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review 2018-07-22 09:09
Rock Free (Rock Candy Book 6) by Virna DePaul
Rock Free - Virna DePaul

 

What happens when the life you never knew you wanted is the one you can't seem to live without? Rock Free is a battle of the heart. The last bachelor is about to meet his match in his total opposite. Wes is used to living it up on the road. He enjoys his freedom, but secretly he craves more than the good time show he puts on for others. His world is turned upside down when he finds himself stuck in an elevator with Sara. Sara is used to restrictions. Her life has been that of a follower, but that's about to change. She's ready to break free and bad boy rocker, Wes may be just the guy to help her. Wes and Sara are caught between two worlds. Will the bad boy corrupt the good girl or will she help him redeem his soul? Falling in love just got complicated. Let the face off begin.

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review 2018-07-21 13:00
Free Falling
Free Falling - Sandy James

Better than the first book.
I liked that there's a lot happening; a rescue, mistaken identity, a stalker, a 2nd rescue, and a mystery. I have to admit the "mistaken identity" is one of my favorite tropes. Laurie and Ross do fall quickly, but it felt believable. I liked the 1920s style mystery. I liked Ross and Laurie's comprising. I liked Laurie rescue of Ross in the beginning. Laurie's ability was also a cool one.
What I didn't like/annoyed me: Laurie's stupidity. And her roommate's. The whole, we forget to lock out door! Or if we have to carry a key around we will lose it! Really?! Then, after the office gets ransacked, someone (walks right into) breaks into her home and does the same to her bedroom, and she gets pushed down the stairs; she STILL forgets to look the door? What?! And this leads to an event that later happens to Laurie and she needs to be rescued. 
I also thought the ending was a bit rushed. I would have liked to read about Ross and Laurie arriving to the conclusion they did. Earlier in the book, I thought that was a viable solution to Laurie's issue (not the door locking; she's promised her parents she will take over the chair of her family's charitable Foundation when she turns 30). It would have been interesting to read about the "light bulb" moment.
Bruiser, Sheila, Deepika, and Andrew were all decent supporting characters.

Ripped Bodice Bingo: Free Space

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review 2018-07-20 18:36
Top Vouchers Code
Source: www.topvoucherscode.co.uk
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review SPOILER ALERT! 2018-07-20 03:39
Book review : kiss me goodbye Jo Raven
Kiss Me Goodbye: Prequel to Asher - Jo Raven

july 5-5

At fourteen, Audrey has the perfect life: great parents, great buddies, and her best friend, Asher. Only lately Asher has begun to change. He seems distant and standoffish, ignoring Audrey. 

Not all of the changes are bad. He’s growing from a pretty boy into a handsome man, and Audrey is all too aware of that. But if they cross the line from friends to something more, will things stay the same or will she lose her best friend forever? 

This is not an erotic story. It is the prequel to the events that unfold in “Asher” and set up many of the characters of the Inked Brotherhood Series. 


Review : This is a prequel to the inked brotherhood series . This is about Audrey and her best friend Asher. he started ignoring her but Audrey likes asher and he ends up kissing her but ignores her again it was a good start to a series .

 

 

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review 2018-07-19 09:18
The Change Chronicles- Paula Friedman

      This book is dripping with realism, with historic realities, stuffed full of the issues of the then still young baby-boomer generation. We are immersed, near drowning, in the real issues of a student body that feared the bomb: but feared man’s inhumanity to man far more. We are with the issues of the post-war generation that had to make stark individual choices between defying the generally respected government apparatus of their parents and grandparents, by radically opposing neo-colonial war, or joining the ranks of those that might have to kill as soldiers, or certainly by proxy, those fighting for their homes and their innocent children in distant lands.

      As the body-bags and damaged young men, returned from the war in ever greater numbers a social divide split Berkeley, this read’s setting, then West-Coast America, and eventually the ‘free world’. Additionally, the boomer generation were deep in the already progressing struggle against racism and, as the ‘60s progressed, the drive towards sexual equality was gaining a long-dormant momentum. A tsunami of social consciousness grew out of the student Free Speech Movement, the roots of the 60s Counterculture, and swelled out so far and so deep that even today we feel its dissipated pull. Culture has seen fundamental change, despite recent pressures to reset the clocks of history from many right of centre and ‘religious’ groups.

      Nora is at the centre of the social struggle, a child of the ‘50s, a daughter of parent’s born in the ‘20s and ‘30s. The older generation that had suffered the deprivations and often the full horrors of world war and who now struggled to understand the anti-establishmentarianism of so many of their kids. In 1966, the parental generation was as psychologically distant from the lives of their children as any times have seen. But quite naturally, establishment structure and deeply ingrained cultural expectations, hung heavy shadows over even the most progressive. No generation can reject all the expectations of their upbringing. Nora, like those around her, was struggling with her personal place in the world as much as with grand designs. This is so vividly drawn in this story as the young unmarried mother feels little choice but to give up her new-born child. This is a chronicle of change for one women in a social fabric that was constantly melting and reforming around her.

      Friedman’s brilliant writing lets us see how the new sexual permissiveness of late ‘60s youth is overshadowed by old moralities. For example, we see how many men were all-too-ready to enjoy new sexual freedoms but without accepting the fullness of accrued responsibility. We see the young women, who are equally driven by new social permissiveness, but are so often left abandoned to face single parenthood, still then illegal abortion, or cruel adoption. The pill, though a birth control reality from 1960 onwards, was still years away from available to all but a few women; or in many territories and especially among their many religious and cultural groups, any women whatsoever. The 1960s were more about changed expectations than the progress that decade unleashed, just as previous history had paved the groundwork for racial equality, and the ‘70s would soon for the rainbow of sexuality.

      Friedman draws us through every significant thought and fear, not just of the principle character, Nora, but her whole generation of educated, informed, and variably enlightened young activists. She represents a post-war generation that was desperate to change society, rather than just their own fortunes. As always, change brought mixed and shifting actions and conflicting opinions even between those that held aloft the very same flags. This is a book that in an equal universe should find a place as the ‘lighter’ but equally socially enlightening read, complementing iconic works from Weinberg, Ginsberg and so many well-recognised others. This book should be on the shelves, available to all those that seek insight into the social tapestry behind songs of Dylan, Baez and Lennon and so many more. This book is so much part of the essential history of those in my wide generation that fought with the banner, the guitar and the pen, and with the desperate but sadly naive conviction that the world could be made better for all, not just those blessed by God to have the most money and the most destructive guns. Of course, as in all generations the baby-boomers fill all areas of the political spectrum, though for a time there was promise of us really being something different; a truly progressive generation. So incidentally, it’s feels so sadly poignant that our now senior, empowered generation, is making such a mess of its responsibilities to humanity and this planet. But despite abject failings those that marched can at least find some relief in the social earthquake that is still shaking out new and profound chronicles of hopefully sustainable change, across so much of the Earth. Despite everything, the wind of change that blew from Berkeley in the ‘60s has left an indelible footprint on social history, and Friedman’s book gives us a glimpse into the countercultural foundations of our changing social fabric. I feel so fortified when reading Friedman’s deeply woven commentary on the early determined stands of so many of our post-war generation. This goes some small way towards alleviating the sense of shame brought on so many of us by the actions of the aging boomer leadership, which conspires to reverse so very much of what Friedman and her contemporaries achieved. Sad though many aspects of this book are the overall feel is one of positivity, a banner flown for the progressive spirit.

      This is quality writing that lets one breath in the winds of change that may have lost its acute direction, but whose influence is felt in so many aspects of the world today, including currently in hashtag metoo, in the wider struggles for social justice, human rights and for our basic freedom of speech. We have hopefully passed onto our children enough social conscience to bring down the new savage capitalism and currently growing fascist tendencies. This is a book about some of the ordinary voices in an extraordinary movement, in the chronicles of change. This read is an intimate look behind the placards and politics of a generation that once dared to march, not for themselves, but for a better world.

AMAZON LINK

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