AcnowledgementsFilmographyPersonal and Methodological PrefaceCHAPTER 1. Bergman and the Liminal CinemaCHAPTER 2. Prologue: The Call to HadesCHAPTER 3. To Go Silent, or to be Silenced?CHAPTER 4. Introvert Meets ExtravertCHAPTER 5. The World Is on FireCHAPTER 6. The Hopeless Dream of BeingCHAPTER 7. Liminal Time and SpaceCHAPTER 8. Alma's Anamnesis and Transference, Part OneCHAPTER 9. Alma's Anamnesis and Transference, Part TwoCHAPTER 10. Two Betrayals and the Breaking of VesselsCHAPTER 11. Alma's Nekyia, Part OneCHAPTER 12. Alma's Nekyia, Part TwoCHAPTER 13. "Nothing" and the Regressive Restoration of the PersonaCHAPTER 14. The Film with Four EndingsCHAPTER 15. Bergman and Prophetic ArtEndnotes