logo
Wrong email address or username
Wrong email address or username
Incorrect verification code
back to top
Search tags: not-my-post
Load new posts () and activity
Like Reblog Comment
text 2019-06-19 11:04
Post-production Market Key Growth Drivers and Regional Outlook

19 June 2019, The global post-production market is subject to witness a substantial growth due to the emergence of digital transformation in the media sector. Digitalization is considered as major trend driving the growth of the market over the forecast period. Digital transformation in the media sector has led to incorporation and variation of new business and operating models, thus creating a joint, multi-functional and an on-the-demand digital platform.

 

Above-mentioned factors are expected to drive the growth of the market over the forecast period. Globally, the market is predicted to grow at a CAGR of 7.94%, providing numerous opportunities for market players to invest for research and development in the post-production market.

 

Increasing penetration of modern technologies such as Internet Protocol Television (IPTV) across the globe and online streaming services are expected to boost market growth in the upcoming years. Increasing focus towards adoption of the cost-effective delivery solution such as High Definition (HD) content by various service operators across the globe is expected to fuel the growth of post-production market in the near future.

 

Introduction number of online streaming services such as Netflix, Amazon Prime and Hulu are changing overall perspective of watching television. Such services are offering commercial content to user while charging on monthly basis. Moreover, easy availability of DVR services allows users to skip commercials, thus contributing significantly to market growth over the forecast period.

 

 

 

Large number of post-production services are driven by film production budgets in North America region. However, low profit margins, slow growth and higher operational cost are restraining market growth to a certain extent. Yet, advent of technologies such as 2D to 3D conversion services and VFX (Visual effects) services are anticipated to fuel market demand for post-production services over the next seven years.

 

The market is broadly categorized into four major segments based on the end-user application type such as movies, television, commercials and online streaming services. The television sector is considered as one of the fastest growing segment in the market with substantial revenue generation in the last few years. Growing popularity of post-production services in the television segment is attributed to the large consumer base and higher market penetration. The online streaming services segment has also witnessed substantial growth owing to the availability of commercial content to user while charging on monthly basis.

 

The market is divided by region as North America, Europe, Asia-Pacific, Latin America and Africa. North America has shown major growth in recent years owing to the rise in the implementation of latest technologies in media sector, increase in the number of research & development activities in the region and existence of well-established industrial infrastructure.

 

Asia-Pacific region is predicted to hold major market share in the post-production market with massive growth in forecast period. Countries such as India, China, Malaysia, Indonesia, South Korea and Singapore are leading the Asia-Pacific market with increasing number of 3D screens, presence of large consumer base, rising personal disposable income and significant investment by leading industry players considering potential growth opportunities in the region.

 

The key players in the post-production market are Twenty-First Century Fox, Inc., AT&T, Inc., Rocket Science Ltd., Comcast Co., Prime Focus Technologies Ltd., and The Walt Disney Company.

 

Browse Related Category Market Reports @

https://www.millioninsights.com/industry/media-and-entertainment

Like Reblog Comment
show activity (+)
photo 2019-06-17 04:38

Girl Reading (1904) by Frederick Carl Frieseke [x]

Like Reblog Comment
show activity (+)
text 2019-06-16 15:02
AVR Weekly News ~ 297th Edition

AVR Weekly News ~297th Edition

 

Source: imavoraciousreader.blogspot.com/2019/06/avr-weekly-news-297th-edition.html
Like Reblog Comment
url 2019-06-15 09:48
Tips on Post Pregnancy Weight Loss

Get the best Tips for Post Pregnancy Weight Loss through quantified nutrition and resistance weight training under the guidance of a certified trainer. Visit- https://workleisureuploads.com/post-pregnancy-weight-loss-journey/ for knows more about tips of post pregnancy weight loss.

Source: workleisureuploads.com/post-pregnancy-weight-loss-journey
Like Reblog Comment
show activity (+)
review 2019-06-14 21:13
Zombie Oasis (Still Alive #4) by Javan Bonds
Zombie Oasis: Still Alive Book Four - Javan Bonds,Monique Happy

Note: This is Book 4 in the series and it really does work best if you’ve read the first 3.

It was fun and had me snort laughing at inappropriate moments. It wasn’t my favorite of the series so far though. I think that is because the first half of the book spends time kind of recapping what other people are doing and also brings in some new characters that I think will be important later in the series. The second half returns us to Mo’s fumbling hands where I felt comfortable just being myself and laughing at his commentary on life.

These stories are full of juvenile humor, true, but also humor that pokes fun at life’s ‘isms’ (racism, sexism, ageism, teratophobia, homophobia, etc.). That makes me laugh because we all know people with hangups and these books show just how silly those hangups are in the face of cannibalistic nudists. Sometimes the grundge talk (how gooey those zombies really are) goes a little far for me so I don’t recommend eating while listening to this book.

Mo’s little Zombie Island (really Guntersville Island) is coming along well and the residents are in such a good place that they want to bring in more survivors. Mo must assemble a crew to take the pirate ship Viva Ancora out on a hunt. The story does leave us on a cliff hanger with the crew selected and the ship ready to sail. The crew includes Mo’s older brother, Easy, who makes me laugh because he’s such a studly dunce. Smokes and the best prepared guy in the wheelchair (with his monkey Mary) will be going as well. Hammer and Crow will also be joining them. Turns out Crow can cook far more than boring fish, proving Mo’s theory that she makes such a disappointing dish just to irritate him.

The ladies get a little more page time, but pretty much they are mothers, wives, and romantic interests. And the story pokes fun at that over used trope too. Still, I think the ladies have more to contribute. Aka (the engineer) and Easy do get married (and Crow made a scrumptious cake for the wedding). Mo gets some time with his love, even if she’s upset that he plans to go out into danger on this new mission. Mo’s mom puts in several appearances, all being motherly (especially about grammar and swearing).

All around, it was a fun addition to the series even if it wasn’t the best. 4/5 stars.

The Narration: S. W. Salzman was a lot of fun as the narrator for this book. I feel like he enjoys giving this series a voice. His voice for Mo is still my favorite, being a heavy Alabama accent. He also does well with all the female voices. I liked his version of the serial killer from Silence of the Lambs, who kinda gets a cameo in this story. The pacing was perfect and there were no tech issues with the recording. 5/5 stars.

I received a free copy of this book in exchange for an honest review. My opinions are 100% my own.

More posts
Your Dashboard view:
Need help?