Terry R. Myers has written for more than 35 international journals, including Art/Text, Arts Magazine, Flash Art, LA Weekly, Modern Painters, New Art Examiner, and Parkett. Currently he is a regular contributor to Afterall, Art Review and The Brooklyn Rail.Myers has contributed essays to numerous exhibition catalogues and books including Sunshine & Noir: Art in LA 1960-1997, Peter Doig: blizzard seventy-seven, Vitamin P: New Perspectives in Painting, Rona Pondick: Works 1986-2008, Dexter Dalwood, The Indiscipline of Painting, and Christine Streuli. His books include Mary Heilmann: Save the Last Dance for Me (Afterall Books, 2007), and Painting: Documents of Contemporary Art (Whitechapel Gallery and The MIT Press, 2011).Exhibitions that he has organized include There is A Light That Never Goes Out at Amy Lipton Gallery in New York; Kay Rosen: lifeli[k]e at the Museum of Contemporary Art and Otis Gallery in Los Angeles; Standing Still and Walking in Los Angeles at Gagosian Gallery in Beverly Hills; Robert Overby: Parallel, 1978-1969 at the Hammer Museum in Los Angeles; The Slide Area at James Van Damme Gallery in Brussels; A red letter day at Fredericks Freiser Gallery in New York; and Angles in America and Never Let Me Go, both at Rhona Hoffman Gallery in Chicago.Myers has held teaching positions at Pratt Institute in New York, Otis College of Art and Design in Los Angeles, Art Center College of Design in Pasadena, and The Royal College of Art in London. Currently he is Professor and Chair of Painting and Drawing at The School of the Art Institute of Chicago.