Catherine Craft is associate curator at the Nasher Sculpture Center in Dallas, Texas and an independent scholar specializing in the history of twentieth-century art, especially Dada, Abstract Expressionism, and Neo-Dada. She is the author of "Robert Rauschenberg" (Phaidon Press, 2013), "An Audience of Artists: Dada, Neo-Dada and the Emergence of Abstract Expressionism" (University of Chicago, 2012), and "Jasper Johns" (Parkstone, 2009). She is currently at work on "Wayward", a companion volume to "An Audience of Artists" and is curating the 2015 exhibition "Melvin Edwards: Five Decades" for the Nasher. As a senior research fellow at the Metropolitan Museum of Art, Craft conceived and co-curated the 2011 exhibition "Paper Trails: Selected Works from the Permanent Collection 1934-2001." At the Nasher, she has written catalogue essays on Isamu Noguchi, Katharina Grosse, Lara Almarcegui, Rachel Harrison, and Liz Larner.A regular contributor to "The Burlington Magazine" (London), Craft has also presented talks at the Solomon R. Guggenheim Museum, New York; Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; the National Portrait Gallery, Washington, D.C.; and Yale University Art Gallery, New Haven. Her talk on Marcel Duchamp at the National Portrait Gallery can be seen on YouTube at http://www.youtube.com/watch?v=vHCrX8sSfYI (her portion begins at 7:45 and continues through two additional clips); an expanded version of the paper will be published in an anthology of writings on Duchamp and identity from Smithsonian Press next year.