I should've just skipped to the last chapter to see if Roan got to retire and live, or if he was killed by his own pigheaded stupidity.
He gets to live. And just move up to Canada and buy property up there without having to worry about immigration laws. What?
I admit, I was burnt out with this series by this book, and I did actually skip a lot of the "we're so macho because x,y,z" paragraphs that the characters like to ruminate over again and again and again. Yeah, we all got it the first time. You don't have to keep rubbing it in. It's as if Ms. Speed is afraid the readers would somehow forget basic information if she doesn't constantly remind us about it every other page, or like we won't know we're supposed to be impressed if she doesn't tell us how impressive they are all the time. (I'm not impressed; I'm bored now.)
And for the last book, we didn't really get to see much of the supporting characters as I'd hoped we would, though we do get to see them. And there's this weird detour to see Roan's friend from his teens who he hasn't thought of in years and we only heard about in passing once. And why?
Just to find out Collin named his son after Roan? Big whoop. What was the point? That's page time that could've been used for the characters we already know and actually care about.
I don't know. I'm not sold on the shifter genre at this point. THIRDS went downhill mega fast and I gave up on that one after the third book (how are there already ten of those things?) and this one just sort of petered out. Ms. Speed relied on cliches and stereotypes for much of her world-building, we never got any definitive details about this cat virus that infected people, and Roan's transforming abilities reached critical mass of ridiculousness a couple of books back.
Like I said in my review for the previous book, much of this felt like it was treading water, and I can't help but feel this series should've ended two or three books ago. It might have helped if she'd followed the traditional case-per-book narrative device - there's a reason it's so successful - instead of jamming two, three or even four cases into one book, none of them getting much attention and many of them going unsolved. It's admirable to want to show that yes, sometimes cases don't get solved, and yes, detectives and investigators often have more than one case going at a time, but she never quite settled into a cohesive way to handle all this juggling. The end result is that it all feels kind of random, and if she'd cut out even half of the "we're so awesome and crazy" self-congratualatory nonsense, she'd have had a lot more page time to dedicate to other things.
And I still don't buy Roan and Dylan as a couple. *shrug* Even the Scott and Holden stuff was boring by this book.