experiences (I did feel pretty sorry for Alistair). The author has a light touch and is skilled at managing a fairly large cast of characters without causing confusion or overwhelming the reader.

An entertaining and gentle book that pokes fun at UK politics, unlikely to offend anybody with a sense of humour. An amusing and fun read for a day when we don’t want to take politics too seriously.

Like Reblog Comment
show activity (+)
review 2019-02-12 12:34
Loved the movie Chinatown? Love San Francisco and female protagonists? This is your novel!
Not Here: A Dina Ostica Novel - Genevieve Novoco

I write this review as a member of Rosie’s Book Review Team (authors, if you are looking for reviews, check here), and I freely chose to review an ARC copy of this novel.

This is the first novel published by this author, and although it might not be to everybody’s taste, I found it an intense and gripping book that deals with important topics. And I was fascinated by the portrayal of the protagonist.

I was intrigued by the description of the novel because I do like the promise of a strong protagonist (although it does not always work, I did like Dina), and because the topic promised something a bit different to the usual thriller. No serial killer, no small-town setting, but a narrative closely linked to a time, a place, and a social issue. Any reader who lives, or has lived, in a city, knows how expensive it is to secure accommodation in a safe neighbourhood, and what a cut-throat world property development can be. In this novel, set in San Francisco, that is literally so. The fact that the protagonist was trying to make a name for herself in the world of podcasting, added to the interest for me, as I’ve always interested in radio and, in my mind at least, podcasts are closely linked to the immediacy of radio, especially to the programmes broadcast by local radio stations.

The story is told in the third person from Dina’s point of view. And it is a very interesting choice, because at times it feels like a first-person narrative (there are plenty of descriptions, although brief, of things like the clothes the protagonist is wearing, and the drinks she makes… She likes tea, and I’d dare say her choice of tea at any point is a clear indication of what her mental state is like at the time); it manages to capture perfectly the tone of character’s thoughts, her fears and anxieties, gives readers a good insight into her mind and feelings, while at the same time offering an outside perspective, an observer’s point of view. I might be stretching it here, but I felt that this is the way Dina sees herself. She is a young woman who has undergone a very traumatic experience and went through a period of depression following it. Now, determined to survive and get back on her feet, but also to never be a victim again, she is always on alert, observes things and people around her, never quite trusting what they say, or her own actions and reactions, second-guessing others and her own motives, ready to flee at the slightest hint of risk, but working hard to rebuild her life. She is not going to take it lying down. She joins a gym and self-defense classes (well, an interesting combination of martial arts and fighting that introduces action scenes and another setting that proves very important to the story). She is determined to make her podcast a success and wants to pursue stories that are important for the people around her, rather than those that might bring her commercial and financial success. Although she is cautious, due to her previous experience, she puts others’ needs ahead of hers, and never hesitates to step up to help others and offer her support, even when it might be dangerous. Her reactions to what happens to her in the story (that, in a way, mirrors her abuse, at least in her head) are totally believable and they match the defence mechanisms she has put in place.  I don’t usually do trigger warnings, but I feel survivors of domestic violence and abuse might find it a hard read. On the other hand, she has moments of desperation but she never gives up fighting, and she is a compelling and inspiring human being rather than a one-dimensional cut-out.

I felt the psychological side of the story, and the insights into Dina’s thoughts and reactions were very well done —there is no magical cure here, no saviour that comes along and sorts everything for our protagonist, and she does not fall for the first person coming along either, no matter how attractive he might be— and although some of the story elements stretch somewhat the imagination (and test the suspension of disbelief, but when we think about true stories we have heard or read, we soon realise that they are not as far-fetched as at first they might appear), the author manages to create a compelling and cohesive story from diverse strands: the world of podcasting, the city and property development, homelessness and crime in San Francisco, abuse and domestic violence, cage-fighting, police corruption, local government conspiracies…

This is not a light read, and there are hardly any moments when the tension loosens up. No light relief present either, and readers need to be prepared to experience a gamut of uncomfortable emotions, that succeed each other at a fast —take-no-prisoners– pace, especially towards the end of the novel.  I’ve mentioned already the descriptions that might not suit all readers. The author ignores Stephen King’s warning about adverbs, and although I have never been too worried about it, I admit it might give one pause, especially when they stray away from the most neutral and commonly used. But other than that, the book is written in straightforward style, it flows well, and it shows a good knowledge of the city and the topics without going overboard and “telling” too much.

I’d recommend this book to people looking for a different kind of thriller and a strong female survivor as a protagonist. Not a superhero, but a young woman determined to make it and an inspiration for readers familiar with these feelings and experiences. I kept thinking about Chinatown as I read this novel (perhaps because of the focus on local politics and speculation) and although it is set in a different city and historical time, if you enjoyed the plot of that story, love San Francisco, and are keen on a dark urban setting, you should try it. I can see this author going from strength to strength, and as this is the first in the series, I look forward to seeing what Dina does next.

 

 

More posts
Your Dashboard view:
Need help?