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I don't know what it is with Ursula Le Guin, but every one of her books, whatever the rate I end up giving the whole, have at least one instance where she emotionally wreaks me, and it's always exquisite. It's like looking at the page and feel like telling her "Damn, that's one beautiful dagger you are stabbing me with"*
I feel like pointing it out just because in this case, since it happens to clear my 3stars Le Guin base bar with ease to nestle by World is Forest, Forgiveness, and Left Hand. Maybe even like a caveat. Just so I can qualify that I'm biased and it's all emotionally stabbed city here.
And what stabs ME particularly, beyond the punctual sad, is the theme. While at first sight the theme seems to be religion and spirituality vs technologic advance or consumerism, what it's actually about is culture and all the infinite components that make it, and all the ways introducing an outsider element, even with the best intentions, can fuck it up enough for it to devour itself, or at least severely up-heave and endanger, what it's about is balance, and fanaticism, and dogmatic corruption. The Telling is the passing of cultural information. In it's basis, it's words, stories, oral and written, and funnily enough, when it comes down to it, science and religion are part of it, right along with dances, meals, music, rites, customs, history.
That is my interpretation for this book. As a person that loves books, and myths, and folklore, that seats to watch movies and series as a bonding activity with my family, that cleans while blasting music, that was taught religion formally even if never practiced, that learnt my regional dances from my grandmother and uncles, to cook from my grandfather, to love reading from my mother, and science from my father, this is like a love letter received, and like a verbalization of all that strange juggling or balancing act one does inside with all the pieces that make home/root/culture and seem incongruous, or even like they'd require alternate suspense of disbelief and double-though. Culture is a mess, and it's incongruous, and unfathomably vast, and it's made of big and little pieces that sometimes contradict, and it does never really make sense. But it's the ground you stand upon; to try to erase it is to loose your step. And its life-blood is the word.
*(and if you get internet in heaven, I hope you get this... from my catholic raised, agnostic leaning towards atheism ass... which is a bad joke that only makes sense in theme)
[I received a copy through NetGalley, in exchange for an honest review.]
An interesting, if sometimes uneven collection (like every collection in general, I’d say) of essays from queer people regarding religion and faith, acceptance of LGBTQ+, and how organised religions and individuals alike have both progressed and still need to progress in that regard.
Many of these essays resonated with me, not because I am a believer, but precisely because I’m not anymore: I was raised a Catholic, but could never reconcile religion with all the intolerance (whether snide and discreet or absolutely blatant) it tends to teach. There was always, for me, a clear contradiction between “Jesus is love” and “…but only for people who correspond to the official credo (aka usual cisgender, heterosexual, and if they’re white, it’s even better). Not that these essays have given me renewed faith in any belief whatsoever, but it was good to read about how other people lived this, whether they retained or found their faith again, and especially when it comes to ministers (several of the writers in this collection are or were ordained). While there’s a depressing side to it, considering there’s still a lot of work to be done, there’s also much hope in here for society to change in the future.
I do wish there had been more input, though, from people coming from other faiths than the Abrahamic religions. The book’s synopsis does mention “Is it possible to believe in God and be gay?”, so I don’t know if that was to be read as “strictly God in its Islamic or Judeo-Christian acception” or not. I’d still have been interested in additional perspectives. What about Hinduism, Shinto, Wicca? Do monotheistic religions really have a monopoly on intolerance when it comes to LGBTQ+?
Conclusion: 3.5 stars
I’ve read quite a few novels by Terry Tyler, and the whole of the Project Renova series, and I was looking forward to this one as well, as it is a story set in one of the settlements we visited in the last novel in the series, Legacy(you can find my review of Legacy here and there are also links to the rest of the novel available on that post). Blackthorn is a pretty memorable place and my previous visit to that world made me think of Westworld (the old movie rather than the series, which I haven’t watched), because it was like an amalgamation of the worst of Ancient Rome and a Medieval court. Some of the events that happened in that novel are bound to be fresh in the minds of readers, and they are referred to in this novel, but I think even people who haven’t read any of the other novels in the Renova Series would be able to enjoy this one, as the author does a great job of creating a vivid world, and it’s not difficult to understand the rules and get to know the characters that play the different parts. Yes, those who have read the whole series will have a fair more background, and it fits in beautifully with the rest, but that should not deter new readers from trying it (and judging by the reviews, it seems that many new readers have enjoyed it as well).
I don’t want to go into a lot of detail about the plot, because there are a number of surprises, and the author has built them up perfectly and paced the story so that we discover each bit of information with the characters at a particular point in the story, sharing in their feelings and emotions, and that helps explain and justify their actions. Most of the story is told in the first person present tense, by the three main characters: Evie, a young girl, a shacker (because there is a strict social order, and where you are born determines your lot in life in Blackthorn. It’s very difficult to rise above one’s station and those who try pay dearly for it), who works in a bakery and leads a very modest life (she has no other option), clever, witty, and a bit of an outsider; Byron Lewis, a guard from a family with a long tradition in Blackthorn but also a bit of an outsider; and Lieutenant August Hemsley, who is a good an honest man, a bit of a loner and has always tried his best to do his duty, remaining blind to some of the most unsavoury aspects of life in Blackthorn. There are also brief chapters told in the third person (and in italics) that offer readers some hints and clues as to other things that might be going on behind the scenes and that our three narrators have no access to. Although those three get to learn plenty about what is really going on, readers get an even closer look at the darkness and horror most of the population are completely unaware of. This is a dystopian novel, science-fiction about a possible future if civilisation were to collapse (in this case due to a virus, a particularly scary thing to read at the time of the COVID-19 pandemic), and it touches on a lot of themes: social control, organised religion, faith, spirituality, and tradition, power and manipulation, family, friendship and identity…
I have mentioned the main characters and the way the story is narrated. There are other characters who play important parts, like Ryder Swift, an outlier who used to visit Blackthorn every year, charismatic, good at telling stories and a favourite with the shackers, who becomes something of a religious leader; Wolf North, the governor, a master manipulator who is one of the darkest characters in the whole story, and many others with smaller parts, like Evie’s friends and relatives, the other guards, the women who live in the House of Angels (I’ll let you learn about that when you read the story)… but if I had to choose one, my favourite would be Evie, who reminded me of Lottie, one of my favourite characters in the whole of the Project Renova series. Tyler excels at creating characters, some likeable, some dislikeable, but all real human beings (no matter what strange worlds and circumstances they might live in), and we see how the three protagonists grow and develop during the novel (the three of them are keen readers, so that helps the connection as well), refusing to be defined by socially-designated roles and categories and coming into their own. This helps us engage with them and feel touched, marvelled or horrified by their experiences, and we feel sorrow when we leave them (although the author hints at a possible follow up on some of the characters’ adventures).
Notwithstanding the author’s focus on her characters, she manages to create a truly compelling and realistic world in Blackthorn, one that might feel fairly alien to our daily experience and we might not like, but one we can understand, and some aspects of which might be uncomfortably recognisable. Her description of the different parts of the city, the conditions the inhabitants have to live in, their routines, their way of life, their hardships and/or privileges are seamlessly woven into the story, rather than told in long stretches of information dumps, and we learn all we need from wandering around Blackthorn’s streets with the narrators, sharing in their observations, their day-to-day life and their adventures. We see their homes, their places of work, we follow them to the bakery, the prison, the outskirts, the governor’s home, the bars, their friends’ homes, and we get to know the hidden spots in Blackthorn as well. This is done in a fluid style, with an eye for detail that does not disrupt the narrative or interrupt the plot (even when there are short chapters that take us back to earlier moments in the story), and the writing is perfectly in sync with the narrative, not calling undue attention to itself but rather serving the story. There are contemplative and beautiful moments; there are some funny touches; some truly horrific events, and some touching and hopeful passages as well. Tyler’s writing mastery keeps increasing with every novel as demonstrated by this book.
The ending hints at new beginnings and at many more stories. It brings some wonderful surprises and some disappointments (not totally unexpected), but I won’t go into details. I loved it, and, for me, it is a hopeful ending.
This is another great novel by Terry Tyler, and one set in a world that most readers will be able to connect with. I loved its unlikely mix of characters, the fantastic baddy (Wolf North his pretty up there with the best, or worst, depending on how you look at it), the masterful way the story is told, and how it makes us pause and think, about the past, the present, and the future. A few words of warning, there are some violent scenes (not extreme but upsetting), some very dark and nasty happenings, and its take on official religions could be challenging for some readers. Personally, I can’t wait to read the sequel to Hope.