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text 2017-05-28 05:06
Reading progress: 46%.
My Soul to Save - Rachel Vincent

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text 2017-05-28 02:18
Reading progress: 20%.
My Soul to Save - Rachel Vincent

This one's moving along quickly.  I like these characters.

 

 

(Hah!  MC Kaylee has gotten them into helping a girl get her soul back from a demon, attempting to find an out in the contract where she voluntarily sold it for fame...)

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text 2017-05-27 22:14
Reading progress update: I've read 20%.
Girl out of Water - Laura Silverman

I can relate to this girl so much every summer I'd go from California beach living to Michigan farm life during the summers. I loved them both, but talk about opposites 

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text 2017-05-27 07:08
My Personal Literary Canon: Begin at the beginning
Are You There God? It's Me, Margaret - Judy Blume
Then Again, Maybe I Won't - Judy Blume
Deenie - Judy Blume
Tiger Eyes - Judy Blume
Forever... - Judy Blume
The Luckiest Girl - Beverly Cleary
Up in Seth's Room - Norma Fox Mazer

I'm going to start with the books that on the surface might strike some as the most trivial, but realistically, because of the age I was when I read them, would have had the biggest impact.

 

Hands down, the undisputed winner for most influential YA writer has to be Judy Blume.  In my previous post I mentioned I didn't come from an open family.  When speaking about my adolescence, I cannot put too fine a point on this:  my entire sex education consisted of a short movie and forgettable lecture in 5th grade that left me horrified, and the works of Judy Blume.  

 

But I got so much more out of her books too.  Are You There God? It's Me, Margaret might have enlightened me on the more embarrassing aspects of puberty, but I also learned the importance of making up your own mind about your beliefs, and that there was no right answer for everyone.  I also noted the dangers of jumping to conclusions about people you don't know; that their reality is not mine.  

 

Then Again, Maybe I Won't taught me that while change was rarely welcomed, sometimes good and unexpected things came out of it.  Deenie was my personal adolescent nightmare writ large; scoliosis terrified me; after reading Deenie it still terrified me, but I could see how someone might survive it and own it.  Tiger Eyes taught me we all carry guilt, even for the things we aren't guilty of and can't control, and while that may be the nature of things, we should never stop trying to let it go.

 

Then, of course, there's Forever...  I doubt I have to list all that I learned from this book, but the most lasting lesson was this: I'm allowed to choose for myself.  I get to make my decisions on my own terms and I'm allowed to change my mind.

 

This, in my opinion, was Judy Blume's strength.  She never preached to her readers, either directly or indirectly.  She created characters that were confronted by the things her readers confronted, and then gave her characters the rational capacity to find the answers on their own. Adults don't play Yoda in her books; the kids reach their own conclusions, and as a result they serve as examples to their readers.

 

There are other teen authors from back in the day that come to mind:  Beverly Cleary, of course, although not for her much more famous Romana series, but for The Luckiest Girl.  At 16, Shelley leaves her family to spend a year in California with a family she barely knows.  While quite a bit of the book is dated now and even a little twee, what stuck with me all these years was her bravery in getting on that plane by herself, her openness to experience new things, and her unapologetic, unabashed delight in the world around her. I admired her for that - I wanted to be like that too, and I am, mostly. I'll forever be grateful to Beverly Cleary for Shelley.

 

Finally, there's Up in Seth's Room by Norma Fox Mazer.  Like Forever this deals with the weighty issues of first love and how far do you go?  This book fascinated me because it straddled two myths:  If you defy your parents you're automatically wrong, and if you're dating someone older, you're going to be unable to say no.  Finn is 15 and falls for a 19 year old.  She defies her parents after she's forbidden to see him, but she calls the shots with Seth.  She decides what she is and isn't comfortable doing and she sticks to her guns.  As a stubborn teen, Finn spoke to me in ways nobody else ever did.

 

I give my mom (deservedly) most of the credit for the strong-willed, independent woman I am today, but it's just as accurate to say these women deserve to share the credit with her; they went where she was unwilling or unable to go, and I doubt she could find much fault with their lessons.

 

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text 2017-05-27 05:26
My Personal Literary Canon: Context and criteria

Moonlight Reader started this with her post:  A Personal Literary Canon, Part 1 and quite a few of us have jumped on the bandwagon because the question is just too intriguing to ignore:  what makes up your personal literary canon?  Each person's definition of personal canon, by definition, varies.  Mine is summed up thus:

 

What books have contributed to who I am today?  What books, which authors, shaped me, my values, my beliefs?  To me, those are the books that make up my literary canon.  If someone sat down and read the books in my list, they'd have a pretty good idea of who I am as a person.

 

To give that statement context, while my childhood was awesome, my parents were rather hands-off and staunchly conservative.  There wasn't any lecturing going on at home, but neither was there any personal-level openness.  As I was a huge reader from the beginning, most of my education about life necessarily came from what I read, shaped further by the examples my parents set.

 

So, that's pretty much my over-riding criteria for determine books/authors in my canon, but in addition to that I'm more or less using the following:

 

1.  No restrictions on subject:  fiction/non-fiction/poetry whatever; it's all fair game.

2.  Books or authors that would go with me to the island (in other words, books I love enough to have read over and over and over again).

3.  Concerning authors with multiple works that qualify, or books in a series, I will either include only the author if their work as a whole had a profound effect, or one or two books in a series that had the strongest impact.

4.  I will explain each choice, as quite a few of them will not necessarily be obvious.

5.  This is an ongoing project, and I reserve the right to add or modify these criteria as needed.

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