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text 2018-01-08 18:58
2017 in Review
How To Be A Tudor: A Dawn-to-Dusk Guide to Everyday Life - Ruth Goodman
New York 2140 - Kim Stanley Robinson
The Invention of Nature: Alexander von Humboldt's New World - Andrea Wulf
Murder Must Advertise - Dorothy L. Sayers
The Summer Before the War: A Novel - Helen Simonson
Racing the Devil - Charles Todd
Calamity in Kent - John Rowland
Ashes of London - Andrew Taylor
The Murder of Roger Ackroyd - Agatha Christie
Agnes and the Hitman - Bob Mayer,Jennifer Crusie

2017 was an excellent reading year around here.  I had four five-star reads, not counting re-reads, which is a very high total for me, out of some 90+ books read.  One was a novel - 2140 by Kim Stanley Robinson, and three non-fiction: The Invention of Nature, by Andrea Wulf, and two by Ruth Goodman, How to be a Tudor, and How to be a Victorian.  Wonderful re-reads included Dorothy L. Sayers' Murder Must Advertise, several Mary Russell novels by Laurie R. King, and The Murder of Roger Ackroyd (which I think I read in about 1978, but remembered nothing).


The best historical novel I read in 2017 was The Summer Before the War, by Helen Simonson, and the best new mystery Racing the Devil, by Charles Todd.  I read a decent amount of non-fiction, all of it good, from The Glass Universe (about the ladies of the Harvard Observatory) to Michelangelo's Ceiling (Damn it, your holiness, I'm a sculptor, not a painter), The Sun and the Moon (the Man-bats, or America's first great "fake news" story), and A is for Arsenic (Agatha Christie knew her poisons).


I had some reads that were just pure fun, like Jennifer Crusie's Agnes and the Hitman, Deborah Harkness' trilogy on witches, or Anne Bishop's novels about The Others.


It did have down moments.  Calamity in Kent's plot boiled down to "Scotland Yard inspector decides his tabloid journalist friend, Jimmy, is the best choice to solve a locked room mystery, and tells Jimmy to go for it."  Um.  OK?


The one which angered me, however, was my sole 1-star read of the year, The Ashes of London, which was billed as a thriller set during the Great Fire of London.  It is set *after* the fire, did not have very good historical detailing (it could have been pretty much anywhere and anywhen in the past that had suffered a large fire), and had two narrators, neither interesting.  And then it offended me with a touch of "let's start the characterization of the woman by having her evil cousin rape her" and I was out.


But most of my reading year was wonderful.  I hope yours was, too.

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review 2017-06-07 16:50
Octaviasdottir: “New York 2140” by Kim Stanley Robinson
New York 2140 - Kim Stanley Robinson

“Did you ever read Waiting for Godot?


“Did you ever read Rosencrantz and Guildenstern Are Dead?”


“Did you ever read Kiss of the Spider Woman?”


“Did you ever read---“

“Jeff, stop it. I’ve never read anything.”

“Some coders read.”

“Yeah that’s right. I’ve read The R Cookbook. Also, Everything you Always Wanted to Know about R. Also, R for Dummies.”

“I don’t like R.”



In “New York 2140” by Kim Stanley Robinson



After having read the latest Stanley Robinson, a scene in Kurosawa's 'One Wonderful Sunday' from 1947 popped up in my mind, where at the very beginning two young lovers plead with the cinema audience to support young lovers everywhere and clap and cheer as they imagine themselves performing Schubert’s Unfinished Symphony.


If you're into SF. read on.

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text 2017-06-02 07:04
Reading progress update: I've read 12%.
New York 2140 - Kim Stanley Robinson

This seems like familiar KSR territory, ecological disasters and co-ops. I was a bit worried at the apparently juvenile writing style in the first couple of chapters but it's gone away. It might even have been intentional?

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review 2017-05-29 18:38
New York 2140
New York 2140 - Kim Stanley Robinson

New York in the early 2140s, some 125 years in the future, is in some ways the same as it always has been - the crowds and the crime and Central Park and the street urchins and the folks trying to make a fast buck (legally or illegally), the immensely rich few bumping up against great masses of much poorer people, and the illegal immigrants and the squatters and the undocumented and the refugees, but much is changed, too. 


For one thing, the sea level is now 50 feet higher.  The ultra-rich have fled to the highest points of the island, where the world's most expensive real estate has been built, while everything below 30th St. is permanently at least partially under water.  The people, however, have refused to leave, and have turned lower Manhattan into "Super Venice."  They have turned skyscrapers into co-ops, with sky tunnels linking them, and all the former streets are now canals full of vaporettos, gondolas, water taxis, and private boats ranging in size from the tiniest zodiac or kayak to deluxe speedboats and salvage tugs.


This novel is the story told by selected inhabitants of one of those co-ops - the one in the old Met Life building - from the super to the hackers living in tents on the farm level to the hot-shot young financier.  From the police detective to the undocumented teenagers living in a zodiac in the boathouse, and the immigration lawyer and the animal rights activist/video star/pilot of the airship Assisted Migration, as well.


It's told in about as many narrative styles as there are narrators, from the theatrical to the police procedural.  (In many ways the narration reminded me of that of his Mars series, of which I am a fan.)  Normally I take a deep breath at a novel with as many narrators as this one attempts, but Robinson's a good writer (he's won the Hugo, the Nebula, and the World Fantasy Award), and in my opinion he pulls it off. 


It's not a flawless novel, but I couldn't stop reading it. 


P.S.  I wanted to put my emoticon at "giddy," but alas, that was not an option.

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url 2017-03-15 03:26
New York 2140 Offers a Fascinating Tour of a Drowned Manhattan
New York 2140 - Kim Stanley Robinson

I am not fucking around: this is a great Kim Stanley Robinson novel. It's got everything I like about him: a bunch of hugely nerdy digressions, some legit science, a little light-hearted didacticism, and words words words. This man can write. Ok, sure, the plot is loose, but who even needs a plot when you've got a world like this, like ours but in extremis


My latest at B&N SciFi. 

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