The Battle of the Sexes in Science Fiction
The Battle of the Sexes in Science Fiction is a lively account of the role of women and feminism in the development of American science fiction during its formative years, the mid-20th century. Beginning in 1926, with the publication of the first issue of Amazing Stories, Justine Larbalestier...
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The Battle of the Sexes in Science Fiction is a lively account of the role of women and feminism in the development of American science fiction during its formative years, the mid-20th century. Beginning in 1926, with the publication of the first issue of Amazing Stories, Justine Larbalestier examines science fiction's engagement with questions of femininity, masculinity, sex and sexuality. She traces the debates over the place of women and feminism in science fiction as it emerged in stories, letters and articles in science fiction magazines and fanzines. The book culminates in the story of James Tiptree, Jr. and the eponymous Award. Tiptree was a successful science fiction writer of the 1970s who was later discovered to be a woman. Tiptree's easy acceptance by the male-dominated publishing arena of the time proved that there was no necessary difference in the way men and women wrote, but that there was a real difference in the way they were read.
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Format: paperback
ISBN:
9780819565273 (081956527X)
Publish date: June 20th 2002
Publisher: Wesleyan University Press
Pages no: 295
Edition language: English
The past few years there's been much discussion of the absence/decline in numbers of women published or winning awards in SF. So many arguments - "The stories are judged with no attention paid to gender". "Women just don't write SF." "Men just write better SF." It's a strange argument to listen ...
I read the introduction, then skimmed bits of the rest. I wanted it as context for Daughters of Earth: Feminist Science Fiction in the Twentieth Century, but I disagree (very mildly) with its very premise, that is, the construction--indeed, explicit reification--of a battle-of-the-sexes subgenre. So...