by Kayne Sampson

This has an interesting concept where demons are corporeal and have uneasy relations with humans. There was a lot of emphasis on swordplay and a smattering of magic that would appeal to sword and sorcery readers, but the writing struck me as middle-grade and didn't hold my attention as much as I'd like.

I would recommend it for boys 10-13 and maybe a little older. Especially reluctant readers who might get captivated by the fight scenes.

At the end of the previous volume, Myne passed out due to the Devouring and seemed likely to die. But of course she didn't - in the beginning of this volume, it's revealed that she was taken to the guildmaster to be saved by one of the fragile magical items he collected in order to save his granddaughter, Freida, who also has the Devouring.

It's a good thing that Myne has saved up so much money, because even old and nearly broken magical tools cost a lot, and are typically only available to nobles. And not only that, they don't cure someone with the Devouring, they just temporarily lower the person's mana level enough for them to feel better. If she doesn't sign a contract with a noble and agree to become their slave, Myne likely only has another year at most before the Devouring kills her.

Freida and the guildmaster, who already have connections with nobles, want to corner Myne into working with them. Benno wants Myne (and her lucrative product ideas) to stay with him and the Gilberta Company. Then there's Myne's family and her friend Lutz - if she signs a contract with a noble, she'll likely never see any of them again. So Myne has some tough decisions to make.

In some ways, this was the best volume in the series so far. There were only a few overly detailed "making stuff from our world in a fantasy world" scenes, more emphasis was put on characters' relationships with others (Myne and her family, and Lutz and his), readers finally got a small glimpse of the wider world and its politics, and there was forward movement in the Devouring aspect of the plot.

Unfortunately, the story had a bad tendency to meander - I had to flip through it to remind myself what happened in between the more important plot points. Lots of planning for Myne's baptism, getting Lutz ready to become an apprentice merchant, more paper-making but bigger, and Myne accidentally inventing yet another new food. I still agree with what I wrote in my review for Volume 1: Part 1 really would have been better condensed into a single volume rather than spread out over three books.

The writing was terrible. That fact was easier to gloss over in the previous two volumes, but in this one the author included a few scenes that should have been very emotional and that were instead ruined by the author's reliance upon what were essentially sound effects to convey characters' emotions. Things like: "Sniff," "Nnn," and "Ngggh." And speaking of sound effects, it seemed like Myne said "Bwuh" way more in this volume than she did in the previous two, and it started to irk me a bit. And this series really should have been written in the third person. The author had to cheat a bit in this volume to get around the limitations of Myne's first person POV, and honestly most of the bonus stories also came across as clumsy attempts to get around the series' POV limitations.

I have a bunch of questions about the world-building - it seemed shakiest where foods were concerned. First there was the whole thing, earlier in the series, about commoners not having access to rice. In this volume it was revealed that

Despite all of these problems, I still plan on reading Part 2 once it's possible for me to get all three books. I look forward to seeing where the author goes with the new developments in the story. But I won't lie, this isn't a well-written series. I've been able to put up with its issues so far, but I'd totally understand if others couldn't.

I haven't seen the anime yet but plan to do so. I strongly suspect that the emotional scenes in this volume will work a lot better in the anime than they did here. I prefer You Shiina's artwork to the screenshots I've seen of the anime, but that's normal - Shiina's illustrations can have a level of detail that just wouldn't work in an animated series.

Extras:

A folded page with full-color illustrations on both sides, black-and-white illustrations throughout, a map of the portion of the town Myne has access to, a drawing of Myne's family's home, and six bonus stories.

The bonus stories aren't really bonus - they continue the main story a bit, but from other characters' POVs. Hence my comment about authorial cheating. The POVs included: Tuuli, Leise, Benno (he lost a bunch of points with me in his short story - I'd thought he was a savvy merchant, but he's looking more and more like a reckless idiot), Mark (J-Novel Club made a mistake and used Benno's chapter's title as Mark's chapter's running head, oops), Lutz, and the guildmaster. You know, I can't recall if the guildmaster has ever been given a name.

(Original review posted on A Library Girl's Familiar Diversions.)

In order for Myne and Lutz to become the official apprentices of Benno, a merchant, they must first create prototypes of the paper Myne told Benno about. Myne soon realizes she may have bitten off more than she can chew, even with Lutz's help - the prototypes will require supplies and equipment that will take them ages to make. However, the two of them aren't doing this alone anymore. As Myne learns more about how apprenticeships and the world of merchants works, she comes closer to her ultimate goal, obtaining a book. The hairpin Myne made for Tuuli also makes a reappearance, and turns out to be more profitable than Myne could have imagined.

This volume had most of the same issues the first one had. Certain parts of the story were more detailed than they really needed to be, and the story and overall pacing still suffered a bit from the author's unwillingness to cut out self-indulgent bloat. Myne was still selfish and more emotionally invested in her goal of creating a book than in the human beings around her who cared for her - Urano had lived in this world for a year as Myne, by this point, so this bothered me even more this time around than it did in the first volume.

Even so, I thought this particular volume was a good deal better than the first one. Instead of every one of Myne's ideas getting bogged down by what she, a frail 6-year-old child, could accomplish or talk others into doing for her, this time around Myne had funding and assistance from adults. It was incredibly refreshing not to have to read about, say, Myne's painstaking efforts to either acquire the materials to make a pot or the funds to buy one before she could even begin to try to make paper.

One of the author's weak areas seems to be creating characters with interesting/unique personalities - nearly everyone reminds me of characters I've seen before in other series, and it probably doesn't help that Myne generally isn't interested enough in people to get to know them on more than just a surface level. Still, one thing this volume did do was introduce characters who opened up Myne's world in fun new ways. I'm partial to fantasy merchants, so Benno was a favorite of mine, and I particularly enjoyed his scenes with the guildmaster of the Merchants' Guild. And Lutz, Myne's friend, grew on me a lot.

As far as the author's use of great gobs of detail went, I enjoyed most of the paper-making process and the info Myne learned about the economics of this world but felt that the hairpin stuff bogged the story down. It also felt kind of weird that Myne went from "I'm giving my family part of my pay in an act of filial piety" (when she was paid to make paper) to "I'm paying my family members to do temp work for me" (when she was paid for hairpins).

Myne's illness has added more of a sense of urgency to the series, so I'm looking forward to seeing where that goes. Since I doubt the author plans to kill Myne off anytime soon, at some point nobles are going to be added to the cast of characters. Here's hoping their presence crowds out some of the more annoying additions to the cast. Myne's obsession with books and paper can be a bit much as it is, I really don't need Freida's obsession with money on top of that.

Extras:

A folded page with full-color illustrations on both sides, black-and-white illustrations throughout, a map of the portion of the town Myne has access to, a drawing of Myne's family's home, and two bonus short stories, one from Corinna's POV and one from Myne's mother's POV.

While I was okay with the bonus stories in the first volume, the ones in this one were pretty bad. Corinna's story, in particular, would have been better off in the trash. It was a flashback to Otto's "courtship" of her - meeting her when she was still 6 months away from being legally considered an adult and falling instantly in love with her, and then basically giving up his entire life over the course of two or three days until she was essentially boxed into two options, marrying the youngest son of the guildmaster or marrying Otto. She seemed okay with her final decision, but it didn't paint Otto in a good light. I also very much disliked the part where Corinna (jokingly? I hope?) suggested that Myne could end up marrying Benno if his work makes him too busy to find a wife. Myne is six and Benno is maybe in his twenties. No. Just no. Light novel authors (and manga authors, you know who you are), please stop doing this.

Effa's story was just boring, and the author or translator's attempt at giving her a "voice" was dry and unconvincing. Pretty much the only reason I'd recommend reading either of these two stories is because they contain some character background info that I don't think gets brought up at all in the main story.

(Original review posted on A Library Girl's Familiar Diversions.)

Urano is a Japanese college graduate who's absolutely obsessed with books and reading. Both she and her mom are thrilled when she gets a job at a library, but before she even has a chance to start, an earthquake causes Urano's book collection to fall on her and kill her. She wakes up in the body of a sickly 5-year-old child named Myne.

Although Myne's memories tell her that she loves her parents and older sister and they love her back, it's a little difficult for her to connect with them emotionally, since they feel mostly like strangers to her. Still, she tries to adjust to her life as best as possible, arranging things so that both she and her new family's cleanliness is improved and trying to make something resembling Japanese food without any of the proper ingredients, not even rice. The thing that's hardest for her to take, however, is the complete lack of books. The nobility can afford books, but poor commoners like her own family can't. Rather than succumb to despair, however, Myne/Urano (who I will refer to as Myne from here on out, although the real Myne is technically dead) decides that she will somehow make her own books.

As is the case with many, many recent light novels, I like the idea behind this series more than its execution. In the afterword, the author says they (I think the author is female, but I'm not 100% sure) refused to abridge Part 1 into a single volume, which I think was a mistake. I wish Japanese light novel publishers/editors were a bit firmer with their authors - far too many light novels are filled with self-indulgent bloat, and Ascendance of a Bookworm is no exception.

As I learned with My Next Life as a Villainess, though, I can be more forgiving of problems in light novels if aspects of them overlap with my interests. In this instance, the book got points for having a book-loving heroine, and the self-indulgent bloat was mostly focused on Myne's efforts at bookmaking. I was interested to see what she'd come up with next and how she'd manage it, considering that it took her weeks just to work up the strength to walk to the forest on her own.

But was it really necessary to go into that much detail on several of Myne's attempts to make something paper- or book-like? Probably not. Same with Myne's various food-making, cleanliness, and personal hygiene efforts. Literally every idea Myne had involved a long, multi-step process to figure out if this world even had the supplies she needed, if those supplies were accessible in some way to commoners, and then how to get those supplies and use them, considering that Myne's body was so weak that overexerting herself could result in being bedridden with a fever for multiple days.

Myne won me over at the very beginning due to her love of books. She was the sort of person who'd find a way to read whenever she could, and she didn't care about anything except making sure she continued to have access to books and reading time. It didn't bother her if other people thought she was odd. However, this single-minded focus eventually began to wear on me. For one thing, in a world like the one she ended up in, it made Myne seem immensely selfish. Her family was literally dirt poor, and she kept asking for things with barely a thought as to whether they could afford them or spare the time to get them. For another, she'd occasionally have tantrums more appropriate to her physical age than supposed mental age when things didn't go her way. Honestly, Tuuli, Myne's 6 or 7 year old sister, usually came across as more mature than Myne, whose mind was supposedly that of a college graduate.

Like many recent light novels, this was unfortunately written primarily in the first person. The author knew enough about POV to realize that different first person narrators would have different sets of knowledge (there were a couple bonus stories written from a couple non-Myne POVs), but not enough to create truly distinct voices (or maybe that was a translation issue?). Also, as with other J-Novel Club books I've read, there were several typos that really should have been caught before this made it to print - a sentence with really odd comma usage, a stray "1" at the end of a sentence, incorrect words like "first" instead of "fist," etc.

Despite my issues with this book, I'm glad I have the next one and can continue on. The end of the volume introduced a few characters and a shift in the storyline that I'm very interested in seeing play out. Although I'm sure that Myne will continue to be more focused on books than anything else, it looks like the series may add some economic aspects, similar to Spice & Wolf and Accomplishments of the Duke's Daughter. And since that may mean more appearances by one of my favorite characters in this book, a traveling merchant turned soldier named Otto (whose level of devotion to his wife makes him this series' version of Maes Hughes), I'm looking forward to it even more.

I really wish this had been the more tightly written novel it could have been, but so far this is decent.

Extras:

A folded page with full-color illustrations on both sides, black-and-white illustrations throughout, a map of the portion of the town Myne has access to, a drawing of Myne's family's home, and two bonus short stories, one from Lutz's POV and one prequel from Urano's friend Shuu's POV.

(Original review posted on A Library Girl's Familiar Diversions.)

I write this review as a member of Rosie’s Book Review Team (authors, if you are looking for reviews, check here), and I freely chose to review an ARC copy of this novel. It came highly recommended, and it’s one of those books that I’m sure won’t leave anybody indifferent.

This is not a book heavy on plot. It is a novel narrated in the first person by a would-be writer stuck in writers’ block and seemingly unable to unleash the immense and unique talent for literature he believes he has. He uses all the tried and tested methods most readers will be familiar with (drinking heavily, navel-gazing, taking drugs, isolating himself, constantly trying to call the muses…) and some pretty unique ones (he is obsessed with submarines, and a particular Russian submarine disaster; he is also interested in air disasters; he has a penchant for peculiar interior decorating and a unique sense of fashion; he loves his fish and model-making [submarine again]). He adopts a variety of names and identities throughout the book, and seems intent on outraging and destroying things around him in frustration for not being able to create something, although when he dreams of literary fame, it isn’t what most people would think a writer would dream about.

Rather than helping, everything he tries seems to send him down a slippery slope of self-destruction (and a fair deal of vandalism and petty crime as well), and as readers, we are privileged witnesses of this journey towards… Well, if you read it you can decide by yourselves.

Although Bukowski has been mentioned in several reviews, the main character made me think of several books and authors I’ve read as well, some quite recently. He did remind me of the main character in Malibu Motel, who is so self-involved and unrealistic that he keeps digging holes for himself. Inkker (to give him one of his adopted names) has more insight (even if fleeting), and there is something more genuine about him, although he keeps it under wraps and well hidden. It also reminded me of Eileen and other protagonists of Ottessa Moshfegh’s work, but her characters are more extreme and even though less likeable, we normally get more of a background and a better understanding of where they are coming from. And, the way Inkker’s angry simmers and boils until it explodes in outrage, reminded me of a fantastic essay I read many years back by John Waters (the film director) called ‘101 Things I Hate’ published in his collection Crackpot: The Obsessions of John Waters. What starts like a list of annoying things Waters is sharing with us, gets more and more outrageous as he gets more and more irate, and you can hear him shouting at you from the page by the end. It’s impossible not to nod and agree at many of the items on the list, but there is something at the same time darkly funny and scary in the way his emotions run so raw and close to the surface.

The book is beautifully observed and written, although, of course, it being in the first-person and the narrator a pretty unreliable one, we have to take all his comments and his opinions with a huge pinch of salt, and that goes for his depiction of other characters (and there are a few: an indie writer —of all things— and his girlfriend, an elderly neighbour, the guests at a disastrous dinner party, the locals at a pub, a couple of women, one he had a one-night-stand with and one he goes on a date with…). As you might suspect from the description, he is not particularly skilled in the social graces either and that results in some scenes that feel like watching a train wreck. It’s impossible to look away even when you know it’s going to get ugly, and I’m sure some of them will remain imprinted in the minds of readers for a long time.

Rum Hijack, which was first published in two separate parts, is darkly comedic (his quips at most writers, especially at self-published ones, will be ‘appreciated’ by those in the profession although perhaps not so much by readers not familiar with Twitter or with indie authors’ marketing techniques), and although in the face of it there is nothing particularly endearing about the protagonist, there is such vulnerability, such contradictions (he is reckless but careful, anarchic but worried about getting caught, a self-proclaimed outsider but eager to be admired and loved),  such need, and such self-loathing behind many of his actions that it’s impossible not to keep reading about his adventures and hope that things might take a turn for the better.

This is not a book for readers eager for adventure and action, who love a complex plot and consistent characters. It is not for those who dislike first-person narrations or prefer clean, edifying and inspiring plots and messages. If you enjoy literary fiction, books about writing (or writers’ block), are eager to find new voices, and love your humour very dark, check a sample of this book. You will either love it or hate it (yes, it’s a marmite kind of book). It’s up to you.

Oh, as a clarification to readers here on Booklikes, my review refers to the whole novel, not only to part one. It's called Rum Hijack, and I couldn't find it here.