I'm the drama critic of the Wall Street Journal, the critic-at-large of Commentary, and the author of "Duke: A Life of Duke Ellington," which will be published in October of 2013. I also blog about the arts at www.terryteachout.com. In addition to the books on this page, I've written a play,...
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I'm the drama critic of the Wall Street Journal, the critic-at-large of Commentary, and the author of "Duke: A Life of Duke Ellington," which will be published in October of 2013. I also blog about the arts at www.terryteachout.com. In addition to the books on this page, I've written a play, "Satchmo at the Waldorf," which was produced in 2012 by Shakespeare & Company of Lenox, Mass., Long Wharf Theatre of New Haven, Conn., and Philadelphia's Wilma Theater, and the libretti for two operas by Paul Moravec, "The Letter" and "Danse Russe." "Pops: A Life of Louis Armstrong," which came out in 2009, was my first book about music, but I've been listening to jazz ever since my mother told me to come see Satchmo singing "Hello, Dolly!" on "The Ed Sullivan Show" in 1964, and I was a professional bassist before becoming a full-time writer. Among other things, I've written the liner notes for such albums as Diana Krall's "All for You," Maria Schneider's "Coming About," Karrin Allyson's "Daydream," Marian McPartland's "Just Friends," Luciana Souza's "Neruda," and Roger Kellaway's "Live at the Jazz Standard."
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