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review 2016-01-07 23:14
Where Things Come Back
Where Things Come Back - John Corey Whaley

I don’t think I got along with this book very well. It’s definitely not a bad book, but I don’t think it’s my kind of thing.

 

This book has four plotlines that come together at the end. In the first story, seventeen-year-old Cullen’s brother goes missing, and his family starts to fall apart.

 

In a second plotline, a birdwatcher thinks he spotted an extinct species of woodpecker in Cullen’s town. The town is flooded by tourists looking for the bird.

 

In the third plotline, two religious college students learn about a little-known book of the Bible. The information they discover changes the course of both their lives.

 

In another plotline, a girl who graduated from Cullen’s high school comes back to their small town after a failed relationship.

 

The plotlines converge slowly, which I really liked. At first, the plots seem to have nothing to do with each other, but as the book goes on, they come closer and closer together. Eventually, the way that the stories were related clicked in my mind. I needed to keep reading to find out if I was right. I liked the last 50 pages of the book much better than the rest of it. The story starts moving fast when the plotlines come together. I sped through the ending because I wanted to find out if Cullen got his brother back.

 

The writing style is the biggest reason that I struggled with this book. The best way that I can describe it is “detached.” The detachment does help avoid melodrama (which is great), but I never felt close to the characters. I was interested in the mystery of Cullen’s brother’s disappearance, but I didn’t really care about the outcome of the mystery because I couldn’t connect with anyone involved in it.

 

I also struggled with Cullen’s narration style. It starts to feel repetitive as the book goes on. He often talks about himself in third person and has elaborate fantasies. Some of the fantasies are about killing zombies. I understand how the zombies tie in to the theme (zombies are “things that come back”), but I think the fantasies take up too much of the book. I was tempted to skim a lot of the parts that are about Cullen’s imagination.

 

Other than the ending, there is one other part of the book that I really like. At one point, Cullen’s family hires a psychic to find his missing brother. The family members’ mixed reactions to the psychic feel realistic. Some family members want to give the psychic a chance, and others roll their eyes, but they are all very invested in what the psychic says.

 

Overall, this book wasn’t for me, but there are parts of it that I really liked.

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review 2015-10-30 10:52
John Corey Whaley - Where Things Come Back
Where Things Come Back - John Corey Whaley

Someone decided to mix John Green and Chuck Palahniuk. He even decided to place his story in a dead end town that gave Local H their talent and their fear of failure. It’s a good thing I didn’t know all of this before I read the book. The disappointment would’ve hit harder.

Whaley borrows some stylistic choices from Palahniuk, but barely scrapes what made him worthwhile. He doesn’t borrow his shock antics, but that’s not much of a praise. Chuck’s choruses are here, only they’re not as inventive or informing as before. The purpose of this repetition is to inform us about the character. Victor uses the clinical “see also:” because he’s viewing the world in a detached way. Tender kept referring to cleaning because it was in his docile nature.

Cullen is an angry teenager, but this is where his personality ends. As an angry suburban teenager I recognize I was born to privilege, but it doesn’t automatically make for a happy life. You can give your parrot a safe environment and food, but ignore him and you might find that he discovered self-harm without Nine Inch Nails.

There is more to life than physical well-being. The psychological is just as important. Once we don’t have to fight for survival, we still need a reason to keep going. That’s one reason we get all these depressed teenagers. What do you expect when you put them in an isolated community where they spend most time studying and with little human interaction? Do you want to be the parrot who stares at people talking, joking and laughing while never noticing you exist for a second?

Other problems can strike suburban life, but this is a common one that’s easily brushed off as nothing by ignorant people (if they’re your parents, then the situation worsens). Cullen suffers none of that. He’s not a jock who gets all the girls, but he has a best friend with a girlfriend who feels comfortable kissing him. He has sex with two girls in this novel, one is slightly older than him and the other is the town’s main hottie (both of which make the advances). He also had a thing going on with another before the events in the book started.

Cullen’s life is kicking. Why he’s so angry is never made clear. He dislikes people, but no one is an outright asshole. Nothing about him makes him an outcast or a weirdo. He has no weird hobbies or habits. He can’t even get angry over being bored. If girls and driving around are available to you, then you have some joy in your life.

The whole disappearance thing is an external event that isn’t a part of Cullen’s personality. What’s important is not the tragic event but how it affects the character, and we don’t see it. Cullen stays angry without change. He doesn’t become more detached or more social. He manages his sexual opportunities like everything is fine. Sex is a positive force in his life. He’s neither encumbered by sexual frustration or relies on it too much like Palahniuk’s Victor Mancini.

The book is darker than John Green’s novels (excluding the cancer book). Whaley is more comfortable looking at the darkness and the story is less convenient. His characters are also more flawed than quirky. Whaley’s outcasts aren’t odd angels. Lucas has his Green-esque charms, but both he and Cullen are portrayed as stubborn kids who need to expand their horizons a little.

Whaley also questions Cullen’s hatred of everyone. Green tended to cast everyone out, put them on the bleachers so they’ll watch how cool the nerd is. Whaley has moments where we’re exposed to the others’ humanity and their flaws. A great moment like this is with John Barling. Cullen views him as a punching bag, but Barling’s scene shows he’s just another guy trying to find some value in his life. When the bully’s life gets wrecked, Whaley doesn’t celebrate.

In fact, the side characters are the best part here. Each has a little arc of its own, and a novel about them would be more interesting. Barling has a story about escaping failure and trying to do something big. If Quitman starred in his own novel, it could be a revealing one that gives us the bully’s point of view. How Cullen’s parents deal with grief is fascinating. Each deals in his/her own way and these means change with time. This is how Whaley brings a character to life:

“”Yeah, we used to fight over your cookies. And Dad would always come in and say, ‘Now, now, the only way to settle this is for me to eat the last one,’ and he’d snatch it before we could stop him.””

Such deeds can inform us about who these parents are. There are better moments here. If Whaley had so many, why aren’t they the stars of the novel.

It may be the brisk pacing. Every description of Cullen’s parents is insightful, but they’re not lingered on enough. Whaley moves quickly, as if afraid that lingering on characters will somehow boring. His story never resorts to lame action to make us feel something is happening. He knows better than that, but he doesn’t understand that a good enough moment is worth lingering on.

Unnecessary details still find their way in. Whaley gives a biography of a character whose only importance is its death. The specific details of his background, his time in Ethiopia have no effect on the story. Start from the death and drop a few mentions of his harsh family and you’ll have enough. At least Whaley’s antagonist doesn’t fit the role of evil asshole who ruins things for everyone. He couldn’t make the instigator’s madness understandable, though. Cabot felt more like a plot convenience. Again, Whaley should have slowed down and wrote more moments that define who this character is.

Whaley shows potential. His view of Young Adult is more mature. He wants to be up there with Catcher in the Rye (which is name-dropped, of course) and he wants to reach its depth, not just quirkiness. It’s halfway done. Whaley left enough annoying cliches, but the good stuff that remained are just seeds.

2.5 woodpeckers out of 5

 

Also posted in my blog

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review 2014-06-18 17:14
Where Things Come Back by John Corey Whaley
Where Things Come Back by John Corey Whaley (July 24 2012) - John Corey Whaley

(Description nicked from B&N.com.)

 

“In the remarkable, bizarre, and heart-wrenching summer before Cullen Witter’s senior year of high school, he is forced to examine everything he thinks he understands about his small and painfully dull Arkansas town. His cousin overdoses; his town becomes absurdly obsessed with the alleged reappearance of an extinct woodpecker; and most troubling of all, his sensitive, gifted fifteen-year-old brother, Gabriel, suddenly and inexplicably disappears.


Meanwhile, the crisis of faith spawned by a young missionary’s disillusion in Africa prompts a frantic search for meaning that has far-reaching consequences. As distant as the two stories initially seem, they are woven together through masterful plotting and merge in a surprising and harrowing climax.”

 

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Source: www.owlcatmountain.com/2014/06/02/where-things-come-back
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review 2014-04-09 00:00
Where Things Come Back
Where Things Come Back - John Corey Whaley I loved the last line SO MUCH. Ugh. This book was so subtle and beautiful and I am so happy with the ending.

"Life, he says, doesn't have to be so bad all the time. We don't have to be so anxious about everything. We can just be. We can get up, anticipate that the day will probably have a few good moments and a few bad moments, and then just deal with it. Take it all in and deal as best we can" (227).

"I wanted the world to sit back, listen up, and let me explain to it that when someone is sad and hopeless, the last thing they need to feel is that they are the only ones in the world with that feeling" (210).
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review 2013-09-18 00:00
Where Things Come Back - John Corey Whaley Review will come but for now:This book is very different from what I'm used to. No contemporary love relationhsip, just contemporary. The story is very intriguing and my face looked like this :O for lots of the time.Really interesting and a must-read for everyone.
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