Called by its author a "false novel," Dark Back of Time, the latest work of "the most subtle and gifted writer in contemporary Spanish literature" (Boston Globe) is a splendid new hybrid. Javier Marías's singular new production Dark Back of Time begins with the tale of the odd effects of publishing All Souls, his 1989 Oxford novel. All Souls, narrated by a visiting Spanish lecturer, is a book he swears to be fiction, but which its "characters"—the real-life dons and professors and bookshop owners who have "recognized" "themselves"—fiercely maintain to be a roman à clef. They claim certain roles for their own, and for others: the narrator's invented mistress has been firmly identified as one of the professors' wives. Marías views with astonishment a world that seemed nearly asleep set into fretful motion by a world that never "existed." Yet this backwash of All Souls only begins an odyssey into the nature of identity ("We do not know anyone entirely, not even ourselves"), and of time ("which is not yet past nor lost and maybe isn't even time at all"). With the flair of Sterne, his "false" novel manipulates time, weaving in autobiography, a legendary kingdom, strange ghostly literary figures, halls of mirrors, a one-eyed WWI veteran, a curse in Havana and a bullet lost in Mexico. Dark Back of Time becomes a brilliant ironic puzzle about the powers of art and of memories, which become only more mysterious the more Marías remembers.Author Biography: Born in 1951 in Madrid, Javier Marías has published twenty-three books and has collected a dazzling array of awards. Translated into two dozen languages, his books have sold more than three and a quarter million copies worldwide.