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review 2018-03-05 00:07
Wintersong - S. Jae-Jones


DNF at 68%

I can't keep reading this; Liesl has gotten on my nerves almost since first page with her contempt for her younger sister. More accurately for her younger sister's... developed body. I hate crap like this.
Then there's the fact that Liesl suffers from "I'm different from everyone else"plot , which could result, if the character wasn't so obnoxious.
As for the romance, ye gods, that's what finally killed it for me: Liesl has gotten into her thick head of hers that she will only be validated as a person, if she can get the Goblin King to desire her.
See? I just can't keep reading this; it is really getting on my nerves.
Too bad, because the writing _ the beautiful writing _ is right up my alley.

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review 2018-01-20 20:45
Undercover Princess
Undercover Princess (Rosewood Chronicles) - Connie Glynn

[I received a copy of this book through NetGalley.]

There were good ideas in there, and I was fairly thrilled at first at the setting and prospects (a boarding school in England, hidden royals that looked like they’d be badass, etc.), but I must say that in the end, even though I read the novel in a rather short time and it didn’t fall from my hands, it was all sort of bland.

The writing itself was clunky, and while it did have good parts (the descriptions of the school, for instance, made the latter easy to picture), it was more telling, not showing most of the time. I’m usually not too regarding on that, I tend to judge first on plot and characters, and then only on style, but here I found it disruptive. For instance, the relationship between Ellie and Lottie has a few moments that border on the ‘what the hell’ quality: I could sense they were supposed to hint at possible romantic involvement (or at an evolution in that direction later), but the way they were described, it felt completely awkward (and not ‘teenage-girls-discovering-love’ cute/awkward).

The characters were mostly, well, bland. I feel it was partly tied to another problem I’ll mention later, namely that things occur too fast, so we had quite a few characters introduced, but not developed. Some of their actions didn’t make sense either, starting with Princess Eleanor Wolfson whose name undercover gets to be... Ellie Wolf? I’m surprised she wasn’t found out from day one, to be honest. Or the head of the house who catches the girls sneaking out at night and punishes them by offering them a cup of tea (there was no particular reason for her to be lenient towards them at the time, and if that was meant to hint at a further plot point, then we never reached that point in the novel).

(On that subject, I did however like the Ellie/Lottie friendship in general. It started in a rocky way, that at first made me wonder how come they went from antipathy to friendship in five minutes; however, considering the first-impression antipathy was mostly based on misunderstanding and a bit of a housework matter, it’s not like it made for great enmity reasons either, so friendship stemming from the misunderstanding didn’t seem so silly in hindsight. For some reason, too, the girls kind of made me think of ‘Utena’—probably because of the setting, and because Ellie is boyish and sometimes described as a prince rather than a princess.)

The story, in my opinion, suffers from both a case of ‘nothing happens’ and ‘too many things happen’. It played with several different plot directions: boarding school life; undercover princess trying to keep her secret while another girl tries to divert all attention on her as the official princess; prince (and potential romantic interest) showing up; mysterious boy (and potential romantic interest in a totally different way) showing up; the girls who may or may not be romantically involved in the future; trying to find out who’s leaving threatening messages; Binah’s little enigma, and the way it ties into the school’s history, and will that ever play a part or not; Anastacia and the others, and who among them leaked the rumour; going to Maradova; the summer ball; the villains and their motivations. *If* more time had been spent on these subplots, with more character development, I believe the whole result would’ve been more exciting. Yet at the same time all this gets crammed into the novel, there’s no real sense of urgency either, except in the last few chapters. That was a weird dichotomy to contend with.

Conclusion: 1.5 stars. I’m honestly not sure if I’ll be interested in reading the second book. I did like the vibes between Lottie and Ellie, though.

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review 2018-01-16 23:12
Grave Witch - Kalayna Price


DNF at 82%

And it starts...
I really didn't want to start so soon DNFinishing books, but I'm really not into anything in this story, and if I keep this up, it will be 2017 all over again; with me wasting time on books I'm not enjoying.
The worst part about this, is that when I started reading it... I thought I had found another series to follow. The first paragraph is really good:

The first time I encountered Death, I hurled my mother’s medical chart at him.As far as impressions
went, I blew it, but I was five at the time, so he eventually forgave me. Some days I wished he hadn’t— particularly when we crossed paths on the job.

Thing is, when I'm reading an urban fantasy series I need to... you know, understand the world I'm reading, and why things are the way they are... and basically what makes the magic work for the characters?
For instance, Alex Craft taps some reservoir of power in a ring she uses; a ring that needs to be recharged and did I miss that? Did she connect an usb cable to the thing and to a power outlet?
Because I was left wondering how the hell the thing was charged!
Sorry peeps, but I need to know these things; otherwise my brain just disconnects.
Then the world building...
Eh... so magical beings came out of hiding seventy years ago because humans were start to forgetting about them, and their power was diminishing as a result of that...
Honestly when I read 'that', my first thought was, "what, no blaming tomatoes?" *see Rachel Morgan for answer to that*
Look, I still haven't read all my Rachel Morgan books mainly because some vampire gets on my fucking nerves with her stalking, but Kim Harrison's books are way better than this; they give the reader answers, and everything is perfectly detailed. This, as I have been saying over and over, is not.
Then there's this douche-bag character with long blond hair and Fae origins and I was like, two Trentons? -_- No
Fallon, unlike Trenton, reads as this one dimensional douche-bag, with the respective sports car and a tendency to boss Alex around.
As for Alex, it's like she doesn't know the world she's living in, so she's always making mistakes.
It was frustrating to read about.
As for another character, Death, he reads as a fluffy kitten.
I give up.


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review 2017-05-05 09:18
The more I though, the more I raged
Casino Royale - Ian Fleming

I have so many issues with this. The rampant misogyny, of course. The fact that, personally, I find the whole espionage reason d'etre detestable. And generally, the part where this was not the story I was expecting.

Let's say I waive away the misogyny with a bit of dark amusement (passing the middle-point, I just wanted Vesper to stick it to Bond; and then there is the line "sweet tang of rape" that should be killed with fire, you can get some great examples under the spoiler tag), and take the spy tale on the hope that it'll be some fast action cheap-thrill. I did not get even that. I got a lot of card-playing, torture, and then a mess... I don't even know of what category, certainly not romantic, maybe melodrama. Hell,  I though it was already cheap that a woman couldn't be competent unless she was evil, but it was something (see, even lowering my standards to not be an angry female, what a waste), and then Vesper couldn't even rate to Femme-fatal. So no, there is no way to waive the misogyny. It's entrenched into the plot.

Someone could argue it's truer to the real world and the era, either the unexciting grimness or Bond's stance. I say fuck all that. Let us please have no more Vespers in real life, no more Bonds being glorified in fiction. Let us find other icons.


You can find some the shout-inducing bits here

Women were for recreation. On a job, they got in the way and fogged things up with sex and hurt feelings and all the emotional baggage they carried around. One had to look out for them and take care of them.


Charming, huh? Another beauty:


And luck in all its moods had to be loved and not feared. Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women.  One day, and he accepted the fact he would be brought to his knees by love or by luck. When that happened he knew that he too would be branded with the deadly question-mark he recognized so often in others, the promise to pay before you have lost: the acceptance of fallibility.


Women, if they defeat you, take away you self-assurance.


This was just what he had been afraid of. These blithering women who thought they could do a man's work. Why the hell couldn't they stay at home and mind their pots and pans and stick to their frocks and gossip and leave men's work to the men. And now for this to happen to him, just when the job had come off so beautifully. For Vesper to fall for an old trick like that and get herself snatched and probably held to ransom like some bloody heroine in a strip cartoon. The silly bitch.


He really likes that word.


'Torture is a terrible thing,' he was saying as he puffed at a fresh cigarette, 'but it is a simple matter for the torturer, particularly when the patient,' he smiled at the word, 'is a man. You see, my dear Bond, with a man it is quite unnecessary to indulge in refinements. With this simple instrument, or with almost any other object, one can cause a man as much pain as is possible or necessary. Do not believe what you read in novels or books about the war. There is nothing worse. It is not only the immediate agony, but also the thought that your manhood is being gradually destroyed and that at the end, if you will not yield, you will no longer be a man.


The bad guy has more respect for a woman that the "hero". Women are more difficult, not because of some chivalrous bullshit, but because men are so attached to their organ *eye-roll*. And for the WTF crown:


And now he knew that she was profoundly, excitingly sensual, but that the conquest of her body, because of the central privacy in her, would each time have the sweet tang of rape.


It's supposed to be romantic. But then, this is just the inner character commentary, you have to still contend with the plot if you can go past that. Fuck this, I'm done.

(spoiler show)


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review 2017-03-01 13:01
Cyber World: Tales of Humanity's Tomorrow
Cyber World: Tales of Humanity's Tomorrow - Paolo Bacigalupi,Stephen Graham Jones,Alyssa Wong,Saladin Ahmed,Cat Rambo,Nisi Shawl,E. Lily Yu,Madeline Ashby,Joshua Viola,Jason Heller

[I received an e-copy of this book through NetGalley.]

A collection of short stories with virtual reality, AI and technology themes in general. Despite the 'cyberpunk' flair, I agree with the curators: it's not so much cyberpunk in its original meaning, as dealing with various ideas that fit our current societies more than the 'old cyberpunk' feeling.

* "Serenade:" 3/5

A hacker decrypting data on an old USB sticks realises that said data is not about future useful information, but memories.

* "The Mighty Phin:" 3/5

In a prison ship controlled by an AI, not everything is as it looks, and truth may be more difficult to stomach than the characters think at first. Bit of an abrupt ending, though, when I think about how it could've been more developed.

* "Reactions:" 3/5

What a drone pilot pumped up on battle drugs goes through when the operation he's on is suddenly cancelled... but not what's still lingering in his organism. I found it interesting, although, like the story before it, I'd have liked some more development (especially regarding the soldier's decision to break his family).

* "The Bees of Kiribati:" 5/5

Chilling because even though this doesn't exist (yet), the principles behind the murders in this story could very well be applied in other ways. It also raises the old but still accurate ethical question: would you kill a few people, even babies, if it meant being able to save many more?

* "The Rest Between Two Notes:" 2/3

Promising theme (a teenager killing her mother repeatedly in virtual reality), but I found the plot too muddled in places. The resolution brought at the end wasn't too clear--I wouldn't mind in a novel, but in short stories it's another matter.

* "The Singularity is In Your Hair:" 5/5

Touching and horrible. A girl suffering from a degenerative disease, who can only experience living through virtual reality, performs jobs and meets people thanks to an AI who may or may not be so benevolent. The promise of one day being fully uploaded to virtual space, and leaving the meat behind instead of facing the prospect of her impending death, keep her going. And she desperately hopes this will come true sooner than later.

* "Panic City:" 5/5

In an underground city that is both a refuge and a prison, people have been living for generations following models and using technology that are gradually failing. When something threatens to break an opening into this 'homeostatic' environment, the AI controlling the city has to make a decision: is their original programming really ideal in this case?

* "The Faithful Soldier, Prompted:" 4/5

A veteran from corporate wars receives prompts on his augmented reality system, even though the war is over. While such defective prompts are known to be useless, and should be discarded, these seem different... and so he follows them, desperate in his hopes that the rewards will save the woman he loves. I liked the writing here--even the prompts sounded poetic.

* "Your Bones Will Not Be Unknown:" 4/5

An assassin is sent to kill a rival boss, knowing full well there are little chances of success here. But what the boss has in mind for them is not necessarily death, and could even actually be a gift.

* "Staunch:" 2/5

A group of kids-hackers-rebels, led by a doctor who used to be part of a legendary team, travel through what's left of the UK to save the life of one of their own. Though the plot itself was a bit weak, I liked the technological problems used in it (replacement organs shutting down if the firmware's outdated or the copyright has changed hands, etc.)—definitely freaky.

* "Other People's Thoughts:" 2/5

About empathy, telepathic powers and gender fluidity. Good themes, and I would've loved actually liking the story, but it was more descriptive than actual plot, and I found it too weak to hold my interest.

* "WISYOMG:" 1/5

Almost skipped that one. The style and character weren't appealing, and I'm still not sure what was the idea. Warning people against body mods and fads? It was hard to follow, so I'm really not sure.

* "We Will Take Care of Our Own:" 2/5

Of corrupt politicians and corporations trying to make money by officially solving problems, and officiously sweeping them under the carpet. Again, good theme, especially since the politician has a skeleton of her own in the closet, but in terms of plot and development, it wasn't strong nor long enough.

* "A Song Transmuted:" 3/5

A young musician comes up with a new concept to be music, rather than simply playing it—spurred by her relationship with her grandfather, his way of encouraging her to meet other people and play music with her, and this in spite of a dishonest colleague stealing her idea. Good, though not groundbreaking.

* "It's Only Words:" 2/5

A sort of neo-Luddite theme, of a boy writing his school project on paper when everybody else is constantly connected to the web and not doing anything in an "analogue" way anymore. I'm not sure where this story was going, though: I felt that something was missing, that the point wasn't strongly made enough at the end, because nothing really changes, and the people targetted may not even have understood what was happening?

* "Small Offerings:" 5/5

Horrific but fascinating. A story about the means that may be necessary, in a future and over-polluted world, for people to carry healthy children to term, by sacrificing others.

* "Darkout:" 2/5

Good build-up to something bigger, in a society where everybody's living under the camera's eye... but the end just fell flat, and nothing really happened.

* "Visible Damage:" 3/5

A hacker goes on the trail of a nascent AI, in the hopes of finding it before everyone else obliterates it. Interesting, but a bit confusing.

* "The Ibex on the Day of Extinction:" 4/5

A man far from his family comes home to find everybody and everything gone—no GPS, no radio, no internet, and only empty clothes left behind.
I kind of suspected what had happened early on. Still, I liked this story. Sometimes all I need is for the conclusion to vindicate what I'm already thinking.

* "How Nothing Happens:" 1/5

Kind of what it says on the tin? I get the basic idea, but the way it was developed didn't grab my attention.

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