Like them, "Outbreak" was a light,fast - this-would-make-great-TV type of read. It's original, fast-paced and has some great action scenes.
I found the final resolution a little low key but there was enough good stuff along the way to make up for that.
Although we get some good vampire-backstory stuff that fits well with the motivations that drive the plot, the characterisation is very thin and nobody develops much. By comparison to Melissa F Olson's other books, this feels more like an outline than a novel.
The only thing I didn't like was the way these novellas were released. It seems to be a thing with publishers at the moment to split a novel into three or four pieces and then drip-feed them to readers. I guess it's a way of keeping the authors' name in front of people and it probably makes more revenue overall. What pushed this to beyond being an irritating marketing tactic was how long the drip feeding took. There was a two-year gap between the first and third novella. It was hard to sustain any sense of momentum. I'd rather have bought all three novellas as a novel.
"Cry Wolf" is a fun Urban Fantasy with a lot of strengths and few flaws that I felt brought this below the level of quality Patricia Briggs achieves in her Mercy Thompson series.
The magic used in the story, especially the concept of the Omega and the novel way the Pack Bond is exploited as a weakness, is original and well thought through. The centuries-long backstories of both The Marroc and The Moor are used well- The rogue wolf character is well drawn. The winter conditions in the Cabinet Mountains seem realistic except for the final drive out. The fight/conflict scenes are tense and the ways used to try to thwart mind-control are novel.
A few things got in the way for me. I felt I never really got inside Anna's head, even when the story was being described from her point of view.
I found the speed and ease with which Anna recovered from her experience of years of being brutalised unconvincing to the point where it seemed the brutalisation itself was being treated as less of a big deal than it should have been.
I felt the age gap between Anna and Charles should have presented more difficulties than it did. This was partially covered from Charles' perspective but never seemed to come up from Anna's side.
I think it was a mistake on the publishers part not to include the novella that really kicks off this series as at least a preface to this novel.
Despite the various flaws, this has enough in it, partly by virtue of its cross-over with the Mercy Thompson series, to make me keen to read the next book in the series.