I've been teaching Flash since version 3 and writing books since version 5. I also do contract development (programming). My early experiences in photography have a direct correlation to my job today. The feeling I get when I see a project that I assemble come to life is the same I'd get watching a photograph develop in the darkroom.While I understand that great projects involve the work of many dedicatedpeople, I'm not shy to point out that I was the primary programmer for the following projects: . the original Millennium Three site (archived athttp://www.deepplay.com/sites/m399/), . a real-time Flash auction that consistently sells over $5million in cattle during a typical 90-minute sale (http://www.stampedecattle.com), . the site for the "other" cool office chair (http://www.allsteeloffice.com/number19/movie.asp), . the Witness to History kiosk featured in the Communication Arts 11th Annual Interactive Exhibition (http://www.commarts.com/ca/interactive/cai05/36_ia05.html).The short story of my rise from mere mortal to being in charge of everything atphillipkerman.com LLC goes like this:. I was a student photographer for Sunset High School's newspaper and yearbook. I rode my bicycle from Portland, Oregon, to go to college in Rochester, New York(and got all 2 years' worth of physical education credits waived in the process). I graduated from the Rochester Institute of Technology with a bachelor of science in imaging and photographic technology. I worked for Sinar Bron, Inc., selling premier professional photographic equipment. I worked for The Human Element, Inc., doing Authorware (version 1) development. Finally, I drove back to Portland, Oregon, where I've been doing contract work and teaching for more than 10 years.For details about all the projects I've worked on, see archives of my newsletter at www.phillipkerman.com/newsletter