Ethan Brown is a New Orleans-based author and criminal defense investigator who has written four investigative-reporting driven books on crime and criminal justice policy:His first book—Queens Reigns Supreme: Fat Cat, 50 Cent and the Rise of the Hip-Hop Hustler—was published by Random House in...
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Ethan Brown is a New Orleans-based author and criminal defense investigator who has written four investigative-reporting driven books on crime and criminal justice policy:His first book—Queens Reigns Supreme: Fat Cat, 50 Cent and the Rise of the Hip-Hop Hustler—was published by Random House in 2005 to rave reviews in the Boston Globe (“diligently researched and trenchantly observed…a fascinating look at the way one generation’s reality becomes the next’s mythology”), The Village Voice (“one of the first reliable accounts [of the crack era]…the fact that Brown was able to publish so thorough an account is itself notable”) and Publishers Weekly (“A vigorous account of an American subculture that’s colorful, influential and, given the body count, tragic”).Ethan’s second book—Snitch: Informers, Cooperators and the Corruption of Justice—was published by Public Affairs in 2007. The Legal Times wrote of Snitch that “Many police and prosecutors reading his book (or this review) will surely cry foul. Their cries will too often be proven insincere upon close examination, however, because Brown’s evidence…is overwhelming.” Brown University economics professor Glenn Loury praised Snitch as “must reading for anyone concerned about the future of ‘law and order’ in America.” Manhattan Institute Scholar John McWhorter called Snitch one of the "strongest, smartest" books about race in the past decade.Ethan’s third book—Shake the Devil Off: A True Story of the Murder that Rocked New Orleans—was published by Henry Holt in the fall of 2009. Evan Wright, author of the New York Times bestseller Generation Kill, called Shake the Devil Off “a chilling portrait of a broken hero failed by the system.” George Pelecanos, New York Times bestselling author of The Turnaround, said that “Ethan Brown examines a notorious murder case, rescues it from the talons of tabloid journalists, and comes up with something much more than a true crime book. Shake the Devil Off is a gripping suspense story, an indictment of the military’s treatment of our soldiers in and out of war, and a celebration of the resilience and worth of a great American city.” In a starred review, Publishers Weekly called Shake the Devil Off “heartbreaking” and Nate Blakeslee, author of Tulia, hailed the book as “a ‘coming home’ story that rivals any written about veterans of the war in Iraq, and a true crime account that raises the bar for the genre. Measured, thoroughly reported, and written with true empathy.” David Simon, creator of The Wire and author of Homicide and The Corner, said that “looking more deeply at that from which the rest of us turned in horror, Ethan Brown has transformed an ugly and disturbing shard of the post-Katrina anguish. In this book, that which was lurid and sensational becomes, chapter by chapter, something genuinely sad and reflective, something that now has true meaning for New Orleans and for all of us.” In September of 2009, Shake The Devil Off was chosen as a “Critics’ Pick” in the Washington Post and an “Editors’ Choice” by the editors of The New York Times Book Review. In December of 2009, the Washington Post named Shake the Devil Off one of the best books of 2009. Ethan's fourth book--Murder in the Bayou: Who Killed the Women Known as the Jeff Davis 8?--was published by Scribner/Simon and Schuster on September 13, 2016. Praise for Murder in the Bayou: “Ethan Brown’s daring and dangerous exposé uncovers a murky inferno of violence and corruption in south Louisiana, where it’s hard to tell the good guys from the bad, and the brutal murders of eight prostitutes go unpunished, though not necessarily unsolved.”—John Berendt, author of Midnight in the Garden of Good and Evil“A deeply reported, and disturbing, true crime story that is as puzzling as it is intriguing. Ethan Brown’s Murder in the Bayou raises as many questions as it answers, but never ceases to enrage. This is a book about power: those who wield it, and those who, tragically, fall victim to it.”—Janet Reitman, contributing editor at Rolling Stone and author of the New York Times Notable Book Inside Scientology“By way of Jefferson Davis Parish, Louisiana, Ethan Brown casts light on an America that many people would prefer to believe is not there. Murder in the Bayou reveals a complicated web of violence, poverty, drugs, and corruption–it’s a brave feat of reporting.”—Zachary Lazar, author of Evening’s Empire: The Story of My Father’s Murder“Ethan Brown wades into the fetid political swamps of south Louisiana and emerges with a sordid yarn of sex, drugs and death. With a depraved and threatening cast of characters, Brown delivers a dogged, courageous inquiry into the murders of eight women. Even those accustomed to institutional corruption in the Pelican State will be shocked by this tale.”—Doug J. Swanson, author of Blood Aces: The Wild Ride of Benny Binion, the Texas Gangster Who Created Vegas Poker“Investigating what appeared to be a string of unsolved sex-murders that began in 2005, journalist Ethan Brown eventually uncovered a snakepit of small-town corruption in the bayou parish of Jefferson Davis, Louisiana. With its large cast of lost, doomed, and sinister characters, its dense atmosphere of menace and dread, and, at its center, a dogged reporter pursuing a mystery with the fearlessness of a pulp-fiction private eye, Brown’s MURDER IN THE BAYOU is a stunning work of real-life Southern noir.”-Harold Schechter, author of The Serial Killer Files“Brown’s writing is clear and approachable . . . Compulsively readable true crime provoking questions about policing, poverty, and the ritualized brutality of the rural South.”–Kirkus“Far truer than True Detective, the investigative journalist’s fourth book is part murder case, part corruption exposé, and part Louisiana noir…Brown lifts the veil on a likely cover-up and a town where justice is a dirty joke.”–New York Magazine
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