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How To Read And Why - Harold Bloom
How To Read And Why
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Harold Bloom's urgency in How to Read and Why may have much to do with his age. He brackets his combative, inspiring manual with the news that he is nearing 70 and hasn't time for the mediocre. (One doubts that he ever did.) Nor will he countenance such fashionable notions as the death of the... show more
Harold Bloom's urgency in How to Read and Why may have much to do with his age. He brackets his combative, inspiring manual with the news that he is nearing 70 and hasn't time for the mediocre. (One doubts that he ever did.) Nor will he countenance such fashionable notions as the death of the author or abide "the vagaries of our current counter-Puritanism" let alone "ideological cheerleading". Successively exploring the short story, poetry, the novel and drama, Bloom illuminates both the how and why of his title and points us in all the right directions: toward the Romantics because they "startle us out of our sleep-of-death into a more capacious sense of life"; toward Austen, James, Proust; toward Thomas Mann, Toni Morrison and Cormac McCarthy; toward Cervantes and Shakespeare (but of course!), Ibsen and Oscar Wilde. How should we read? Slowly, with love, openness, and with our inner ear cocked. Then we should reread, reread, reread, and do so aloud as often as possible. "As a boy of eight," he tells us, "I would walk about chanting Housman's and William Blake's lyrics to myself, and I still do, less frequently yet with undiminished fervour." And why should we engage in this apparently solitary activity? To increase our wit and imagination, our sense of intimacy--in short, our entire consciousness--and also to heal our pain. "Until you become yourself," Bloom avers, "what benefit can you be to others." So much for reading as an escape from the self! Still, many of this volume's pleasures may indeed be selfish. The author is at his best when he is thinking aloud and anew, and his material offers him--and therefore us--endless opportunities for discovery. Bloom cherishes poetry because it is "a prophetic mode" and fiction for its wisdom. Intriguingly, he fears more for the fate of the latter: "Novels require more readers than poems do, a statement so odd that it puzzles me, even as I agree with it." We must, he adjures, crusade against its possible extinction and read novels "in the coming years of the third millennium, as they were read in the 18th and 19th centuries: for aesthetic pleasure and for spiritual insight."Bloom is never heavy, since his vision quest contains a healthy love of irony--Jedediah Purdy, take note: "Strip irony away from reading, and it loses at once all discipline and all surprise." And this supreme critic makes us want to equal his reading prowess because he writes as well as he reads; his epigrams are equal to his opinions. He is also a master of allusions and quotations. His section on Hedda Gabler is preceded by three extraordinary statements, two from Ibsen, who insists, "There must be a troll in what I write." Who would not want to proceed? Of course, Bloom can also accomplish his goal by sheer obstinacy. As far as he is concerned, Don Quixote may have been the first novel but it remains to this day the best one. Is he perhaps tweaking us into reading this gigantic masterwork by such bald overstatement? Bloom knows full well that a prophet should stop at nothing to get his belief and love across, and throughout How to Read and Why he is as unstinting as the visionary company he adores. --Kerry Fried
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Format: hardcover
ISBN: 9781841150383 (184115038X)
Publisher: Fourth Estate
Pages no: 283
Edition language: English
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Community Reviews
tuirgin
tuirgin rated it
3.0 How to Read and Why
This book is not geared toward the academic, rather it is a popular book on reading quality literature. What this means is that Bloom does not spend time discussing the theory and techniques of literary scholarship and criticism, but instead models a very personal, pleasurable style of attentive rea...
Never Read Passively
Never Read Passively rated it
4.0 How to Read and Why
A lot of why I liked this book is because it gave me a few books to add to my queue. This is my first exposure to Bloom and my impression is that he's sort of a charming character. He's erudite and opinionated without being condescending or abrasive. I found his passion for books and literature cont...
Boxes of Paper
Boxes of Paper rated it
3.0 How to Read and Why
I am always eager to read a book that purports to encourage reading within the general population. Bloom certain encourages reading, but his text How to Read and Why assumes that the reader is already well versed in the classics. Plots of classic novels and plays are referred to in shorthand; Bloom ...
Defenestraethe
Defenestraethe rated it
Bloom is a big believer in the idea of the canon as a dead-white male institution. Because a shared culture is valuable (I agree with him there) he seems to think that it must be the shared culture of dead white Northern Europeans in the US. I think most of us have had more than enough of that cul...
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