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Sergio Ruzzier
My website: http://www.ruzzier.comMy blog: http://www.ruzzier.com/category/blog/I was born in Milan, Italy, in 1966. I grew up reading comics and picture books. Among my favorite books were the Minarik/Sendak's Little Bear series, Bruno Munari's "Cappuccetto Verde" ("Little Green Riding Hood"),... show more



My website: http://www.ruzzier.comMy blog: http://www.ruzzier.com/category/blog/I was born in Milan, Italy, in 1966. I grew up reading comics and picture books. Among my favorite books were the Minarik/Sendak's Little Bear series, Bruno Munari's "Cappuccetto Verde" ("Little Green Riding Hood"), and Dino Buzzati's "La famosa invasione degli orsi in Sicilia". As a young teenager, I discovered and fell in love with the old American comics: Krazy Kat, Popeye, Dick Tracy, and many more.At the same time, I was surrounded and fascinated by Medieval and Early Renaissance art, especially Giotto, Simone Martini, Ambrogio and Pietro Lorenzetti, and many other wonderful, lesser-known painters and illuminators. But before all this, my first, true love was for Hieronymus Bosch. I spent hours studying his paintings in a book that now shows more wear than any other, in my father's well-supplied art library.In 1989 I started to collaborate to the Italian leading comics magazine "Linus", with a series of comic strips, and then I went on to create the character Bruno, for "Lupo Alberto Magazine".In 1994 I came to New York, where I immediately had the fortune to receive my first editorial commission from The New Yorker. That very drawing, an imaginary portrait of Dante Alighieri, was chosen the same year by American Illustration. From then on, I began my career as an editorial illustrator. But what I really wanted to do was picture books, and I tried to enter that world. Compare to Italy, the American market offered an incredible quantity and variety of books, and I was excited to discover Arnold Lobel, Edward Gorey, James Marshall, William Steig... It was not easy at the beginning getting the attention and the trust of editors and art directors, but then I had the luck to meet Frances Foster, and later Laura Geringer, Christy Ottaviano, Neal Porter, and others, who believed in my sensibility and graciously gave me the opportunity to show my ideas and my imagination on the printed page.In 2011, Maurice Sendak invited me to spend one month at his place in Connecticut as one of that year's Sendak Fellows.

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Community Reviews
daisysaffron
daisysaffron rated it 8 years ago
This is a perfect book for teachers to read to students who are starting to move out of picture books and are now reading chapter books. This book's text describes a character that doesn't want to read a book because it doesn't have any pictures, but the character figures out that words describe the...
An Un-Calibrated Centrifuge
An Un-Calibrated Centrifuge rated it 8 years ago
Bear and Bee is a cute story. I thought it would have made a better early reader book/board book than a picture book. I like my picture books to have a little more substance.
Peace, Love & Books
Peace, Love & Books rated it 12 years ago
Charming whimsical fun with many obvious Seussian influences.
Peace, Love & Books
Peace, Love & Books rated it 12 years ago
A good message delivered with a fun, light touch.
Bashara Likes Books
Bashara Likes Books rated it 14 years ago
Hey, Rabbit! is an imaginative and surreal treat! It definitely kind of blew the kid's mind a bit - which I always love! What does it all mean??? I'm not really sure, but I loved it nonetheless. I love Ruzzier's style - very surreal with little hints of Dali, Bosch, and Escher. But they're not at ...
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