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photo 2018-04-19 18:08
The Complete Stories and Poems - Edgar Allan Poe

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—

 


I’m almost finished reading Fahrenheit 451, and while that little tidbit may seem wholly unrelated, bear with me. As many of you know, books are illegal in Bradbury’s story, but there’s a part when Guy reads a poem to his wife and her friends, and one of her friends starts sobbing without knowing why. They hadn’t felt anything real in so long, if ever - everything that was shoved down their throats was fake happiness they thought they needed. But hearing a poem caused her to cry uncontrollably, and Guy began to doubt that books should ever be brought back to light. That maybe happiness was better, even if it was shallow. Guy seems to be learning his own depths at this point, and his hesitation really struck me. I’ve always found the sorrowful or the tragic to be the most breathtaking. Like Poe, for example. There would never be a moment when I thought that sorrow should be hidden from the world. And I’m so glad that works like Poe’s exist. Could you imagine a world without authors like him? Or ANY authors, for that matter? 


If I’m rambling, I apologize! Fahrenheit 451 is just so provoking and relevant - read it, if you haven’t yet! And PS, HBO is making a new flick of it to be released next month

Source: getfictional.com
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review 2018-04-14 01:29
The Complete Maus (25th Anniversary Ed.) by Art Spiegelman | Holocaust Remembrance Week
The Complete Maus - Art Spiegelman

The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist coming to terms with his father’s story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in “drawing us closer to the bleak heart of the Holocaust” (The New York Times).
Maus is a haunting tale within a tale. Vladek’s harrowing story of survival is woven into the author’s account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century’s grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us.

Amazon.com

 

 

 

Inspired by the Holocaust experience of his own parents, cartoonist Art Spiegelman writes and illustrates this Pulitzer Prize wining story of a grown son, also a cartoonist (yes, this one is in the meta / semi-autobio style) who sits down with his father, Vladek  Spiegelman, to record Vladek's story with the intent to publish it. Perhaps to soften some of the more violent aspects of Vladek's story, the tale is told anthropomorphically-- Nazi soldiers are portrayed as big, burly cats, Jewish prisoners are mice, and one African-American man is illustrated as a black dog. 

 

 

Vladek starts with the story of meeting his wife, Anja, and their years together as newlyweds prior to the war. In 1938, Anja develops post-partum depression and is taken to a sanitarium in Czechoslovakia where she experiences, for the first time, full-force anti-Semitism. From there, the war story of Anja and Vladek only gets more painful. Even Anja's millionaire parents couldn't buy her safety. Once captured, Vladek explains that he was able to get some leniency with the Germans because even though his family was Polish, he could speak and write in German, so the Nazis found him useful. 

 

This special anniversary edition features the entire story, Vols 1 & 2, together in one book. As I mentioned before, the story does dip in and out of meta style storytelling. Towards the middle of the book, there is a kind of mini-comic insert where author Art Spiegelman tells the real life tragic story of his own mother's suicide. This book as a whole is not for the faint of heart. There are illustrations of mice with nooses around their necks, descriptions of children being picked up by their legs and swung into brick walls to stop them from crying / screaming (the noise giving away the location of those in hiding). Near the end of Vol. 2 there is also pretty detailed description of the interiors of the gas chambers. This edition also features one color map (the rest of the book is done in black and white) that shows the full layout of the Auschwitz camp. 

 

 

 

Blended with the Holocaust theme, Spiegelman also brings in a modern day father-son relationship story of a grown man honestly trying to make the effort to finally, hopefully, understand the father who has always slightly confounded him. There are some tense life truths brought to the table during these scenes but it provided a relatable, poignant layer to the whole experience that I came to really appreciate. 

 

If you're now reading this thinking, "Man, there is no way I could get through anything that dark," Spiegelman might have had such readers in mind because he does offer moments of levity as well. There's the somewhat scary but also creepy-humorous story of Lucia, the woman who went Stage 5 Clinger on Vladek when he became interested in someone else.

 

 

 

 

Old man Vladek is also dad-funny during his conversations with his son, saying things like "famous like that one guy".... I don't know though, there were a few moments there where old Vladek was coming off as pretty strongly racist himself... so it left me with mixed feelings about him. 

 

I'm glad I finally took the opportunity to experience this epic graphic novel I've heard so much about over the years. The story is a tough one to take, but important to hear. Truthfully though, I'm not sure it's one I see myself revisiting, at least not any time soon. 

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review 2018-04-06 15:08
Move over Sherlock!
The Complete Brigadier Gerard - Arthur Conan Doyle

The Brigadier Gerard may be one of A.C. Doyle's most fully realized characters.  Unlike Holmes, who, delightful as he is, is two dimensional at best, the Brigadier is a fully fleshed out man with all of the baggage that goes along with it.  As he sits in his cafe surrounded by friends sipping wine, spinning yarns about his old days in the Great Army, Gerard has more than a little in common with Mr. Mulliner of the Angler's Rest.  His stories range from laugh-out-loud comic, to deeply tragic, to the silently poignant, but at the center of them all are the stirring adventures of the Brigadier, "all spurs and mustaches, with never a thought beyond women and horses."  He will win your admiration and your affections if you give him the chance.  Highly recommended.

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review 2018-04-03 23:59
Bookburners : the Complete Season Three - Mur Lafferty,Max Gladstone,Margaret Dunlap,Andrea Phillips,Brian Francis Slattery

Bookburners continues to be an enjoyable read. The characters twist and turn and grow and reveal new secrets, Grace's change of reading matter had me braced for something having gone occultishly haywire with her, and the nod to Paul Cornell's Shadow Police series in the last episode made me laugh (that team and the Vatican crew would be one heckuva crossover)

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review 2018-04-02 21:17
My KYD Reads ... or: Harry Potter, and What Else I read in March 2018
Harry Potter Box Set: The Complete Collection - J.K. Rowling
Harry Potter and the Philosopher's Stone. Gryffindor Edition - ROWLING J.K.
Harry Potter and the Deathly Hallows - J.K. Rowling,Stephen Fry
The Hog's Back Mystery - Freeman Wills Crofts,Gordon Griffin
The Red Queen - Margaret Drabble
A Red Death: An Easy Rawlins Mystery - Walter Mosley,Michael Boatman
Imperium - Robert Harris
The Distant Echo - Val McDermid,Tom Cotcher
Unterleuten: Roman - Juli Zeh
"A Brief Discourse of Rebellion and Rebels" by George North: A Newly Uncovered Manuscript Source for Shakespeare's Plays - Dennis McCarthy,June Schlueter

A big thank you to Moonlight Reader for yet another fun, inventive BookLikes game!  I had a wonderful time, while also advancing -- though with decidedly fewer new reads than I'd origianlly been planning -- my two main reading goals for this year (classic crime fiction and books written by women).

 

Harry Potter - The Complete Series

This was a long-overdue revisit and obviously, there isn't anything I could possibly say about the books that hasn't been said a million times before by others.  But I've gladly let the magic of Hogwarts and Harry's world capture me all over again ... to the point of giving in to book fandom far enough to treat myself to the gorgeous hardcover book set released in 2014 and, in addition, the even more gorgeous Gryffindor and Ravenclaw anniversary editions of Harry Potter and the Philosopher's Stone.

 

 

That said, particular kudos must also go to Stephen Fry for his magnificent audio narration of the books, which played a huge role in pulling me right back into to books, to the point that I'd carry my phone wherever I went while I was listening to them.

 

Harry Potter and the Philosopher's Stone - J.K. Rowling, Stephen Fry Harry Potter and the Chamber of Secrets - J.K. Rowling, Stephen Fry Harry Potter and the Prisoner of Azkaban - J.K. Rowling, Stephen Fry Harry Potter and the Goblet of Fire - J.K. Rowling, Stephen FryHarry Potter and the Order of the Phoenix - J.K. Rowling, Stephen Fry Harry Potter and the Half-Blood Prince - J.K. Rowling, Stephen Fry Harry Potter and the Deathly Hallows - J.K. Rowling, Stephen Fry

 

 

As for the rest of my KYD books ... roughly in the order in which I read them:

 

Ngaio Marsh: Death at the Dolphin (aka Killer Dolphin)

Killer Dolphin - Ngaio Marsh Death at the Dolphin - Ngaio Marsh

Also a revisit: One of my favorite installments in Marsh's Roderick Alleyn series, not only because it is set in the world of the theatre -- always one of Marsh's particular fortes, as she herself was a veteran Shakespearean director and considered that her primary occupation, while writing mysteries to her was merely a sideline -- but because this one, in fact, does deal with a(n alleged) Shakespearean relic and a play based on Shakespeare's life, inspired by that relic.

 

 

The Hog's Back Mystery - Freeman Wills Crofts, Gordon Griffin

Freeman Wills Crofts:
The Hog's Back Mystery

 Part of Crofts's Inspector French series and my first book by Crofts, who was known for his painstaking attempts to "play fair" with the reader; which here, I'm afraid, hampered the development of the story a bit, in producing a fair bit of dialogue at the beginning that might have been better summed up from the third person narrator's point of view in the interest of easing along the flow of the story, and in holding French back even at points where a reasonably alert reader would have developed suspicions calling for a particular turn of the investigation.  But I like French as a character, and as for all I'm hearing this is very likely not the series's strongest installment, I'll happily give another book a try later.

 

 

Unnatural Death: A Lord Peter Wimsey Mystery - Dorothy L. Sayers, Ian Carmichael

Dorothy L. Sayers: Unnatural Death

Not my favorite Lord Peter Wimsey book by Sayers, but virtually the only one I haven't revisited on audio recently -- and as always, I greatly enjoyed the narration by Ian Carmichael.  That said, here again Sayers proves herself head and shoulders above her contemporaries, in devising a particularly fiendish, virtually untraceable method of murder (well, untraceable by the medical state of the art of her day at least), and perhaps even more so by hinting fairly obviously at two women's living together in what would seem to be a lesbian relationship.

 

 

The Red Queen - Margaret Drabble

Margaret Drabble: The Red Queen

Ummm ... decidedly NOT my favorite read of the month.  'Nuff said: next!

 

 

 

 

 

 

 

 

 

 

 

 

A Red Death: An Easy Rawlins Mystery - Walter Mosley, Michael Boatman

Walter Mosley: A Red Death

I'd long been wanting to return to the world of Easy Rawlins' mid-20th century Los Angeles, so what with Mosley's fiction making for various entries in the KYD cards, including at least one book by him in my reading plans for the game seemed only fitting (... even if I ended up using this one for a "Dr. Watson" victim guess!). -- This, the second installment of the series, deals with the political hysteria brought about by the McCarthy probes and also makes a number of pertinent points on racial discrimination and xenophobia, which make it decidedly uncomfortable reading in today's political climate.

 

 

One, Two, Buckle My Shoe - Hugh Fraser, Agatha Christie

Agatha Christie: One, Two, Buckle My Shoe

Another revisit, and in no small part courtesy of Hugh Fraser's narration, I liked the book a good deal better than I had done originally.  This is one of several entries in the Poirot canon where we learn about Poirot's phobia of dentist's visits, which obviously makes for the high point of the book's humour ... and of course it doesn't exactly help that it's Poirot's dentist, of all people, who turns out the murder victim. -- The plot features several clever slights of hand, and you have to play a really long shot to get the solution right in its entirety (even if strictly speaking Christie does play fair).  Well, that's what we have Monsieur Poirot's little grey cells for, I suppose!

 

 

Imperium - Robert Harris

Robert Harris: Imperium

The first part of Harris's Cicero trilogy, and both a truly fast-paced and a well-researched piece of historical writing; covering Cicero's ascent from young Senator to Praetorian and, eventually (and against all the odds), Consul. 

 

The first part of the book deals at length with one of Cicero's most famous legal cases, the prosecution of the corrupt Sicilian governor Verres, and Harris shows how Cicero employed that case in order to advance his own political career.  Notably, Cicero quite ingeniously also ignored established Roman trial practice in favor of what would very much resemble modern common law practice, by making a (by the standards of the day) comparatively short opening statement -- albeit a supremely argumentative one -- and immediately thereafter examining his witnesses, instead of, as procedural custom would have dictated, engaging in a lengthy battle of speeches with defending counsel first.  As a result of this manoeuver, Verres was as good as convicted and fled from Rome in the space of the 9 days allotted to Cicero as prosecuting counsel to make his case. 

 

The second part of the book examines Cicero's unlikely but eventually victorious campaign for consulship, and his exposure of a conspiracy involving Catiline, generally believed to be the most likely victor of that year's consular elections, who later came to be involved of conspiracies on an even greater scale, and whose condemnation in Cicero's most famous speeches -- collectively known as In Catilinam (On, or Against Catiline) -- would go a great way towards securing both Cicero's political success in his own lifetime and his lasting fame as a skilled orator.

 

 

Murder is Easy - Agatha Christie

Agatha Christie: Murder Is Easy

Another Christie revisit, and I regret to say for the most part I'm down to my less favorite books now.  This isn't a bad book, and the ending in particular is quite dark ... but the middle part, much as I'm sorry to have to say this, simply drags.

 

 

 

 

The Distant Echo - Val McDermid, Tom Cotcher

Val McDermid: The Distant Echo

Holy moly, how did I ever miss this book until now?!  Even more so since the Karen Pirie series is actually my favorite series by Val McDermid ... OK, Pirie herself has little more than a walk-on role here; we're talking absolute beginning of her career, and the focus is decidedly not on her but on her boss and  on a quartet of suspects involved in a 25-year-old murder case -- in fact, the whole first half of the book is set 25 years in the past, too, describing the immediate aftermath of the murder and its consequences for the four main suspects, chiefly from their perspective.  But still!  Well, I sure am glad I finally caught up with it at last ... definitely one of the best things McDermid ever wrote.

 

 

Unterleuten: Roman - Juli Zeh

Juli Zeh: Unterleuten

A scathing satire on village life, on post-Berlin Wall German society, on greed, on the commercialization of ideals ... and most of all, on people's inability to communicate: Everyone in this book essentially lives inside their own head, and in a world created only from the bits they themselves want to see -- with predictably disastrous consequences.  The whole thing is brilliantly observed and deftly written; yet, the lack of characters that I found I could like or empathize with began to grate after a while ... in a shorter book I might not have minded quite so much, but in a 600+ page brick I'd have needed a few more characters who actually spoke to me to get all the way through and still be raving with enthusiasm.  If you don't mind watching a bunch of thoroughly dislikeable people self-destruct in slow motion, though, you're bound to have a lot of fun with this book.

 

 

Von Köln zum Meer: Schifffahrt auf dem Niederrhein - Werner Böcking

Werner Böcking: Von Köln zum Meer

Local history, a read inspired by conversations with a visiting friend on the history of shipping and travel by boat on the Rhine. -- A richly illustrated book focusing chiefly on the 19th and 20th centuries, and the mid-19th-centuriy changes brought about by diesel engines and the resulting disappearance of sailing vessels (which, before the advent of engines, were pulled by horses when going up the river, against the current): undoubtedly the biggest change not only in land but also in river travel and transportation, with a profound effect on large sectors of the economy of the adjoining regions and communities.

 

 

And last but not least ...

 

 

Dennis McCarthy & June Schlueter: "A Brief Discourse of Rebellion and Rebels" by George North -- A Newly Uncovered Manuscript Source for Shakespeare's Plays

The lastest in Shakespearean research, also a read inspired by conversations with the above-mentioned visiting friend, and a February 7, 2018 New York Times article on a possible new source text for passages contained in no less than 11 of Shakespeare's plays.  The story of the discovery itself is fascinating; the research methods applied are in synch with modern Shakesperean scholarship ... and yet, for all the astonishing textual concordance, unless and until someone proves that Shakespeare not only had the opportunity to see this document but actually did (at least: overwhelmingly likely) see it, I'm not going to cry "hooray" just yet.  According to the authors' own timeline, Shakespeare would have been about 11 years old when this text was written, it was kept in a private collection even then, and there is no record that the Bard ever visited the manor housing that very collection -- which collection in turn, if the authors are to be believed, the text very likely at least did not ever leave during Shakespeare's lifetime (though it was undoubtedly moved at a later point in time).  And Shakespearean research, as we all know, has been prone to a boatload of dead-end streets and conspiracy theories pretty much ever since its inception ...

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