by John Brandon
There are a small clutch of writers* whose prose and plotting is refractory: you slide into a sentence (or the story) with a false sense of security, subject and verb doing what subjects and verbs do, but then suddenly you're upside-down, 30 degrees shy of where you'd expected to end up, split into ...
I'd like to give this a 2.5. It was better than "OK," but I can't say that I "liked" it. In fact, the more I think about it, the less I like it.There's no way to talk about what's really wrong with this book without spoilers. The best I can do is to say that Brandon's efforts to make us accept and s...
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