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review 2018-02-06 18:26
An Irish Country Practice
An Irish Country Practice - Patrick Taylor

Ehh I dithered about this one, but honestly it had so many things wrong with it, I could not enjoy it much. I think that's because Barry sucked a lot in this one and we had random plot devices used to get rid of a romance and a character that has been around for several books. I usually enjoy these books and the village of Ballybucklebo, but ultimately think this was just a so-so installment in the Irish Country series.

In "An Irish Country Practice" Barry and Fingal are dealing with different things. 

Barry is becoming increasingly nervous about marrying his fiancee Sue Nolan due to her wanting children and Barry being hesitant about being a father. If you are wondering where this random divergent interest thing came from, you are not the only one. Up until the last book there has been no mention of Barry not wanting children. I at least understood why he was hesitant in the last book due to being concerned about bringing children into a world that is dealing with so many awful things. But this book he turns into Ebeneezer Scrooge and decides that he doesn't like kids and was really nasty towards one of them to the point I really wish that Sue had dumped Barry's butt.

Fingal is agreeing to take on a trainee and to help with having GPs certified. It's not that interesting. He also has to help out his colleague Fitzpatrick who develops an addiction to betting (that comes out of nowhere) and realizes that one of the village women is being beaten by her spouse. None of the stories were satisfactorily resolved to me. I mean they were resolved, but resolved with what I called hand-waving writing to not have to really deal with what Taylor sets in motion in this book. We also still have Fingal wanting Kitty to retire and is going around "subtly" trying to make her see how much more appealing it would be if she stayed home. I can honestly say that I don't even get why Fingal wants Kitty to retire just so she can sit around and be outdoors with him while he still has plenty of work? I hope she doesn't retire. Between Fingal and Barry I wanted to kick both of them in the shins for how they were acting in this one. 

The main reason why I liked this one is that there are callbacks to the villagers in this one. We forget it's been about 3 years or so since Barry has started working with Fingal, so we follow up with some of his earlier patients and some we have not heard from since "An Irish Country Christmas." 

The writing (medical) I will just say was okay. I just thought the issues which Taylor tried to delve into in this one didn't make a lot of sense at all with the overall story structure. 

The ending was just okay and I was very annoyed we only hear about Barry's wedding in the afterword written by Kinky Kincaid (now married and I can't even remember her married name).

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text 2018-02-04 16:01
Reading progress update: I've read 100%.
An Irish Country Practice - Patrick Taylor

This was all over the place. Fingal parts except for some storylines was okay and Barry was insufferable throughout. Taylor doesn't even show Barry's wedding, you have to read about it in the afterword which annoyed me to no end.

 

Good:

 

We get to see what happened to some of the villagers from the earlier books. 

 

 

Bad:

 

Kinky tells a ton of people about her gift (she's fey). And this contradicts her always saying she was not supposed to tell people.

 

Barry all of a sudden hates children. If he was ambivalent about them coming into the world due to war and other things like the prior book, fine. But he sucked. 

 

Taylor inserts a friend of his in the book that wasn't needed.

 

We barely hear about the third doctor anymore.

 

Fitzpatrick's addiction contradicts him placing a bet in the earlier books. Taylor gets him gone through some terrible plot device.

 

Same issue with Lars and Mryna's romance.

 

All in all disappointed. Two stars. 

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text 2018-01-29 14:04
Reading progress update: I've read 100%.
An Irish Country Love Story: A Novel (Irish Country Books) - Patrick Taylor

I gave up on this series, but decided to take a peek at this one. Not bad, not great, but definitely better than the last book. A solid three stars. I think it helps that Taylor focused on O'Reilly and Barry in this one and we didn't keep going on about O'Reilly's past during the war. Due to the rehabilitation of one of the characters, it looks like Taylor is setting up a new nemesis for O'Reilly.

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review 2018-01-26 10:17
Horrible Histories Special: Ireland
Ireland - Terry Deary,Martin Brown

Of the four Horrible Histories I've read so far, this one was the least ... enjoyable isn't the right word, cohesive?  clear? well-written?

 

I learned a lot, but I was pretty much starting at zero, and I'm left with the feeling that I didn't learn as much as I should.  A lot of start of the book was spent listing all the saints considered "Irish" - and making the common mistake of mentioning Catholics 'worshiping' them.  Any Catholic that paid even a little bit of attention in their catechism classes knows that's idolatry; real Catholics might ask Saints to pray for them; to intercede on their behalf.  It's a small thing, but it bugs me in the same way people say evolution means humans came from monkeys.  Small words can make big differences.

 

Regardless, I finished the book with the overall impression that the British were awful to the Irish, but so were the Irish awful to the Irish.  Unfortunately, that's about the only thing I knew going into the book, so I'm not sure I'm any better educated now than I was yesterday.  I do have a slightly better idea of the complexity of the 20th century Troubles, but not enough that I'd ever attempt to hold my own in a discussion.

 

Definitely not their best work.

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review 2018-01-24 12:55
Historical fiction with a difference. One story, two narrators, two styles, and many questions.
Tearagh't - Craig Newnes

This is a puzzling book. On the one hand, there is the story it tells, that is fascinating but not complex to explain and summarise. The book is divided into three parts, and tells the story of two lovers, living in XVI century Spain, both conversos (Jews who converted to Catholicism, although, at least in their case and that of their families, they remain Jews, only they practice their religion in secret, to avoid the Inquisition and the risk of being expelled from the country). The man, Isidore, enlisted in the Spanish Armada, to see the world, although he was never convinced of the logic of that war. The first part consists of a partial diary of his adventures, both at sea and later in Tearaght (an Irish island, the westernmost of the Blasket Islands), that was recovered by a sailor and translated into English, a peculiar English (that I understand the author acknowledges is his own creation and a reimagining of how the Old English mixed with the original Spanish might have sounded like). The second part is the story of his lover, Beatriz, pregnant when he leaves, and her life back in Spain, constantly wondering where he might be and waiting for his news. In contrast, her story is told in modern English, and is very modern indeed, with plenty of detail of what her life is like, her lifestyle (including going out with female friends, drinking, talking about sex a lot, and thinking about it, later having a baby boy, and being pressurised into a possibly advantageous marriage), and a third part, much shorter, again written by the woman, who must make a decision when she discovers her lover’s diary. Will she go after him and try to find him? Or will she marry a rich man to make sure their son is safe and has the best possible start in life? This brief part is written in a similar style to the first.

Isidore’s story is heart-wrenching. It is a story of adventures, male friendship (international, as there are men from everywhere aboard the ships, and they even meet friendly English men later, and also men from all walks of life such as sailors, soldiers, writers (Lope de Vega makes an appearance, Cervantes is mentioned more than once, and later on Kid and, of course, Shakespeare). Rather than a factual and aggrandising story (HIStory), there is much discussion about emotions, confidences, feelings, and much self-doubt. Although there are funny moments interspersed in the narrative (mostly because it does not follow a chronological order), there are, mostly, terrible times. Death, disaster, and sadness abound, and it seems that all that keeps him alive is his hope to see his beloved again. There are incredibly sad and touching moments in this part of the book, and although, as I said, the language is mock-Ole-English, once we get used to it (saying it out loud in your head helps), it is easy to follow, even taking into account that it is not in the right order and we jump backwards and forward in time. And, although he does refer to his lover often, the style and the discourse seems to be in keeping with what readers would expect of a well-researched historical novel set at that time. However, the style is more intimate and personal, and more emotional, than what we would expect in a male narrative of the period.

I think most readers will wonder why the woman’s story is written in such a different way, as the change feels like a jolt, and at first I wondered if it was set in a different historical period, but as we read on it is evident it is the account of Isidore’s lover, Beatriz.  A common thread of both stories is the need of the protagonists to write. While for the man, although he questions his merits, it is more acceptable (and they even call him a writer), the woman describes how, sometimes, her need to write makes her stop what she is doing, her chores, to write, even if it is only about her chores. She does not have great adventures to write about, indeed. Does that mean she should not write? Both stories also talk about camaraderie, in the case of the men between those defending a mission and a vision, even if they don’t believe in it. The women talk about women’s things. Men, childbirth, marriage, romance, sex… A women’s sphere, especially at the time, was more personal and intimate (although, of course, Elizabeth I was the Queen of England, so there were some, very few, women in high places). The modern style Beatriz’s story is written in and the fact that it contains topics we find difficult to imagine writing about at the time, especially when the writer is a woman, seem designed to challenge our prejudices. Are old-style writing (more in keeping with what we imagine a historically accurate discourse would be like, even when we know it is, at least in part, invented) and a male protagonist immediately given more authority than a narrative of the period written in a modern style by a female protagonist? (The subjects discussed and the openness of the talk about sex between the women gave me pause. I am aware that personal letters, and in this case, a diary written for her lover, can be much more open and direct than we would expect of the period, although I wondered more about some of the other topics, like the fact that single mothers seem fully accepted and she is not short on offers of marriage, even after having had a child out of wedlock). She describes her process of analysis, the way she decides to study her thoughts and feelings, and indeed her lovers, and also mentions that other women do the same, therefore challenging gender expectations (women are supposed to be romantic and not be open or matter-of-fact about love or sex). We also have the writer becoming the reader later on when she gets hold of her lover’s diary. The third part, although penned by Beatriz, is written in the same language as the first. Is this a way of connecting with him, of communicating her official decision, of gaining authority? Knowing the field of study and work of the author (Critical Psychology) one can’t help but wonder. (And, perhaps overanalysing things, as I am Spanish I could not help but think that some of the expressions she uses and discusses in detail, like “falling in love”, that she feels is very apt, would not work in Spanish. Could that mean she is writing it in English, or rewriting it later? Does she indeed go looking for him, even after the ending? Or is it another way the author uses to remind us it is a story and to make us pay attention to the process of reading?)

A book that contains a fascinating story (with a fascinating historical background and some fabulous characters, both real and imagined) written in and an even more fascinating narrating style(s). Although the first part, once one gets used to the language, will grip most readers, quite a few might struggle to see how the two parts fit together (even if the characters do). A novel for those who want to try new reading experiences and check non-conventional types of writing. A word of warning, there is plenty of explicit violence, swear words, and discussions of sexual matters. An author a publisher well-worth keeping an eye on.

Thanks to the publisher and to Rosie’s Book Review Team for providing me an ARC copy of this book that I gladly chose to review. (Authors, if you are interested in getting your books reviewed, check here).

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