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review 2017-10-13 17:50
Not for me but could speak to a young Muslim woman.
Muslim Girl: A Coming of Age Story - Ama... Muslim Girl: A Coming of Age Story - Amani Al-Khatahtbeh

Never heard of 'Muslim Girl', forgot what drew me to this book but it moved up my list after seeing a mention of it on Book Riot. Author Al-Khatahtbeh describes what it was like to be a child (she was 9 at the time) when 9/11 happened and what it was like growing up and coming of age in the post 9/11 era. Her life, growing up, what it was like to navigate these spaces as a Muslim girl and than woman, etc. 


That's about it. The negative reviews are on par. It does seem like Al-Khatahtbeh might have benefited from gaining a bit of distance from these events. Some of the writing is quite pedestrian and is more suited for social media or in a blog post rather than a book. Her story is really very interesting but I wasn't compelled to read every single word and found myself skimming and flipping pages. 


However, I think in its own way it'd actually be really beneficial for young Muslim women. I'd bet they'd probably see themselves (maybe not all, but many) in her work and social interactions, whether it's learning about her extended family in Jordan or when navigating situations like when Al-Khatahtbeh describes being paired with a younger student for a project and she strongly suspected it was because both of them covered their hair. So while I respect some of the criticisms of that the author seems "young" of "self-centered" or whatever, I think there's a reason for that and some people are perhaps not realizing that this isn't speaking to them but rather to other people who may be looking for themselves in this book. 


It's not for everyone but I appreciated being able to read about her experiences. Would recommend the library but for the right person it'd probably be a good purchase or gift.

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review 2017-09-03 11:10
A powerful, touching, and beautiful book for readers prepared to ask themselves the big questions.
Home Fire: A Novel - Kamila Shamsie

Thanks to NetGalley and to Bloomsbury Publishing for providing me with an ARC of this novel that I freely chose to review.

When I read in the description of this novel that it was a contemporary version of Antigone, I was intrigued. If all Greek tragedies are powerful stories, I’ve always been inclined towards those that figure female characters at their centre, and by the moral questions they pose. The author explains, in a note at the end, that the project had started as a suggestion to write a modern adaption of the play for the stage but it had ended up as a novel. Her choices on adapting the original material make it, in my opinion, very apt to the current times, whilst at the same time preserving the eternal nature of its moral and ethical questions.

I don’t think I can improve on the description of the novel that I’ve shared above, but I thought I’d offer a few more details. The story, told in the third person, is divided into five parts, each one narrated by one of the main characters of the story. First, we have Isma Pasha, the oldest sister of a Pakistani-British family. When her mother died, she sacrificed herself for her twin sibling and left her studies to support them until they were old enough to choose their own paths. She is serious, studious, hard-working, and remembers a bit more than her siblings do what it was like when her father, a Jihadist who was never home, died on his way to Guantanamo Bay. The questions, the surveillance, the suspicions, the need to be ‘beyond reproof’… When her sister Aneeka, is about to start university, and her brother, Parvaiz, is pursuing a career in sound and media studies, she accepts an offer by one of her old professors to continue her studies at Amherst College in Massachusetts. She enjoys her quiet life there and meets a young man, Eamonn, whom she recognises as the son of an important UK politician, and one that had had some dealings with her family in the past. Although from very different social classes they share some things in common (they are both from London and they have Pakistani family, although Eamonn knows very little about that side of things). Their friendship never develops into anything deeper, but it brings hope and possibility to Isma’s life.

The next part is told by Eamonn, who intrigued by a photo he’d seen of Isma’ sister, tracks her down, and despite the secrecy surrounding their relationship, falls for her.

Parvaiz’s story is that of a young man brought up among women, who is very close to his twin-sister, Aneeka, but annoyed because the women in his life make decisions without him and he has no male role-model to guide him. A chance meeting with a man who tells him he knew his father ends up in his indoctrination and eventual joining of the Caliphate.

Aneeka’s chapters talk about her grief and her determination to do what she thinks is right, no matter the price or the consequences, both to herself and to those around her. When is love too much and how far would you go for your family?

Karamat Lone, the British Home Secretary, has the two final chapters. He is of Pakistani origin but has abandoned much of his culture and identity (including his religion and his way of life) and advocates assimilation and harsh punishment for those who don’t. Like for Aneeka, for him, there can be no compromise. He repeatedly chooses politics and his official life over his family and that has terrible consequences.

Shamsie has created multi-faceted characters, all distinctive and different in the way they feel, they see the world, and they relate to others. I found Parvaiz’s story particularly effective and touching, particularly as his decision might be the most difficult to understand for many readers. He loves sounds and the way he describes everything he hears is fascinating. The story of his indoctrination and the way he ends up trapped in a situation with no way out is hard to read but totally understandable. They choose him because he is a young man, vulnerable, looking for a father figure, and easy to manipulate. He makes a terrible mistake, but like the rest of the characters, he is neither totally good nor bad. They all keep secrets, in some cases to avoid others getting hurt, in others to try and save somebody or something. At times questions are not asked so as not to shatter an illusion, and at others, even the characters themselves no longer know what the truth is. The structure of the novel allows us to see the characters from their own perspective but they also appear in the stories of the others, and that gives us a better understanding of who they really are, how they appear to the rest of the people, and of the lies they tell themselves and others.

The novel deals with a number of relevant subjects, like terrorism and counter-terrorist measures, religion, ethnic and religious profiling, social media, surveillance and state-control, popular opinion and its manipulation by the media, politics, identity, family, love (many different kinds of love), ethics and morality. Although many of these topics are always at the centre of scholarly and popular debates, now they are more pressing than ever.

This is a beautiful book, lyrical at times, full of warmth and love (family love, romantic love, love for knowledge and tradition…), but also of fear and hatred. It is passionate and raw. We might not agree with the actions and opinions of some (or even all) the characters, but at a certain level, we get to understand them. We have fathers (and most of the men, although not Eamonn) prepared to sacrifice their families and their feelings for what they think is a higher and mightier good (country, religion, politics…). We have women trying to maintain the family ties and do what is right beyond creed, country lines, written laws, and paperwork. And a clash of two versions of family, identity, and survival condemned to never reaching an agreement.

I highlighted many lines of the text (and although always in the third person, the language and the expressions of the characters are very different in each segment), and some are very long (another writer not concerned about run-on sentences at times, although they serve very clear purposes), but I decided to share just a few examples:

Always these other Londons in London.

He was nearing a mosque and crossed the street to avoid it, then crossed back so as not to be seen as trying to avoid a mosque. (This is Eamonn walking around London).

She was the portrait to his father’s Dorian Gray —all the anxiety you’d expect him to feel was manifest in her. (Eamonn thinking about his mother).

Grief was what you owed the dead for the necessary crime of living on without them. (Aneeka thinking about her brother and about grief).

This was not grief. It was rage. It was his rage, the boy who allowed himself every emotion but rage, so it was the unfamiliar part of him, that was all he was allowing her now, it was all she had left of him. She held it to her breast, she fed it, she stroked its mane, she whispered love to it under the starless sky, and sharpened her teeth on its gleaming claws.

The human-rights campaign group Liberty issued a statement to say: ‘Removing the right to have rights is a new low. Washing our hands of potential terrorists is dangerously short-sighted and statelessness is a tool of despots, not of democrats.’

He looked like opportunity tasted like hope felt like love (Anika about Eamonn).

Working class or Millionaire, Muslim or Ex-Muslim, Proud-Son-of-Migrants or anti-Migrant, Moderniser or Traditionalist? Will the real Karamat Lone please stand up? (The newspapers talking about Karamat Lone, the Home Secretary).

Who would keep vigil over his dead body, who would hold his hand in his final moments? (Karamat thinking about his mother’s death and then his own).

This is a powerful book and a novel that made me see things from a different perspective. What happens to those left behind? We are used to hearing about the families of young men and women who leave them and their country of birth to join terrorist groups. We hear of their surprise at what has happened, they seem unable to react or understand how their son, daughter, sister, brother… has become somebody they no longer understand or know. But, what must life be like for them afterwards?

There are elements that might stretch the imagination but for me, they fit within the scope of the story (it is supposed to be a tragedy, after all) and the novel treads carefully between realism and dramatic effect.

A great novel that brings to life many issues that are sometimes ignored in the political and media discourses but that are fundamental if we want to reach a better understanding of the situation. A book for people who are looking for something more than a good story and a bit of entertainment, and are prepared to ask themselves some questions. Another author I had not read yet but whom I will eagerly follow from now on.

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review 2017-08-06 22:48
Book wasn't sure what it wanted to do.
We Too Sing America: South Asian, Arab, ... We Too Sing America: South Asian, Arab, Muslim, and Sikh Immigrants Shape Our Multiracial Future - Deepa Iyer

This book has popped up recently (it was published in 2015) somewhere and I thought it'd be an interesting read. I had read 'The Making of Asian America' a few years ago and when this book showed up again it seemed like this might fill in some of the gaps that I thought 'Making' didn't quite cover by focusing on South Asian Americans.


Initially the book was, perhaps, a bit too on the nose. I had not realized that it would open with the shooting at a gurdwara (Sikh temple) located in Oak Creek, Wisconsin. The anniversary was just yesterday (8/5) and while I certainly do not in any way fault or blame or feel it's a detriment to the book, it just caught me off guard. But it made the reading very poignant and very relevant.


Then...the book just sort ends up being a jumble. Ranging from the surveillance state (especially in the wake of the post 9/11 world) to the racism and prejudice experienced by South Asians in areas like the US Bible Belt and the importance of activism, particularly focusing on the undocumented and in the wake of Black Lives Matter. 


It just felt like (to me) that the author was trying to cram in far too many topics at once without being able to really go into depth. There could VERY easily be tomes on each of the topics including (but not limited to!): the surveillance state, the relationship of South Asians to the United States in a post 9/11 world, experiences of immigration and the threat of deportation, activism with the changes of technology and the rise of movements like BLM, etc. 


This is actually the first book that (I think) didn't quite match the cover (which made me think this book was going to be about how immigrants coming to the US have made their way here), it also didn't quite match the book flap either (which mentions the shooting at Oak Creek and the news flap over the Park51 mosque and activism but doesn't mention the government surveillance). So maybe part of it is that I went into the book expecting something else but overall I felt disappointed.


Still, I wouldn't be surprised if it shows up in a class reading list focusing on Asian-Americans, Asian Muslims, government surveillance, etc. Many other people seemed to find the book helpful and informative. I think there is certainly good information here but I think I'll be looking for other books to supplement this one. Borrow from the library.

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review 2017-05-12 19:28
Toni FGMAMTC's Reviews > Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity
Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity - Katherine Boo

This is really great at opening a person's eyes. I believe this book said (and that I've read before) that Mumbai is the dirtiest city and the poorest in the world (sorry if I'm getting that wrong but it's close if it isn't first in those categories). The water has everything imaginable in it. The politics to get justice for anything or assistance is so corrupt. Everyone down the line has to get a take so that the one that's supposed to benefit receives practically nothing, if anything. The people are basically squatters with makeshift homes they erect from whatever so they have no ownership rights. Some make money by sorting through trash for recyclables. It's backbreaking filthy work. This book follows a few people. It was difficult sometimes for me to keep each person straight. It's the kind of story that will make you appreciate not having these struggles. It also makes you want to do something to help, but it seems difficult with the levels of corruption to make positive changes.

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review 2017-01-05 18:30
Okay book but a bit disjointed.
Atheist Muslim: Losing My Religion But N... Atheist Muslim: Losing My Religion But Not My Identity - Ali A. Rizvi

The title grabbed at me. The story of a Muslim who grew up in a conservative society to eventually turn away from Islam sounded rather intriguing. Others have discussed this but I was curious to see what Rizvi had to say.


The book doesn't actually match the title. It's really his story, arguments about his problems with Islam, some historical context, etc. In all honesty, the book felt like it was all over the place. It'd jump from his background and history (plus his everyday interactions with others) to general history of Islam to whatever else. It wasn't very well integrated and it did not "flow" very well.


Like other reviews have said, it seems a bit ranty and it's perhaps more of his venting of his own personal issues. Maybe that was the point but the "journey" that's on the cover is a meandering one with no clear path or aim.


His deconstruction of common arguments regarding Islam ("It's culture, not religion!") was good plus his own story was what drew me to the book in the first place. And perhaps it's my general dislike for books that are heavy on religion but I'm not sure I got much out of this. It might read better for other people though. It just wasn't for me overall. Borrowed from the library and I'm glad.

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