Primarily a formalist poet, Juleigh Howard-Hobson (born 1963 in England) has simultaneously written literary fiction, genre work, non-fiction essays and articles, purposely blunting the modern 'brandable' concept of artistic obligation to any single form or movement. Like Yeats she walks a Hagal line between this world and that other, sometimes unseen, world.Recognition for her poetry spans decades, from the 1980 ANZAC Day Award (in Australia) to nominations for both Best of the Net and the Pushcart Prize.Her first chapbook, Sommer and Other Poems (RavensHalla Arts Pub. March 2007), sold out its first edition and is to be reissued. Her second book, The Cycle of Nine, (August 2012) is also with RavensHalla. I Do Not Belong To The Baader Meinhof Group and Other Poems (Counter Currents, 2013) is her third book of folkish formalist poetry. Lastly, Ancient Cypress Press has published Remind Me her 4th and most recent book of formal poems.Individual poems have appeared in scores of venues, across the globe, including Mjolnir Magazine, Black Gnosis, The New Formalist, The Lyric, Candlabrum, Able Muse, The Flea, Flipside Magazine, Qarrtsiluni, Autonom, Mezzo Cammin, The Raintown Review, Hip Mama Magazine, Mobius, Hex Magazine, 14 by 14, Trinacria, The Hyper Texts, The Barefoot Muse, Umbrella, Poemeleon, Soundzine, Mandragora (Scarlet Imprint), Caduceus: The Poets at Art Place Vol 8 (Yale University), Poem, Revised: 54 Poems, Revisions, Discussions (Marion Street Press), North American New Right Vol 1 (Counter Currents), Sweet Lemons 2: International Writings With A Sicilian Accent; Legas Sicilian Series Vol XIX (Legas).Her fiction, though lesser known than her poetry, has appeared in such varied places as the Liars League, Key Hole Magazine, Going Down Swinging, History is Dead (Permuted Press), The Knitters Gift (Adams) and It Lives (Runewright).Her wide-faring non-fiction appears in many guises, from the scholarly Runestone Journal, Northern Traditions, and The Journal of Contemporary Heathen Thought all the way to the traditional/maternal/personal as can be found in such anthologies as Misadventures of Moms (Moms in Print Press), Chick Ink (Workman), and Ex-Pat (Seal Press).