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review 2017-12-31 01:04
One Last Miracle
One Last Miracle (Armed & Deadly Book 1) - J.D. Tyler

Mark is a FBI agent who was shot by a suspect during a take down. This makes him re-evaluate what he wants and he retreats to his grandfather's cabin that also happens to be in a small town. Abby is the local baker. She also happens to save Mark's life when his SUV goes off the road.
Both Abby and Mark are good characters. I liked how Mark scoffed at Abby's job, agreed to spend a day working with her, and then realized it's not as easy as he thought! Pacing is quick, with a decent end. I could believe Mark's need for a change. 
This was my favorite quote:
"Except for the part where he got to meet a beautiful woman who drove a monster truck and rescued wayward agents in distress."
Then this one:
"Bread was just so fucking much trouble, he wanted to poke his own eyeballs out with a fork before he was done."

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text 2017-10-12 22:14
Small-Town Face-Off by Tyler Ann Snell @professorsnell
Small-Town Face-Off (The Protectors of Riker County) - Tyler Anne Snell

A very enjoyable suspense read. All the threads to the plot are out there, and they're brought together nicely, with a terrific action-filled ending. I especially liked the easy-flowing and natural dialogue. Very often in romances involving law enforcement, there's lots of jargon thrown in, but there's little of that here.


Here's the blurb:


Bound to protect and serve, sheriff Billy Reed has tried to let his career be enough. But he could never forget Mara Copeland, the woman who left without a goodbye and hurt him without warning. Now she's back with criminals on her trail and a child in her arms. His child. 

Mara didn't trust the future she and Billy could've had. He's a lawman and she was born into a world of ruthless criminals. Still, he's the man she can turn to. He'll do anything to protect their daughter, but will love be reason enough to forgive Mara and bring their family back together?


I liked both the protagonists. Billy isn't the fastest thinking hero--he likes to think things through, which is a nice change from other heroes who seem to be able to make instantaneous right choices under all conditions. I especially liked Mara. She's learned the right things from her criminal father, like staying cool under pressure, and rejected the wrong things. Unless her child is threatened, she's the one who stays on an even keel, whereas Billy has to keep a constant check on his emotions. But he has great empathy, which is endearing. And his best friend is a woman, which is a nice change. A lot of the Intrigues are a male bonding fest, but it's Suzanne, his ex-police partner, who has his back when it gets difficult.The rekindling of the romance develops naturally, with the inevitable hiccups nicely resolved. 



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text 2017-06-26 00:05
Stratford-upon-Avon, Oxford, and London: Shakespeare, Hogwarts, and Shopping
Shakespeare's Gardens - Andrew Lawson,Shakespeare Birthplace Trust,Jackie Bennett
Shakespeare and the Stuff of Life: Treasures from the Shakespeare Birthplace Trust - Shakespeare Birthplace Trust,Tara Hamling,Delia Garratt
Hamlet: Globe to Globe - Dominic Dromgoole
Year of the Fat Knight: The Falstaff Diaries - Antony Sher
The Lives of Tudor Women - Elizabeth Norton
The Gap of Time - Jeanette Winterson
Vinegar Girl - Anne Tyler
And Furthermore - Judi Dench
Sapiens: A Brief History of Humankind - Yuval Noah Harari
The Wrong Side of Goodbye - Michael Connelly



A Scene at the RSC Book and Gift Shop


The date: June 17, 2017. The time: Approximately 10:00AM.


TA and friend enter; TA asks for a shopping basket and makes straight for the shelves and display cases. An indeterminate amount of time is then spent browsing. Whenever her friend points out something and asks "Did you see this?", TA silently points to the steadily growing contents of her basket.  Finally, with a sigh, TA makes for the cashier.


Shop assistant: I can see why you asked for a basket when you came in ... So, do you come here often?


TA: I try to make it every 2 or 3 years.  [With a sheepish grin:]  And yes, my shopping basket does look like that pretty much every single time, I'm afraid.


TA's friend: I can confirm that ...


TA: Yeah, she's seen my library at home.


TA's friend: Err, I can confirm the shopping sprees as well.


Shop assistant (ringing up and bagging one item after another): Well, enjoy your, um, reading ...!


Similar scenes, albeit minus the above dialogue were repeated at two of the book & gift stores of the Shakespeare Birthplace Trust in Henley Street (WS birthplace) and Hall's Croft (home of his daughter Judith and her husband, Dr. John Hall, a physician) -- where we actually did spend a fair amount of time talking to the museum assistants, too, though, about everything from visiting Shakekspearean sites to Wimbledon tennis.


That being said, we "of course" paid our (well, my) hommage to the Bard, from Trinity Church to the two above-mentioned Shakespeare family houses (return visits all to me, though Hall's Croft was new to my friend), and just as importantly, we had tickets for two of the current "Roman plays" season productions:


(1) Antony & Cleopatra, starring Josette Simon and Anthony Byrne in the title roles, with Andrew Woodall as Enobarbus:  One of the best productions of this particular play that I've ever seen.  Josette Simon alone was worth the price of admission ten times over, plus she and Byrne played off each other magnificently, and Andrew Woodall was unlike any Enobarbus I'd seen before, wonderfully highlighting the ironic subtext of his character's lines and giving him more than a hint of a laconic note.  If you're in England and anywhere near Stratford, run and get a ticket for this production ... or if you don't make it all the way to Warwickshire, try to catch it in London when they move the production there.


(2) Julius Caesar, starring Andrew Woodall as Caesar and James Corrigan as Marc Antony.  I liked this one, too -- how can any RSC production ever be bad?! -- but by far not as much as Antony and Cleopatra on the night before.  Woodall was a fine Caesar, even if actually a bit too like his Enobarbus (which I might not have found quite as obvious if I hadn't seen both plays practically back to back, on two consecutive nights), and the cast generally did a good job, but this was clearly a "look at all our up-and-coming-talent" sort of production, with almost all of the play's lead roles given to actors who were easily 5, if not 10 or more years younger than the parts they played, which didn't quite work for me -- these people are Roman senators and generals, for crying out loud, and for the most part the requisite gravitas simply wasn't there (yet); even if the talent clearly was.  What a contrast to the very age-appropriate and, as I said, just all around magnificent production of Antony and Cleopatra ... Still, I'm by no means sorry we went to see this, and it's obvious even now that we'll be seeing a lot more of these actors in years to come.


We also managed to snag last-minute tickets for a "behind the scenes" tour -- I'd done one in 2014 already, but was more than happy to repeat the experience!  Now I only wish our own opera and theatre company had half the resources that the RSC has at its disposal ...


Photos, from top left:

1. Shakespeare's bust, above his grave in Trinity Church

2. Shakespeare's epitaph, on his gravestone (photo from 2014, since I didn't get a really good one this time around. N.B., the photo is actually upside down, for somewhat greater ease of reading the inscription.)

3. Trinity Church -- the graves of Shakespeare and his family are located in the part to the left of the tower.

4. River Avon, with RSC Theatre and, in the background, the spire of Trinity Church

5. RSC Theatre

6. Shakespeare's Birthplace (Henley Street)

7.Shakespeare Birthplace Trust centre, next to the actual Henley Street Birthplace building

8. Hall's Croft, garden view

9.New Place and Guild Chapel (photo from 2014)

10. New Place gardens, looking towards RSC and Swan Theatres (also a photo from 2014 -- we didn't make it inside New Place this time around, though we did pass by there on our way from our B&B to the RSC theatre and to Henley Street and back).


Now, since Manuel Antao elsewhere insisted on "the full list" -- the grand total result of the above-mentioned shopping sprees, plus a brief supplementary foray into an airport W.H. Smith, was the following:



* William Shakespeare: Antony & Cleopatra: Music and Speeches from the 2017 Royal Shakespeare Company Production

* William Shakespeare: Julius Caesar: Music and Speeches from the 2017 Royal Shakespeare Company Production

* William Shakespeare: King Lear: Music and Speeches from the 2016 Royal Shakespeare Company Production -- which alas I had to miss, but it starred Antony Sher as Lear, whom I saw as Falstaff in 2014 ... which in turn was just about all the reason I needed to get the audio version of his Lear, too.

*  William Shakespeare: The Tempest: Music and Speeches from the 2016 Royal Shakespeare Company Production -- which I also had to miss, but I figured even if I was a year late ... (plus, Simon Russell Beale as Prospero and directed -- like the 2016 Lear -- by Gregory Doran ...?!)

*  William Shakespeare: King Richard III, full cast audio recording starring Kenneth Branagh -- a long-time must-have from my TBR or, err, "to-be-listened-to" list.

The British Library, with Ben and David Crystal: Shakespeare's original pronunciation: Speeches and scenes performed as Shakespeare would have heard them -- there's a video version of this on Youtube (I think Lora posted about it here a while back), and if you haven't already seen it, I highly recommend remedying that sooner rather than later.  It gives you a whole new insight into Shakespeare's use of language ... down to lingusitic puns, allusions and images that you really only pick up on once you've heard what the Bard and his original audiences would have heard in the delivery of the respective lines.



*  Jackie Bennett, with photographs by Andrew Lawson: Shakespeare's Gardens -- a lavishly illustrated coffee table book-sized guide to the gardens Shakespeare knew (or might have known) both in Stratford / Warwickshire and in London, as well as on the gardens of the five Shakespeare-related houses in and around Stratford, with an introductory chapter on Tudor gardening in general.  THE find of several great finds of this trip.  (And it's even an autographed copy ... as I only discovered when I unpacked the book back home!)

*  Roy Strong: The Quest for Shakespeare's Garden -- similar to the above (though smaller in format) and a great complementary book, with plenty of historical illustrations and leading up to a focus on the New Place garden, which has painstakingly been restored in period style in recent years.

*  Delia Garratt and Tara Hamling (eds.): Shakespeare and the Stuff of Life: Treasures from the Shakespeare Birthplace Trust -- an illustrated guide to Shakespeare's life and times in the style of the recently-popular "so-and-so [insert topic] in 100 objects" books, with 50 representative objects covering the key aspects of Shakespeare's life from cradle to grave.

*  Peter Sillitoe & Maurice Hindle (ed.): Shakespearean London Theatres -- what the title says, but with a handy walking map allowing the aficionado to trace not merely the locations of the various theatres but also get a sense of the areas where they were located ... or at least, their respective modern incarnations.

*  Paul Edmondson and Stanley Wells (eds.), with contributions by, inter alia and in addition to the editors, Graham Holderness, Charles Nicholl, Andrew Hadfield and John Jowett, and an afterword by James Shapiro: Shakespeare Beyond Doubt -- a scholarly refutation of the various "alternate authorship" theories.

*  Paul Edmondson and Stanley Wells (eds.), with contributions by, inter alia and in addition to the editors, Michael Wood, Graham Holderness, Germaine Greer and Andrew Hadfield, and an afterword by Margaret Drabble: The Shakespeare Circle -- a collective biography of Shakespeare's family, friends, business associates and patrons; a bit like Stanley Wells's earlier Shakespeare & Co., but not merely focusing on the other key figures of Elizabethan theatre, and with individual chapters / essays designated to individual persons (or families), instead of the continuous narrative contained in Shakespeare & Co.

*  James Shapiro: 1606: Shakespeare and the Year of Lear -- pretty much what the title implies; a follow-up to Shapiro's earlier focus on Shakespeare's life in 1599.

*  Frank Kermode: Shakespeare's Language -- also pretty much what the title says, with a joint examination of the pre-Globe plays' poetic and linguistic characteristics and a play-by-play examination of the last 16 plays, beginning with Julius Caesar.

*  Dominic Dromgoole: Hamlet: Globe to Globe -- the Globe Theatre Artistic Director's account of their recent, 2-year-long venture of taking a production of Hamlet to (literally) every single country in the world.

*  Antony Sher: Year of the Fat Knight: The Falstaff Diaries -- a must-read for anyone who's been fortunate enough to see the RSC's 2014 productions of Henry IV, Parts 1 and 2, and still a rioting good read if you haven't.  Plus, the most amazing sketches by Sher himself ... the man is an artist several times over!

*  Antony Sher & Gregory Doran: Woza Shakespeare! Titus Andronicus in South Africa -- not new, but it's been on my TBR for a while and I figured while I was at it ...

*  Sheridan Morley: John Gielgud: The Authorized Biography -- comment unnecessary.

* Jonathan Croall, with a prologue by Simon Callow: Gielgoodies! The Wit and Wisdom [& Gaffes] of John Gielgud -- a frequently hilarious complementary read to the above bio.

*  Harriet Walter: Brutus and Other Heroines: Playing Shakespeare's Roles for Women -- plus, I might add, plenty of insight into Shakespearean theatre in particular and acting in general.

*  Harriet Walter: Other People's Shoes: Thoughts on Acting -- as the title implies, more of the above, though minus the near-exclusive focus on Shakespeare. (Instead, however, also a professional autobiography of sorts.)

*  Judi Dench: And Furthermore -- her memoirs.  Very much looking forward to this one.

*  Jeanette Winterson: The Gap of Time -- Hogarth Shakespeare adaptation series, The Winter's Tale.

*  Anne Tyler: Vinegar Girl -- Hogarth Shakespeare adaptation series, The Taming of the Shrew.

* Howard Jacobson: Shylock Is My Name -- Hogarth Shakespeare adaptation series, The Merchant of Venice. (I could have gone on and gotten more of those, but I figured I'd limit myself to three to begin with ... :) )

*  Ian Doescher: William Shakespeare's Star Wars: Verily, a New Hope -- I know, I know.  Everybody but me has already read it at this point.

*  Elizabeth Norton: The Lives of Tudor Women -- a(nother) proximate choice, since I've spent so much time in their world (and that of their Plantagenet sisters / ancestors) recently, thanks in no small part to Samantha [Carpe Librum]!

*  Robert Harris: Imperium -- Cicero trilogy, book 1.  And yes, there is a Shakespeare connection even here ... think " 'twas all Greek to me."  (Also, as was to be expected, the RSC bookstore had Harris's complete Roman series on their shelves as companion reads (of sorts) to their current Roman  plays season.)

*  Yuval Noah Harari: Sapiens: A Brief History of Humankind -- no Shakespeare connection here; unless Harari should be (justly) citing to Shakespeare as an exponent of human genius, that is.  Anyway, this is where the airport W.H. Smith came in handy.

*  Michael Connelly: The Wrong Side of Goodbye -- see Harari above! :)


Plus a blue RSC silk scarf, a Macbeth quote T-shirt (can't have too much of the Scottish play, ever), a First Folio canvas bag (had to get something to carry all my new treasures home in, after all), a couple of Shakespeare- and Tudor-related postcards, and of course a few more Shakespeare quote mugs and refrigerator magnets for my respective collections.



On the way from London to Stratford, we'd stopped by in Oxford: This being merely an extended weekend trip, we didn't have a lot of time, but since our last attempt to visit this half of Oxbridge had literally been drowned by floods of torrential rain (so we ended up spending virtually all the time in the Museum of Natural History), I'd promised my friend a short visit at least -- all the more since I myself had actually spent a few days in Oxford in the interim with my mom. Well, with the weather cooperating this time around, we at least managed a stroll along Broad Street and down Catte Street to Radcliffe Square, then past St. Mary's Church to "the High," a brief climb up Carfax Tower, and finally a visit to Hogwarts, err, Christchurch College (Tom Quad, Chapel, Great Hall and all).



Photos, from top left:

1. View from Radcliffe Square down Catte St.: Radcliffe Camera and Bodleian Library to the left; Hereford College to the right.

2. View from Carfax Tower towards St. Mary's Church, Radcliffe Camera, Hereford College, Magdalen College, and New College.

3. / 4.: Christchurch College: Tom Quad with Tom Tower (left photo) and Chapel and Great Hall (right photo).

5.: Christchurch College, Chapel.

6.: Christchurch College, Great Hall.


(We had, incidentally, also been planning for a stop in Cambridge on the return trip from Stratford, but that had to be cancelled ... which is a story for another day.  Also, this will now obviously necessitate yet another joint trip to England at some point or other!)




London, where we actually started our trip, was the first scheduled "shopping spree" stop: Since we've both visited London repeatedly before, no mad bouts of "mandatory" sightseeing were included; rather, merely being there tends to make both of us pretty happy campers in and of itself.  Since we've also more or less worked out a route covering the stores that we tend to hit on a routine basis whenever we're visiting, it took us all but five hours to complete our program, from Neal's Yard Remedies (at the original Neal's Yard location in Seven Dials) all the way to Fortnum & Mason's, with various other stops thrown in on the way, chiefly among those, Whittard of Chelsea and, this time around, Crabtree & Evelyn (which we actually do have in Germany, too, but the London branches had those irresistible sales ... (sigh)).  Since I knew I was going to spend a lot of money buying books in Stratford, I decided -- with a somewhat heavy heart -- to forego my usual Charing Cross Road stops on this occasion; though towards the end of the aforementioned five hours (1) my left knee started to give me serious trouble, and (2) we were already laden with our other purchases to such an extent that even I had to admit there would have been no way we'd be able to carry back books to our hotel on top, so I was grudgingly reconciled ... though only for the moment, and with the effect of instantly resolving to return to England sooner rather than later; a resolution that has since blossomed in fully-blown plans for a longer (and solo) follow-up trip, from the England / Wales border all the way to the Norfolk coast -- and in addition to plenty of sightseeing, I've also promised myself plenty of book store stops along the way.


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review 2017-06-17 16:55
Rezension | Die störrische Braut von Anne Tyler
Die störrische Braut: Roman (German Edition) - Anne Tyler,Sabine Schwenk



Die 29-jährige Kate Battista arbeitet nach ihrem Studiumsabbruch als Betreuerin in einer Kindertagesstätte, kümmert sich um ihre jüngere Schwester Bunny und führt für ihren exzentrischen Vater den Haushalt. Doch wie es mit ihrer Zukunft aussieht weiss Kate beim besten Willen nicht. In ihrem Job läuft nicht alles rund, Bunny steckt mitten in der schwierigen Teenagerzeit und ihr Vater hat nur seine Forschungsarbeit im Kopf.


Als Professor Battista seinen Assistenten Pjotr zu verlieren droht, da sein Visum bald abläuft, kommt ihm die glorreiche Idee, seine Tochter Kate mit Pjotr zu verheiraten. Kate ist mit diesem Plan überhaupt nicht einverstanden und setzt sich gegen ihren Vater und Pjotrs ungeschickte Annäherungsversuche zur Wehr.


Meine Meinung


Der Roman „Die störrische Braut“ von Anne Tyler ist Teil des Shakespeare-Projekts (Hogarth Shakespeare bei Knaus) zu seinem 400. Todestag am 23. April 2016. In ihrem Roman erzählt die Schriftstellerin die Geschichte „Der Widerspenstigen Zähmung“ von William Shakespeare neu. Auf den ersten Blick ist die Covergestaltung mit dem leuchtend türkisfarbenen Hintergrund und der rosafarbenen Pfingstrose sehr gelungen (vor allem da die Blume auch in der Geschichte auftaucht). Wirft man einen Blick auf die Hinterseite des Buchumschlags erblickt man den Originaltitel von Shakespeare.

Shakespeares Stück „Der Widerspenstigen Zähmung“ habe ich mir zur Einstimmung als Hörbuch zu Gemüte geführt. Kurz zusammengefasst geht es um Herrn Baptista und seine zwei Töchter Katharina und Bianca, die ältere Tochter Katharina gilt als widerspenstig und zum heiraten völlig ungeeignet. Als Katharina ungewollt mit Petruchia verheiratet wird ändert sich ihr Charakter von einer gestanden Frau mit eigener Meinung zu einem Heimchen am Herd – sprich der perfekten Ehefrau die nie Widerworte gibt.


"Menschen neigten dazu, verschwenderisch mit Sprache umzugehen; das hatte Kate längst bemerkt. Sie benutzten viel mehr Wörter als notwendig." (Seite 33)


Anne Tylers moderne Adaption hält für die Leser eine herrlich erfrischende Komödie voller Turbulenzen und schrulliger Charaktere bereit. Übernommen wurden die Familienkonstellation der Baptistas, bei der die älteste Tochter Kate in eine ähnliche Situation wie Katharina gerät. Allerdings ist Anne Tylers Interpretation des Klassikers deutlich weniger frauenverachtend! Außerdem fällt der manipulative Part nicht ihrem Bräutigam, sondern Kates Vater zu, und der Ausgang der Geschichte gestaltet sich etwas anders. Im Grunde genommen ist es nicht unbedingt notwendig das Originalstück gelesen zu haben, die bestehenden Parallelen wären allerdings leichter zugänglich wenn man eine knackige Kurzfassung als Einleitung oder Vorwort abgedruckt hätte.


Als Setting hat sich Anne Tyler ein recht alltägliches Leben zu Recht gelegt, in dem die fein gezeichneten Charaktere genügend Raum zum polarisieren haben. Professor Baptista ist ein unglaublich egozentrischer Forscher der nur sich und seine eigenen Wünsche und Vorstellungen sieht, alles andere scheint für ihn unwichtig oder gar nicht existent zu sein. Seine Töchter Katherine und Bunny sind recht unterschiedlich, während Katherine sehr reif und erwachsen mit kessen Sprüchen daher kommt ist Bunny auf den ersten Blick ein typischer Teenager der seine Grenzen auslotet und sein Verantwortungsbewusstsein erst noch finden muss. Im Verlauf der Geschichte verschiebt sich bei den Schwestern jedoch etwas. Während sich Katherine in eine Zukunft hineindrängen lässt und nicht mehr klar denken kann, ist auf einmal Bunny diejenige, die einen pragmatischen Blick auf die Szene wirft. Der zukünftige Bräutigam Pjotr war für mich über große Strecken nicht ganz so präsent, denn er scheint keine eigene Meinung zu den Plänen von Professor Baptista zu haben, doch hier wird eine unerwartete Wendung für den Leser bereit gehalten!


"Ich lasse ihn ihn mein Land rein. Ich gebe ihm Freiraum und einen Ort, an dem wir beide wir selbst sein können." (Seite 213)


Sehr unterhaltsam fand ich auch, dass niemand außer Katherine Pjotrs Vornamen und Familiennamen richtig aussprechen kann. Das ist fast schon so eine Art Running Gag der sich wie ein roter Faden durch den gesamten Plot zieht.


Anne Tyler hat mich mit ihrem Roman „Die störrische Braut“ sehr gut unterhalten, mich zum nachdenken und auch zum schmunzeln gebracht. Nahezu perfekt wurde die schwere Kost einer arrangierten Ehe in eine luftig-leichte Komödie verpackt. Somit komme ich auf eine Wertung von 4,5 von 5 Grinsekatzen.




Anne Tyler erzählt mit einem Augenzwinkern die kuriose Geschichte einer arrangierten Ehe.

Source: www.bellaswonderworld.de/rezensionen/rezension-die-stoerrische-braut-von-anne-tyler
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review SPOILER ALERT! 2016-12-23 05:28
Anne Tyler: The Amateur Marriage
The Amateur Marriage - Anne Tyler

I usually love Anne Tyler's novels, but this one left me lukewarm. Although it is, like her other novels, thoughtful and well written, I didn't get much from it. The characters live, age, die. Huh.


After reading it, I learned that Tyler had intended to keep writing this book for her entire life, weaving new parts of the family into it and extending it back in time. She saw it as a work without an ending. This helps explain the lack of structure. Also, I'm not sure that this kind of work qualifies as a novel? Either way, it was lovely but totally missable.

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