Ariella Azoulay, Brown University. http://cargocollective.com/AriellaAzoulayShe is the author of Aim Duelle Luski and Horizontal Photography (Louven & Cornell University Press, 2014); Civil Imagination: The Political Ontology of Photography (2012, Verso), From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950 (Pluto Press, 2011), Act of State (2008, in Hebrew - Etgar publisher, in Italian Atto di Stato in Italian - Bruno Mondadori), The Civil Contract of Photography (2008, Zone Books), Once Upon A Time: Photography following Walter Benjamin (2006, in Hebrew), Death's Showcase (MIT Press, 2001 - Winner of The Affinity Award, ICP) and TRAining for ART (Hakibutz Hameuchad and The Porter Institut Publishers, 2000, in Hebrew).She is co-author with Adi Ophir of One State Condition (Stanford University Press, 2012), This Regime Which Is Not One: Occupation and Democracy between the Sea and The River - (1967 - ), 2008, Resling, in Hebrew)]; Bad Days, 2002, Resling (in Hebrew).Curator of The Body Politic (Reina Sofia, Madrid, October 2014); Potential History (Louven, 2012; Zochrot 2011); From Palestine to Israel - Destruction and State Formation (Mosaicss Room, London, 2011); Untaken Photographs (2010, Winner of the Igor Zabel Competition, The Moderna galerija, Lubliana, Zochrot, Tel Aviv), Constituent Violence 1947-1950 (Zochrot, Tel Aviv), Architecture of Destruction (Zochrot, Tel Aviv), Act of State: 1967-2007 (Minshar Gallery, 2007), Everything Could Be Seen (Um Al Fahem Gallery, 2004), The Angel of History (Hertzela Museum of Art, Mishkan Le-Omanut, Ein Harod, 2001).Director of documentary films, Civil Alliance, Palestine 47-48 (2012; At Nightfall (2005), I Also Dwell Among Your Own People: Conversations with Azmi Bishara (2004), The Chain Food (2004), The Angel of History (2000) and A Sign from Heaven (1999).http:/mhc.tau.ac.il/sites/a.azoulay