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Dawn Raffel
Dawn Raffel's new book is The Secret Life of Objects, which was selected for Oprah's Summer Reading List, 2012 and reviewed in the San francisco Chronicle as "a lean, brilliant, playful memoir." She is also the author of two collections--Further Adventures in the Restless Universe and In the Year... show more

Dawn Raffel's new book is The Secret Life of Objects, which was selected for Oprah's Summer Reading List, 2012 and reviewed in the San francisco Chronicle as "a lean, brilliant, playful memoir." She is also the author of two collections--Further Adventures in the Restless Universe and In the Year of Long Division--and a novel, Carrying the Body. Her work has appeared in O, The Oprah Magazine, BOMB, The Mississippi Review Prize Anthology, The Anchor Book of New American Short Stories, The Brooklyn Rail, The Quarterly, NOON, and many other periodicals and anthologies. She is the books editor at Reader's Digest and the editor of The Literarian at The Center for Fiction.
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Community Reviews
Abandoned by Booklikes
Abandoned by Booklikes rated it 8 years ago
I DNFed this at 58 percent and stopped reading after "The Teacup." At that point I didn't care anymore about the secret life of objects. One good thing about cleaning out my virtual TBR pile is for me to look back and wonder what the hell was I thinking when I bought some of the books I did. This bo...
Chris' Fish Place
Chris' Fish Place rated it 9 years ago
hs This collection is not as good as the previous collection, though it does have slightly more international feel (several stories are translations). Despite the title, there is more than Greek mythology in play here as well. Perhaps because it is sadder, the term that Bernheimer us...
M.W. Gerard
M.W. Gerard rated it 11 years ago
Please read my full review here (after Sept 26th)
michaelhartford
michaelhartford rated it 15 years ago
The stories in In the Year of Long Division show the ultimate end of the minimalist impulse: prose becomes poetry, external description subordinated to an internal dialogue, scenes sketched so lightly they become feathery suggestion. It is perhaps no surprise that Raffel calls out her thanks to Gord...
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