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review 2018-08-20 03:58
Review: Three-Way Split by Elia Winters
Three-Way Split - Elia Winters

Reviewed for Wit and Sin

 

Three-Way Split is a sexy as hell polyam romance with a lot of heart. Elia Winters’s first Comes in Threes book is positively scorching, but it’s the characters and the way they approach their relationships that really makes this story stand out.

Hannah is a fiercely independent owner of an adult store. She’s smart, knowledgeable, flirty and fun, but she also has very realistic struggles, insecurities, and fears. At the beginning of the story, she has the hots for both Ben and Mitchell, but she doesn’t want things to be any deeper than some very hot fun and friendship for the three of them because she’s afraid of having her heart broken. Like Hannah, Ben guards his heart closely. He’s been burned badly by an ex and though he and Mitchell have been friends with benefits for a couple of years, he won’t let things go any farther. Ben is brilliant and so charming that I couldn’t help but smile whenever he was on the page. As with Hannah, I was really rooting for Ben to open up because it’s clear he, Hannah, and Mitchell could have something special. Which brings me to the third member of the triad: Mitchell. If I had to pick a favorite character in this book it would definitely be the quietly dominant chef. Mitchell is perhaps the most openly vulnerable of the three of them; he clearly wants a relationship but is careful not to ask for more than Ben or Hannah think they can give. Mitchell isn’t perfect, but he’s pretty much everything a person could ask for in a partner, only he doesn’t quite see how special he is which just grabbed my heart.

As individuals, Mitchell, Ben, and Hannah are compelling characters. When they get together, either in twos or threes, Three-Way Split is seriously hot. A fun, sex-positive m/m/f erotic romance would be enough, but what took this book to the next level was the way it discussed polyamory. It’s not just hot times in the bedroom (among other places) and I loved the realism woven into the fantasy. As Hannah, Ben, and Mitchell become more serious, they take the time to learn more about polyamory, what it means, and how to communicate with your partners, especially when it comes to your wants, fears, expectations, and feelings. This gives the book and the love stories such wonderful depth and works perfectly with the kinky good times. The only downside of Three-Way Split is that I finished it wanting the next Comes in Threes book because I loved the characters and romances in this one so much.


FTC Disclosure: I received this book for free from the author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

 

Source: witandsin.blogspot.com/2018/08/review-three-way-split-by-elia-winters.html
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review 2018-08-13 22:30
DANDELION WINE by Ray Bradbury
Dandelion Wine - Ray Bradbury

 

Once I realized there wasn't going to be a plot, but instead a loosely connected set of vignettes about boys coming of age, I relaxed and enjoyed DANDELION WINE.  I marked several pages that I wanted to quote in my review, but now find myself thinking that reviewing it is going to take some of the magic out of it for me.

 

I absolutely adored the end, (Aunt Rose got sent packing!), and there's no doubt that this book is steeped in nostalgia, but overall, it was a little too wordy for me. I would have liked fewer pages full of solid text and more dialogue, but hey, this is Ray Bradbury and I love the guy but I think The October Country is still my favorite of all his works.

 

Lastly, much as I love Ray Bradbury, I still hold Robert McCammon's BOY'S LIFE as my favorite novel of all time.

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review 2018-08-12 05:10
Read It and Weep by Jenn McKinlay
Read It and Weep - Jenn McKinlay

In this entry in the series, Violet La Rue is holding auditions for A Midsummer Night's Dream. The entire town is excited, and not just because many of them want a chance to shine onstage. It turns out that the role of Puck is going to be played by a friend of Violet's, a charming famous actor named Robbie Vine.

Lindsey doesn't want a part in the play, but she does agree to help with costuming. Meanwhile, Sully's helping build the set, and their friends hope that the close proximity will lead to them getting back together. There's definitely still a spark between them, but things become complicated when Lindsey finds herself drawn to Robbie. Sure, his personal life is a mess, but at least he talks to her and tells her how he feels. Unfortunately, something sinister is going on. Someone seems to want Robbie, and possibly anyone close to him, dead.

Mystery-wise, this was a bit weak. I correctly guessed the culprit a little more than halfway through the book and never saw any reason to change my mind. In fact, at one point I noticed a fairly obvious clue - the character made an offhand comment about an event that they shouldn't have known anything about. It took Lindsey quite a bit longer than me, but she finally noticed that comment and connected the dots, as well as a few minor ones I'd missed.

Relationship-wise, this book frustrated me. If it weren't for the library aspects (which were pretty decent this time around - a couple interesting stints at the reference desk for Lindsey) and the fact that this is one of the few series that I know people around me have read and that I can therefore talk to them about, I'd probably be quitting at this point.

I still believe that Sully breaking up with Lindsey at the end of the previous book was out-of-character for him, and this book didn't tell me anything that changed my mind. Sully's sister hinted that Sully had some deeper issues at play, but Lindsey stubbornly refused to let her tell her anything more, insisting that Sully had to tell her himself. Which, fine, except Sully's the quiet type who doesn't talk about himself much, so this left readers with nothing except "Sully dumped Lindsey because he thought her worry that her ex-fiance had been killed meant she still needed time to get over him." Never mind that it would have been weird and creepy if she'd been unmoved by the possible death of someone she'd known well, and never mind that Sully had spent the whole book up to that point taking Lindsey's fiance's presence and attempts to win her back in stride.

I remember rolling my eyes at Lindsey's worry, in the earlier books in the series, that she was reading more than she should into Sully's behavior, that he wasn't really attracted to her and it was all in her head. Still, I could understand it. Unfortunately, in this book she went right back to that state. You'd think she'd have gotten better at reading him - he was clearly still interested in her and displayed it in much the same way he had in the earlier books, only with the added awkwardness of the breakup standing between them.

The addition of Robbie Vine didn't make things better. I was fine with Lindsey having a bit of fun and flirting with him, but I was not on board with her seriously considering dating him. First, he was married. I hated how many of Lindsey's friends responded to that by saying "But only on paper!" Sorry, he was still married, had had years to see about getting a divorce, and never had. And his wife was in the play. It was a complication that Lindsey definitely didn't need. Second, his ex-girlfriend was also in the play and seemed to wish that they'd never broken up. Another complication Lindsey didn't need.

The big plot twist near the end, and Lindsey's reaction to it, did not bode well for the next book in the series. I don't buy that all of this was necessary to keep Lindsey's romantic life fresh and interesting. There are ways McKinlay could have kept Sully and Lindsey interesting as a couple without any of this mess - something from Sully's past could have cropped up, or Lindsey's brother could have stopped by and either gotten along really well with Sully or clashed with him, or...anything but what McKinlay actually gave readers. The plot twist really irked me, and I couldn't understand why Lindsey wasn't more bothered by it.

Extras:

  • The Briar Creek Library Guide to Crafternoons
  • Readers Guide for Pride and Prejudice by Jane Austen
  • Card-making idea
  • Recipe for Nancy's Raspberry Petit Fours. Shockingly, although the book includes references to pumpkin squares, a recipe for them is not included.

 

(Original review posted on A Library Girl's Familiar Diversions.)

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review 2018-08-10 22:30
BENEATH A RUTHLESS SUN by Gilbert King, narrated by Kimberly Farr
Beneath a Ruthless Sun: A True Story of Violence, Race, and Justice Lost and Found - Gilbert King,Kimberly Farr

The reason I requested this book from my library was because of Megan Abbott's 

excellent, succinct review, which can be found here: BENEATH A RUTHLESS SUN

 

 

This is the shocking true story of a mentally challenged white man who was railroaded into confessing to a rape and who was then sent to a state hospital for over 14 years WITH NO TRIAL. It's a story of racism, small town corruption, networks made up of good old boys, and most importantly, a tenacious reporter named Mabel who never, ever gave up.

 

You know, I say it's a "shocking" story, but unfortunately, it's really not. Black or white, (mostly black), mentally challenged, and ALL poor-many people have not received a fair shake in this country over the years. It's unfortunate to note that many of them STILL are not receiving a fair shake. This book only proves how important a free press can be to the causes of justice and fair play.

 

Even though she has since passed of cancer, I feel the need to say WAY TO GO, Mabel! If it weren't for you, poor Jessie Daniels would probably have died in the state hospital.

 

Thanks to Megan Abbott for her intriguing review and thanks to my local library for providing the audiobook for free. Libraries RULE!

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url 2018-08-06 14:41
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